Mary Berenson Diaries 01 1891-1900 PDF Download

Author: Mary Berenson
Publisher: Michael Murray Gorman
ISBN:
Category : Literary Collections
Languages : en
Pages : 562

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Author: Mary Berenson
Publisher: W. W. Norton
ISBN: 9780393333824
Category : Biography & Autobiography
Languages : en
Pages : 0

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Author: Villa I Tatti (Florence, Italy)
Publisher: Officina Libraria
ISBN: 9788897737636
Category : Art
Languages : en
Pages : 0

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Book Description
Edited by Carl Brandon Strehlke and Machtelt Brüggen Israëls, The Bernard and Mary Berenson Collection of European Paintings at I Tatti surveys the 149 works assembled by the Berensons for their home in Florence from the late 1890s through the first decades of the twentieth century at the time that they were making their mark on the world as connoisseurs. The catalogue presents a privileged window on the Berensons' intellectual interests through the objects they owned. The entries, written by an international team of art historians, take full advantage of the extensive correspondence from the Berensons' friends, family, and colleagues at I Tatti as well as the couple's diaries and notations on the backs of their vast gathering of photographs. All the entries are lavishly illustrated with full scholarly and technical accountings of the objects. There are also 17 illustrated reconstructions of the original contexts of panel paintings. The catalogue includes essays on the progress of the Berensons' collecting, their love for Siena, the Sienese forger Icilio Federico Joni, the critic Roger Fry, and René Piot's murals at I Tatti, as well as a listing of 94 pictures that were once at I Tatti including donations made to museums in Europe and America. Contents: Preface Lino Pertile; Acknowledgments - Carl Brandon Strehlke and Machtelt Israëls; Note to the Use of the Catalogue; Abbreviations; Glossary of People in the Berenson Circle Mentioned in the Text; Section I: Introductory Essays and Entries 0 to 111; Essay I: "Bernard and Mary Collect: Pictures Come to I Tatti" - Carl Brandon Strehlke; Essay II: "The Berensons and Siena" (working title) - Machtelt Israëls; Essay III: "Passions Intertwined: Art and Photography at I Tatti" - Giovanni Pagliarulo; Entries: Paintings from the 14th to 18th century - Plates 0 to 111; Section II: Fakes; Essay IV: The Berensons and the Sienese Forger Federico Ioni - Gianni Mazzoni; Entries: Fakes - Plates 112 to 116; Section III: Roger Fry; Essay V: "Roger Fry and Bernard Berenson" - Caroline Elam; Entry: Fry - Plate 117; Section IV: René Piot; Essay VI: "A Failure: René Piot and the Berensons" - Claudio Pizzorusso; Entries: Piot - Plates 118 to 131; Section V: The Berensons, Family and Friends; Entries: Portraits - Plates 132 to 138; Entries: Miscellanea - Plates 139 to 148; Appendix: Paintings Formerly Owned by the Berensons - Carl Brandon Strehlke and Machtelt Israëls; Bibliography; Photo Credits; Index.

Author: Jennifer Holmes
Publisher: Troubador Publishing Ltd
ISBN: 1789016541
Category : Biography & Autobiography
Languages : en
Pages : 416

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A Working Woman: The Remarkable Life of Ray Strachey is a traditional biography of a very untraditional woman. Tug-of-love child, Ward in Chancery, pampered schoolgirl, pioneer car driver, would-be electrical engineer, triumphant suffragist, political lobbyist, historian, biographer, novelist, journalist, broadcaster, well-known public figure, enthusiastic bricklayer, devoted mother, despairing stepmother, neglected wife: Ray Strachey was all of these and more. Bertrand Russell taught her maths; John Maynard Keynes fell (a little) in love with her; Virginia Woolf was over-awed by her; Millicent Garrett Fawcett and Nancy Astor depended on her. She inspired admiration in men and gratitude close to worship in women. As a close colleague of Millicent Fawcett, Ray Strachey played a major, non-violent, role in gaining British women the vote in 1918. She was one of the first female Parliamentary candidates, and became one of the leading feminists of the inter-war years, devoted in particular to improving employment opportunities for women. A brilliant political lobbyist with an extraordinary range of contacts, she was also a celebrated author, journalist and broadcaster, still remembered for her classic history of the Women’s Movement, The Cause (1928). She achieved all this as a working mother with overwhelming family responsibilities and an unusual (some said eccentric) private life. Lavishly illustrated, this first full account of Ray Strachey’s life is based on extensive research and draws heavily on her own lively and forthright comments on people and events. Interweaving her public roles with her challenging private life on the fringes of the Bloomsbury set, it features a host of well-known personalities, and introduces a new generation of readers to a fascinating though neglected fighter for women’s rights.

