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Author: Martin Ritt Publisher: Univ. Press of Mississippi ISBN: 9781578064342 Category : Biography & Autobiography Languages : en Pages : 268
Book Description
A collection of interviews with one of America's preeminent makers of social films and one of the most sensitive portraitists of the rural South
Author: Martin Ritt Publisher: Univ. Press of Mississippi ISBN: 9781578064342 Category : Biography & Autobiography Languages : en Pages : 268
Book Description
A collection of interviews with one of America's preeminent makers of social films and one of the most sensitive portraitists of the rural South
Author: Martin Ritt Publisher: Univ. Press of Mississippi ISBN: 9781578064342 Category : Biography & Autobiography Languages : en Pages : 268
Book Description
A collection of interviews with one of America's preeminent makers of social films and one of the most sensitive portraitists of the rural South
Author: Gabriella Oldham Publisher: Univ of California Press ISBN: 0520274679 Category : Biography & Autobiography Languages : en Pages : 438
Book Description
First Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, and updated with a new preface, this book provides a comprehensive treatment of both documentary and feature film editing.
Author: Larry Ceplair Publisher: University Press of Kentucky ISBN: 0813137047 Category : Biography & Autobiography Languages : en Pages : 352
Book Description
As part of its effort to expose Communist infiltration in the United States and eliminate Communist influence on movies, from 1947--1953 the House Committee on Un-American Activities subpoenaed hundreds of movie industry employees suspected of membership in the Communist Party. Most of them, including screenwriter Paul Jarrico (1915--1997), invoked the Fifth Amendment and refused to answer questions about their political associations. They were all blacklisted. In The Marxist and the Movies, Larry Ceplair narrates the life, movie career, and political activities of Jarrico, the recipient of an Oscar nomination for his screenplay for Tom, Dick and Harry (1941) and the producer of Salt of the Earth (1954), one of the most politically besieged films in the history of the United States. Though Jarrico did not reach the upper eschelon of screenwriting, he worked steadily in Hollywood until his blacklisting. He was one of the movie industry's most engaged Communists, working on behalf of dozens of social and political causes. Song of Russia (1944) was one of the few assignments that allowed him to express his political beliefs through his screenwriting craft. Though MGM planned the film as a conventional means of boosting domestic support for the USSR, a wartime ally of the United States, it came under attack by a host of anti-Communists. Jarrico fought the blacklist in many ways, and his greatest battle involved the making of Salt of the Earth. Jarrico, other blacklisted individuals, and the families of the miners who were the subject of the film created a landmark film in motion picture history. As did others on the blacklist, Jarrico decided that Europe offered a freer atmosphere than that of the cold war United States. Although he continued to support political causes while living abroad, he found it difficult to find remunerative black market screenwriting assignments. On the scripts he did complete, he had to use a pseudonym or allow the producers to give screen credit to others. Upon returning to the United States in 1977, he led the fight to restore screen credits to the blacklisted writers who, like himself, had been denied screen credit from the late 1940s to the mid-1960s. Despite all the obstacles he encountered, Jarrico never lost his faith in the progressive potential of movies and the possibility of a socialist future. The Marxist and the Movies details the relationship between a screenwriter's work and his Communist beliefs. From Jarrico's immense archive, interviews with him and those who knew him best, and a host of other sources, Ceplair has crafted an insider's view of Paul Jarrico's life and work, placing both in the context of U.S. cultural history.
Author: Paul Buhle Publisher: St. Martin's Press ISBN: 1250083133 Category : Biography & Autobiography Languages : en Pages : 354
Book Description
Hide in Plain Sight completes Buhle and Wagner's trilogy on the Hollywood blacklist. When the blacklistees were hounded out of Hollywood, some left for television where many worked on children's shows like "Rocky and Bullwinkle." A number wrote adult sitcoms such as The Donna Reed Show, and M*A*S*H while some of them ultimately returned to Hollywood and made great films such as Norma Rae, and Midnight Cowboy. This is a thoughtful look at the rising fear of communism in America and the aftermath of the horror that was the McCarthy period, from two expert historians of the blacklist period.
