Author: Roy Jr. Morris
Publisher: Simon and Schuster
ISBN: 143910137X
Category : Biography & Autobiography
Languages : en
Pages : 314
Book Description
In the very last paragraph of Mark Twain’s Adventures of Huckleberry Finn, the title character gloomily reckons that it’s time “to light out for the Territory ahead of the rest.” Tom Sawyer’s Aunt Sally is trying to “sivilize” him, and Huck Finn can’t stand it—he’s been there before. It’s a decision Huck’s creator already had made, albeit for somewhat different reasons, a quarter of a century earlier. He wasn’t even Mark Twain then, but as Huck might have said, “That ain’t no matter.” With the Civil War spreading across his native Missouri, twenty-five-year-old Samuel Clemens, suddenly out of work as a Mississippi riverboat pilot, gladly accepted his brother Orion’s offer to join him in Nevada Territory, far from the crimsoned battlefields of war. A rollicking, hilarious stagecoach journey across the Great Plains and over the Rocky Mountains was just the beginning of a nearly six-year-long odyssey that took Samuel Clemens from St. Joseph, Missouri, to Hawaii, with lengthy stopovers in Virginia City, Nevada, and San Francisco. By the time it was over, he would find himself reborn as Mark Twain, America’s best-loved, most influential writer. The “trouble,” as he famously promised, had begun. With a pitch-perfect blend of appreciative humor and critical authority, acclaimed literary biographer Roy Morris, Jr., sheds new light on this crucial but still largely unexamined period in Mark Twain’s life. Morris carefully sorts fact from fiction—never an easy task when dealing with Twain—to tell the story of a young genius finding his voice in the ramshackle mining camps, boomtowns, and newspaper offices of the wild and woolly West, while the Civil War rages half a continent away. With the frequent help of Twain’s own words, Morris follows his subject on a winding journey of selfdiscovery filled with high adventure and low comedy, as Clemens/Twain dodges Indians and gunfighters, receives marriage advice from Brigham Young, burns down a mountain with a frying pan, gets claim-jumped by rival miners, narrowly avoids fighting a duel, hikes across the floor of an active volcano, becomes one of the first white men to try the ancient Hawaiian sport of surfing, and writes his first great literary success, “The Celebrated Jumping Frog of Calaveras County.” Lighting Out for the Territory is a fascinating, even inspiring, account of how an unemployed riverboat pilot, would-be Confederate guerrilla, failed prospector, neophyte newspaper reporter, and parttime San Francisco aesthete reinvented himself as America’s most famous and beloved writer. It’s a good story, and mostly true—with some stretchers thrown in for good measure.
Lighting Out for the Territory
Author: Roy Jr. Morris
Publisher: Simon and Schuster
ISBN: 143910137X
Category : Biography & Autobiography
Languages : en
Pages : 314
Book Description
In the very last paragraph of Mark Twain’s Adventures of Huckleberry Finn, the title character gloomily reckons that it’s time “to light out for the Territory ahead of the rest.” Tom Sawyer’s Aunt Sally is trying to “sivilize” him, and Huck Finn can’t stand it—he’s been there before. It’s a decision Huck’s creator already had made, albeit for somewhat different reasons, a quarter of a century earlier. He wasn’t even Mark Twain then, but as Huck might have said, “That ain’t no matter.” With the Civil War spreading across his native Missouri, twenty-five-year-old Samuel Clemens, suddenly out of work as a Mississippi riverboat pilot, gladly accepted his brother Orion’s offer to join him in Nevada Territory, far from the crimsoned battlefields of war. A rollicking, hilarious stagecoach journey across the Great Plains and over the Rocky Mountains was just the beginning of a nearly six-year-long odyssey that took Samuel Clemens from St. Joseph, Missouri, to Hawaii, with lengthy stopovers in Virginia City, Nevada, and San Francisco. By the time it was over, he would find himself reborn as Mark Twain, America’s best-loved, most influential writer. The “trouble,” as he famously promised, had begun. With a pitch-perfect blend of appreciative humor and critical authority, acclaimed literary biographer Roy Morris, Jr., sheds new light on this crucial but still largely unexamined period in Mark Twain’s life. Morris carefully sorts fact from fiction—never an easy task when dealing with Twain—to tell the story of a young genius finding his voice in the ramshackle mining camps, boomtowns, and newspaper offices of the wild and woolly West, while the Civil War rages half a continent away. With the frequent help of Twain’s own words, Morris follows his subject on a winding journey of selfdiscovery filled with high adventure and low comedy, as Clemens/Twain dodges Indians and gunfighters, receives marriage advice from Brigham Young, burns down a mountain with a frying pan, gets claim-jumped by rival miners, narrowly avoids fighting a duel, hikes across the floor of an active volcano, becomes one of the first white men to try the ancient Hawaiian sport of surfing, and writes his first great literary success, “The Celebrated Jumping Frog of Calaveras County.” Lighting Out for the Territory is a fascinating, even inspiring, account of how an unemployed riverboat pilot, would-be Confederate guerrilla, failed prospector, neophyte newspaper reporter, and parttime San Francisco aesthete reinvented himself as America’s most famous and beloved writer. It’s a good story, and mostly true—with some stretchers thrown in for good measure.
