Author: Mary Hallock-Greenewalt
Publisher: Wildside Press LLC
ISBN: 0809511916
Category : Music
Languages : en
Pages : 146
Book Description
Mary Hallock-Greenewalt played the piano with the Philadelphia and Pittsburgh Orchestras as a concert soloist, invented her own color organ that she called a "Sarabet" after her mother, and, in her pursuit of the art she named "Nourathar" by combining the Arabic words for "essence of light,"she had to invent the machinery required as well. Numbered among her inventions are the rheostat that allos the gradual fading of light, the mercury switch, and was among the earliest developers of colored gel filters for tinting theatrical lights. Her patent for the rheostat became the subject of an infirngement lawsuit in the lat 1920s against such large corporations as General Electric, a lawsuit that she ultimately won in 1936. This volume collects all eleven of her technology patents, revealing the refinement and evolution of the Sarabet. These patents also enable a clear evaluation of her contributions to visual music, since, as Dr. Betancourt notes in his introduction, the patents allow a much clearer determination of her place in history and a peer-reviewed statement of her accomplishments.
Mary Hallock-Greenewalt
Author: Mary Hallock-Greenewalt
Publisher: Wildside Press LLC
ISBN: 0809511916
Category : Music
Languages : en
Pages : 146
Book Description
Mary Hallock-Greenewalt played the piano with the Philadelphia and Pittsburgh Orchestras as a concert soloist, invented her own color organ that she called a "Sarabet" after her mother, and, in her pursuit of the art she named "Nourathar" by combining the Arabic words for "essence of light,"she had to invent the machinery required as well. Numbered among her inventions are the rheostat that allos the gradual fading of light, the mercury switch, and was among the earliest developers of colored gel filters for tinting theatrical lights. Her patent for the rheostat became the subject of an infirngement lawsuit in the lat 1920s against such large corporations as General Electric, a lawsuit that she ultimately won in 1936. This volume collects all eleven of her technology patents, revealing the refinement and evolution of the Sarabet. These patents also enable a clear evaluation of her contributions to visual music, since, as Dr. Betancourt notes in his introduction, the patents allow a much clearer determination of her place in history and a peer-reviewed statement of her accomplishments.
Publisher: Wildside Press LLC
ISBN: 0809511916
Category : Music
Languages : en
Pages : 146
Book Description
Mary Hallock-Greenewalt played the piano with the Philadelphia and Pittsburgh Orchestras as a concert soloist, invented her own color organ that she called a "Sarabet" after her mother, and, in her pursuit of the art she named "Nourathar" by combining the Arabic words for "essence of light,"she had to invent the machinery required as well. Numbered among her inventions are the rheostat that allos the gradual fading of light, the mercury switch, and was among the earliest developers of colored gel filters for tinting theatrical lights. Her patent for the rheostat became the subject of an infirngement lawsuit in the lat 1920s against such large corporations as General Electric, a lawsuit that she ultimately won in 1936. This volume collects all eleven of her technology patents, revealing the refinement and evolution of the Sarabet. These patents also enable a clear evaluation of her contributions to visual music, since, as Dr. Betancourt notes in his introduction, the patents allow a much clearer determination of her place in history and a peer-reviewed statement of her accomplishments.
The Color Revolution
Author: Regina Lee Blaszczyk
Publisher: MIT Press
ISBN: 0262017776
Category : Technology & Engineering
Languages : en
Pages : 397
Book Description
A history of color and commerce from haute couture to automobile showrooms to interior design. When the fashion industry declares that lime green is the new black, or instructs us to “think pink!,” it is not the result of a backroom deal forged by a secretive cabal of fashion journalists, designers, manufacturers, and the editor of Vogue. It is the latest development of a color revolution that has been unfolding for more than a century. In this book, the award-winning historian Regina Lee Blaszczyk traces the relationship of color and commerce, from haute couture to automobile showrooms to interior design, describing the often unrecognized role of the color profession in consumer culture. Blaszczyk examines the evolution of the color profession from 1850 to 1970, telling the stories of innovators who managed the color cornucopia that modern artificial dyes and pigments made possible. These “color stylists,” “color forecasters,” and “color engineers” helped corporations understand the art of illusion and the psychology of color. Blaszczyk describes the strategic burst of color that took place in the 1920s, when General Motors introduced a bright blue sedan to compete with Ford's all-black Model T and when housewares became available in a range of brilliant hues. She explains the process of color forecasting—not a conspiracy to manipulate hapless consumers but a careful reading of cultural trends and consumer taste. And she shows how color information flowed from the fashion houses of Paris to textile mills in New Jersey. Today professional colorists are part of design management teams at such global corporations as Hilton, Disney, and Toyota. The Color Revolution tells the history of how colorists help industry capture the hearts and dollars of consumers.