Author: Rachel Cohen
Publisher: Yale University Press
ISBN: 0300199147
Category : Biography & Autobiography
Languages : en
Pages : 344

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"Few would have predicted that Bernard Berenson, from a poor Lithuanian Jewish immigrant family, would rise above poverty. Yet Berenson left his crowded home near Boston's railyards and transformed himself into the world's most renowned expert on Italian Renaissance paintings, the owner of a beautiful villa and an immense private library in the hills outside Florence. The explosion of the Gilded Age art market and Berenson's work for dealer Joseph Duveen supported a luxurious life, but it came with painful costs: Berenson hid his origins and, though his attributions remain foundational, felt that he had betrayed his gifts as a critic and interpreter of paintings. This finely drawn portrait of Berenson, the first biography devoted to him in a quarter century, draws on new archival materials that bring out the significance of his secret business dealings and the central importance of several women in his life and work: his sister Senda Berenson; his wife Mary Berenson; his patron Isabella Stewart Gardner; his lover Belle da Costa Greene; his dear friend Edith Wharton, and the companion of his last forty years, Nicky Mariano. Rachel Cohen explores Berenson's inner world and extraordinary visual capacity while also illuminating the historical forces-new capital, the developing art market, persistent anti-Semitism, and the two world wars-that profoundly affected his life"--

Author: Bernard Berenson
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 760

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Author: Lesa Scholl
Publisher: Springer Nature
ISBN: 3030783189
Category : Literary Criticism
Languages : en
Pages : 1753

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Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.

Author:
Publisher: American Philosophical Society
ISBN: 9781422370971
Category :
Languages : en
Pages : 76

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Author: Stanley Mazaroff
Publisher: JHU Press
ISBN: 1421440466
Category : Art
Languages : en
Pages : 247

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Collecting Italian Renaissance paintings during America’s Gilded Age was fraught with risk because of the uncertain identities of the artists and the conflicting interests of the dealers. Stanley Mazaroff’s fascinating account of the close relationship between Henry Walters, founder of the legendary Walters Art Museum in Baltimore, and Bernard Berenson, the era’s preeminent connoisseur of Italian paintings, richly illustrates this important chapter of America’s cultural history. When Walters opened his Italianate museum in 1909, it was labeled as America’s “Great Temple of Art.” With more than 500 Italian paintings, including self-portraits purportedly by Raphael and Michelangelo, Walters’s collection was compared favorably with the great collections in London, Paris, and Berlin. In the midst of this fanfare, Berenson contacted Walters and offered to analyze his collection, sell him additional paintings, and write a scholarly catalogue that would trumpet the collection on both sides of the Atlantic. What Berenson offered was what Walters desperately needed—a badge of scholarship that Berenson’s invaluable imprimatur would undoubtedly bring. By 1912, Walters had become Berenson’s most active client, their business alliance wrapped in a warm and personal friendship. But this relationship soon became strained and was finally severed by a confluence of broken promises, inattention, deceit, and ethical conflict. To Walters’s chagrin, Berenson swept away the self-portraits allegedly by Raphael and Michelangelo and publicly scorned paintings that he was supposed to praise. Though painful to Walters, Berenson’s guidance ultimately led to a panoramic collection that beautifully told the great history of Italian Renaissance painting. Based primarily on correspondence and other archival documents recently discovered at the Walters Art Museum and the Villa I Tatti in Florence, the intriguing story of Walters and Berenson offers unusual insight into the pleasures and perils of collecting Italian Renaissance paintings, the ethics in the marketplace, and the founding of American art museums.

Author: D. Deacon
Publisher: Springer
ISBN: 0230277470
Category : History
Languages : en
Pages : 323

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The transnationalism of ordinary lives threatens the stability of national identity and unsettles the framework of national histories and biography. This book takes mobility, not nation, as its frame, and captures a rich array of lives, from the elite to the subaltern, that have crossed national, racial and cartographic boundaries.