Publisher: Simon and Schuster
ISBN: 143910137X
Category : Biography & Autobiography
Languages : en
Pages : 314
Book Description
In the very last paragraph of Mark Twain’s Adventures of Huckleberry Finn, the title character gloomily reckons that it’s time “to light out for the Territory ahead of the rest.” Tom Sawyer’s Aunt Sally is trying to “sivilize” him, and Huck Finn can’t stand it—he’s been there before. It’s a decision Huck’s creator already had made, albeit for somewhat different reasons, a quarter of a century earlier. He wasn’t even Mark Twain then, but as Huck might have said, “That ain’t no matter.” With the Civil War spreading across his native Missouri, twenty-five-year-old Samuel Clemens, suddenly out of work as a Mississippi riverboat pilot, gladly accepted his brother Orion’s offer to join him in Nevada Territory, far from the crimsoned battlefields of war. A rollicking, hilarious stagecoach journey across the Great Plains and over the Rocky Mountains was just the beginning of a nearly six-year-long odyssey that took Samuel Clemens from St. Joseph, Missouri, to Hawaii, with lengthy stopovers in Virginia City, Nevada, and San Francisco. By the time it was over, he would find himself reborn as Mark Twain, America’s best-loved, most influential writer. The “trouble,” as he famously promised, had begun. With a pitch-perfect blend of appreciative humor and critical authority, acclaimed literary biographer Roy Morris, Jr., sheds new light on this crucial but still largely unexamined period in Mark Twain’s life. Morris carefully sorts fact from fiction—never an easy task when dealing with Twain—to tell the story of a young genius finding his voice in the ramshackle mining camps, boomtowns, and newspaper offices of the wild and woolly West, while the Civil War rages half a continent away. With the frequent help of Twain’s own words, Morris follows his subject on a winding journey of selfdiscovery filled with high adventure and low comedy, as Clemens/Twain dodges Indians and gunfighters, receives marriage advice from Brigham Young, burns down a mountain with a frying pan, gets claim-jumped by rival miners, narrowly avoids fighting a duel, hikes across the floor of an active volcano, becomes one of the first white men to try the ancient Hawaiian sport of surfing, and writes his first great literary success, “The Celebrated Jumping Frog of Calaveras County.” Lighting Out for the Territory is a fascinating, even inspiring, account of how an unemployed riverboat pilot, would-be Confederate guerrilla, failed prospector, neophyte newspaper reporter, and parttime San Francisco aesthete reinvented himself as America’s most famous and beloved writer. It’s a good story, and mostly true—with some stretchers thrown in for good measure.
Mark Twain's Autobiography
Twain, Alcott, and the Birth of the Adolescent Reform Novel
Author: Roberta S. Trites
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Scholars traditionally distinguish Mark Twain from Louisa May Alcott based on gender differences, but Roberta Seelinger Trites argues that there are enough similarities between the two authors’ intellectual lives that their novels share interconnected social agendas. Trites does not imply that Twain and Alcott influenced each other—indeed, they had little effect on each other—but, paradoxically, they wrote on similar topics because they were so deeply affected by the Civil War, by cataclysmic emotional and ?nancial losses in their families, by their cultural immersion in the tenets of Protestant philosophy, and by sexual tensions that may have stimulated their interest in writing for adolescents. Trites demonstrates how the authors participated in a cultural dynamic that marked the changing nature of adolescence in America, provoking a literary sentiment that continues to inform young adult literature. Both intuited that the transitory nature of adolescence makes it ripe for expressions about human potential for change and reform. Twain, Alcott, and the Birth of the Adolescent Reform Novel explores the effects these authors’ extraordinary popularity had in solidifying what could be called the adolescent reform novel. The factors that led Twain and Alcott to write for youth, and the effects of their decisions about how and what to write for that audience, involve the literary and intellectual history of two people—and the nation in which they lived.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Scholars traditionally distinguish Mark Twain from Louisa May Alcott based on gender differences, but Roberta Seelinger Trites argues that there are enough similarities between the two authors’ intellectual lives that their novels share interconnected social agendas. Trites does not imply that Twain and Alcott influenced each other—indeed, they had little effect on each other—but, paradoxically, they wrote on similar topics because they were so deeply affected by the Civil War, by cataclysmic emotional and ?nancial losses in their families, by their cultural immersion in the tenets of Protestant philosophy, and by sexual tensions that may have stimulated their interest in writing for adolescents. Trites demonstrates how the authors participated in a cultural dynamic that marked the changing nature of adolescence in America, provoking a literary sentiment that continues to inform young adult literature. Both intuited that the transitory nature of adolescence makes it ripe for expressions about human potential for change and reform. Twain, Alcott, and the Birth of the Adolescent Reform Novel explores the effects these authors’ extraordinary popularity had in solidifying what could be called the adolescent reform novel. The factors that led Twain and Alcott to write for youth, and the effects of their decisions about how and what to write for that audience, involve the literary and intellectual history of two people—and the nation in which they lived.