Publisher: MIT Press
ISBN: 0262017776
Category : Technology & Engineering
Languages : en
Pages : 397
Book Description
A history of color and commerce from haute couture to automobile showrooms to interior design. When the fashion industry declares that lime green is the new black, or instructs us to “think pink!,” it is not the result of a backroom deal forged by a secretive cabal of fashion journalists, designers, manufacturers, and the editor of Vogue. It is the latest development of a color revolution that has been unfolding for more than a century. In this book, the award-winning historian Regina Lee Blaszczyk traces the relationship of color and commerce, from haute couture to automobile showrooms to interior design, describing the often unrecognized role of the color profession in consumer culture. Blaszczyk examines the evolution of the color profession from 1850 to 1970, telling the stories of innovators who managed the color cornucopia that modern artificial dyes and pigments made possible. These “color stylists,” “color forecasters,” and “color engineers” helped corporations understand the art of illusion and the psychology of color. Blaszczyk describes the strategic burst of color that took place in the 1920s, when General Motors introduced a bright blue sedan to compete with Ford's all-black Model T and when housewares became available in a range of brilliant hues. She explains the process of color forecasting—not a conspiracy to manipulate hapless consumers but a careful reading of cultural trends and consumer taste. And she shows how color information flowed from the fashion houses of Paris to textile mills in New Jersey. Today professional colorists are part of design management teams at such global corporations as Hilton, Disney, and Toyota. The Color Revolution tells the history of how colorists help industry capture the hearts and dollars of consumers.
The History of Motion Graphics
Author: Michael Betancourt
Publisher: Wildside Press LLC
ISBN: 1479450235
Category : Art
Languages : en
Pages : 313
Book Description
Expand your knowledge of the aesthetics, forms and meaning of motion graphics as well as the long-running connections between the American avant-garde film, video art and TV commercials. In 1960 avant-garde animator and inventor John Whitney started a company called "Motion Graphics, Inc." to make animated titles and logos. His new company crystalized a relationship between avant-garde film and commercial broadcast design/film titles. Careful discussion of historical works puts them in context, allowing their reappearance in contemporary motion graphics clear. This book includes a thorough examination of the history of title design from the earliest films through the present, including Walter Anthony, Saul Bass, Maurice Binder, Pablo Ferro, Wayne Fitzgerald, Nina Saxon, and Kyle Cooper. This book also covers early abstract film (the Futurists Bruno Corra and Arnaldo Ginna, Leopold Survage, Walther Ruttmann, Viking Eggeling, Hans Richter, Oskar Fischinger, Mary Ellen Bute, Len Lye and Norman McLaren) and puts the work of visual music pioneers Mary Hallock-Greenewalt and Thomas Wilfred in context. The History of Motion Graphics is the essential textbook and general reference for understanding how and where the field of motion graphic design came from and where it's going.
Publisher: Wildside Press LLC
ISBN: 1479450235
Category : Art
Languages : en
Pages : 313
Book Description
Expand your knowledge of the aesthetics, forms and meaning of motion graphics as well as the long-running connections between the American avant-garde film, video art and TV commercials. In 1960 avant-garde animator and inventor John Whitney started a company called "Motion Graphics, Inc." to make animated titles and logos. His new company crystalized a relationship between avant-garde film and commercial broadcast design/film titles. Careful discussion of historical works puts them in context, allowing their reappearance in contemporary motion graphics clear. This book includes a thorough examination of the history of title design from the earliest films through the present, including Walter Anthony, Saul Bass, Maurice Binder, Pablo Ferro, Wayne Fitzgerald, Nina Saxon, and Kyle Cooper. This book also covers early abstract film (the Futurists Bruno Corra and Arnaldo Ginna, Leopold Survage, Walther Ruttmann, Viking Eggeling, Hans Richter, Oskar Fischinger, Mary Ellen Bute, Len Lye and Norman McLaren) and puts the work of visual music pioneers Mary Hallock-Greenewalt and Thomas Wilfred in context. The History of Motion Graphics is the essential textbook and general reference for understanding how and where the field of motion graphic design came from and where it's going.
Visual Music Instrument Patents
Author: Michael Betancourt
Publisher: Wildside Press LLC
ISBN: 0809511444
Category : Law
Languages : en
Pages : 218
Book Description
"This book is a collection of primary source documents for visual music instruments, often called 'color organs' [or lumia], gleaned from the United States Patent Office."--Back cover.