Author: Henry MacAdam Publisher: Cambridge Scholars Publishing ISBN: 1527562271 Category : Performing Arts Languages : en Pages : 465
Book Description
Using previously unpublished correspondence and personal journal entries from screenwriter Abraham Polonsky, neglected notices in Variety and other Hollywood trade publications, and a wide range of published sources, this narrative backstory of rival movie productions of The Gladiators vs Spartacus documents that intense competition with greater precision and clarity than any other existing account. The key role that this little-known chapter of Hollywood's blacklist history played, in connection with Dalton Trumbo's successful effort to win screen credit for Spartacus, is now for the first time available to film historians and lay readers. A companion study, Volume 2, is devoted to Abraham Polonsky’s rediscovered screenplay.
Author: Carol Burnett Publisher: Crown Archetype ISBN: 0307461203 Category : Biography & Autobiography Languages : en Pages : 290
Book Description
This touching and hilarious memoir is 100 percent Carol Burnett—funny, irreverent, and irresistible. Carol Burnett is one of the most beloved and revered actresses and performers in America. The Carol Burnett Show was seen each week by millions of adoring fans and won twenty-five Emmys in its remarkable eleven-year run. Now, in This Time Together, Carol really lets her hair down and tells one funny or touching or memorable story after another. In engaging anecdotes, Carol discusses her remarkable friendships with stars such as Jimmy Stewart, Lucille Ball, Cary Grant, and Julie Andrews; the background behind famous scenes, like the moment she swept down the stairs in her curtain-rod dress in the legendary “Went with the Wind” skit; and things that would happen only to Carol—the prank with Julie Andrews that went wrong in front of the First Lady; the famous Tarzan Yell that saved her during a mugging; and the time she faked a wooden leg to get served in a famous ice cream emporium. This poignant look back allows us to cry with the actress during her sorrows, rejoice in her successes, and finally, always, to laugh.
Author: Chris Lukinbeal Publisher: Taylor & Francis ISBN: 1040116582 Category : Science Languages : en Pages : 207
Book Description
This book uniquely bridges the conceptual gap between the history of geographic, cartographic thought, and film theory with the technological and cultural shifts that shaped the emergence of cameras and cinema. Adorned with illustrative figures, examples, and case studies throughout, the book explores how cinema lends itself to cartography and, in turn, how cartography relates to both the individual and collective experience of cinema. By using cartography to understand space and scale in film, the book moves away from textual analysis or representation analysis to focus on the locational attribution of the sites where the cinematic landscape is being produced. It contends that viewers of moving images are active players in a complex network of cultural and mental geographies. This volume is essential reading for students, scholars, and academics of cinematography, human, cultural, and social geography, cartography, and media studies, as well as those interested in these areas more generally.
Author: Debra Caplan Publisher: University of Michigan Press ISBN: 0472123688 Category : Performing Arts Languages : en Pages : 343
Book Description
Yiddish Empire tells the story of how a group of itinerant Jewish performers became the interwar equivalent of a viral sensation, providing a missing chapter in the history of the modern stage. During World War I, a motley group of teenaged amateurs, impoverished war refugees, and out- of- work Russian actors banded together to revolutionize the Yiddish stage. Achieving a most unlikely success through their productions, the Vilna Troupe (1915– 36) would eventually go on to earn the attention of theatergoers around the world. Advancements in modern transportation allowed Yiddish theater artists to reach global audiences, traversing not only cities and districts but also countries and continents. The Vilna Troupe routinely performed in major venues that had never before allowed Jews, let alone Yiddish, upon their stages, and operated across a vast territory, a strategy that enabled them to attract unusually diverse audiences to the Yiddish stage and a precursor to the organizational structures and travel patterns that we see now in contemporary theater. Debra Caplan’s history of the Troupe is rigorously researched, employing primary and secondary sources in multiple languages, and is engagingly written.
Author: Martin Ritt
Author: Martin Ritt
Author: Gabriel Miller
Author: Martin Ritt
Author: Gabriella Oldham
Author: Larry Ceplair
Author: Paul Buhle
Author: Henry MacAdam
Author: Carol Burnett
Author: Chris Lukinbeal
Author: Debra Caplan