Publisher: Wildside Press LLC
ISBN: 0809511444
Category : Law
Languages : en
Pages : 218
Book Description
"This book is a collection of primary source documents for visual music instruments, often called 'color organs' [or lumia], gleaned from the United States Patent Office."--Back cover.
Harmony and Dissent
Author: R. Bruce Elder
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554580862
Category : Performing Arts
Languages : en
Pages : 517
Book Description
R. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that they might take on attributes of the cinema. The cinema, Elder argues, became, in the early decades of the twentieth century, a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape. To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concerning modernity’s cognitive (and perceptual) regime, with a view to establishing that a crisis within that regime engendered some peculiar, and highly questionable, epistemological beliefs and enthusiasms. Through this discussion, Elder advances the startling claim that a crisis of cognition precipitated by modernity engendered, by way of response, a peculiar sort of “pneumatic (spiritual) epistemology.” Elder then shows that early ideas of the cinema were strongly influenced by this pneumatic epistemology and uses this conception of the cinema to explain its pivotal role in shaping two key moments in early-twentieth-century art: the quest to bring forth a pure, “objectless” (non-representational) art and Russian Suprematism, Constructivism, and Productivism.
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554580862
Category : Performing Arts
Languages : en
Pages : 517
Book Description
R. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that they might take on attributes of the cinema. The cinema, Elder argues, became, in the early decades of the twentieth century, a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape. To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concerning modernity’s cognitive (and perceptual) regime, with a view to establishing that a crisis within that regime engendered some peculiar, and highly questionable, epistemological beliefs and enthusiasms. Through this discussion, Elder advances the startling claim that a crisis of cognition precipitated by modernity engendered, by way of response, a peculiar sort of “pneumatic (spiritual) epistemology.” Elder then shows that early ideas of the cinema were strongly influenced by this pneumatic epistemology and uses this conception of the cinema to explain its pivotal role in shaping two key moments in early-twentieth-century art: the quest to bring forth a pure, “objectless” (non-representational) art and Russian Suprematism, Constructivism, and Productivism.
Colour-music
Author: Adrian Cornwell-Clyne
Publisher: London : Lockwood
ISBN:
Category : Color
Languages : en
Pages : 366
Book Description
Publisher: London : Lockwood
ISBN:
Category : Color
Languages : en
Pages : 366
Book Description
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 586
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 586
Book Description
The Men of Manhattan
Author: Jeffrey Strickland
Publisher: Lulu.com
ISBN: 1257761889
Category : History
Languages : en
Pages : 379
Book Description
"The Men of Manhattan" is a short history of the origins and development of the American atomic bomb program during World War II, focusing on the men and woman who made it possible. Beginning with the scientific developments of the pre-war years, the book details the role of scientific exploration in conducting a secret, nationwide enterprise that took science from the laboratory and into combat with an entirely new type of weapon. Throughout the book, short biographies of the men, and a women-Lise Meitner, Leona Woods Marshall Libby, and Chien-Shiung Wu-are provided where most pertinent. Although nuclear weapons still pose a threat to peace throughout the world, splitting the atom was a watermark point in nuclear science and quantum physics. Harnessed responsibly, the enormous power of an atomic chain reaction can serve humanity for good, e.g., atomic energy. Nuclear medicine and x-ray technology are examples of the benefits brought about by these pioneers-the Men of Manhattan.
Publisher: Lulu.com
ISBN: 1257761889
Category : History
Languages : en
Pages : 379
Book Description
"The Men of Manhattan" is a short history of the origins and development of the American atomic bomb program during World War II, focusing on the men and woman who made it possible. Beginning with the scientific developments of the pre-war years, the book details the role of scientific exploration in conducting a secret, nationwide enterprise that took science from the laboratory and into combat with an entirely new type of weapon. Throughout the book, short biographies of the men, and a women-Lise Meitner, Leona Woods Marshall Libby, and Chien-Shiung Wu-are provided where most pertinent. Although nuclear weapons still pose a threat to peace throughout the world, splitting the atom was a watermark point in nuclear science and quantum physics. Harnessed responsibly, the enormous power of an atomic chain reaction can serve humanity for good, e.g., atomic energy. Nuclear medicine and x-ray technology are examples of the benefits brought about by these pioneers-the Men of Manhattan.
Current Opinion
Author: Edward Jewitt Wheeler
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 832
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 832
Book Description
Transactions of the Illuminating Engineering Society
Author: Illuminating Engineering Society
Publisher:
ISBN:
Category : Lighting
Languages : en
Pages : 736
Book Description
Publisher:
ISBN:
Category : Lighting
Languages : en
Pages : 736
Book Description