Mark Twain's Speeches
Author: Mark Twain
Publisher: Binker North
ISBN:
Category : Humor
Languages : en
Pages : 464
Book Description
These Mark Twain speeches will address themselves to the minds and hearts of those who read them, but not with the effect they had with those who heard them; Clemens himself would have said, not with half the effect. I have noted elsewhere how he always held that the actor doubled the value of the author's words; and he was a great actor as well as a great author. In the words of author William Dean Howells: These speeches will address themselves to the minds and hearts of those who read them, but not with the effect they had with those who heard them; Clemens himself would have said, not with half the effect. I have noted elsewhere how he always held that the actor doubled the value of the author's words; and he was a great actor as well as a great author. He was a most consummate actor, with this difference from other actors, that he was the first to know the thoughts and invent the fancies to which his voice and action gave the color of life. Representation is the art of other actors; his art was creative as well as representative; it was nothing at second hand. I never heard Clemens speak when I thought he quite failed; some burst or spurt redeemed him when he seemed flagging short of the goal, and, whoever else was in the running, he came in ahead. His near-failures were the error of a rare trust to the spontaneity in which other speakers confide, or are believed to confide, when they are on their feet. He knew that from the beginning of oratory the orator's spontaneity was for the silence and solitude of the closet where he mused his words to an imagined audience; that this was the use of orators from Demosthenes and Cicero up and down. He studied every word and syllable, and memorized them by a system of mnemonics peculiar to himself, consisting of an arbitrary arrangement of things on a table--knives, forks, salt-cellars; inkstands, pens, boxes, or whatever was at hand--which stood for points and clauses and climaxes, and were at once indelible diction and constant suggestion. He studied every tone and every gesture, and he forecast the result with the real audience from its result with that imagined audience. Therefore, it was beautiful to see him and to hear him; he rejoiced in the pleasure he gave and the blows of surprise which he dea I have been talking of his method and manner; the matter the reader has here before him; and it is good matter, glad, honest, kind, just. W. D. HOWELLS.
Publisher: Binker North
ISBN:
Category : Humor
Languages : en
Pages : 464
Book Description
These Mark Twain speeches will address themselves to the minds and hearts of those who read them, but not with the effect they had with those who heard them; Clemens himself would have said, not with half the effect. I have noted elsewhere how he always held that the actor doubled the value of the author's words; and he was a great actor as well as a great author. In the words of author William Dean Howells: These speeches will address themselves to the minds and hearts of those who read them, but not with the effect they had with those who heard them; Clemens himself would have said, not with half the effect. I have noted elsewhere how he always held that the actor doubled the value of the author's words; and he was a great actor as well as a great author. He was a most consummate actor, with this difference from other actors, that he was the first to know the thoughts and invent the fancies to which his voice and action gave the color of life. Representation is the art of other actors; his art was creative as well as representative; it was nothing at second hand. I never heard Clemens speak when I thought he quite failed; some burst or spurt redeemed him when he seemed flagging short of the goal, and, whoever else was in the running, he came in ahead. His near-failures were the error of a rare trust to the spontaneity in which other speakers confide, or are believed to confide, when they are on their feet. He knew that from the beginning of oratory the orator's spontaneity was for the silence and solitude of the closet where he mused his words to an imagined audience; that this was the use of orators from Demosthenes and Cicero up and down. He studied every word and syllable, and memorized them by a system of mnemonics peculiar to himself, consisting of an arbitrary arrangement of things on a table--knives, forks, salt-cellars; inkstands, pens, boxes, or whatever was at hand--which stood for points and clauses and climaxes, and were at once indelible diction and constant suggestion. He studied every tone and every gesture, and he forecast the result with the real audience from its result with that imagined audience. Therefore, it was beautiful to see him and to hear him; he rejoiced in the pleasure he gave and the blows of surprise which he dea I have been talking of his method and manner; the matter the reader has here before him; and it is good matter, glad, honest, kind, just. W. D. HOWELLS.
Mark Twain Speaking
Author: Mark Twain
Publisher: University of Iowa Press
ISBN: 1587297191
Category : Biography & Autobiography
Languages : en
Pages : 721
Book Description
Originally published in 1976 and reissued in 2006 after many years out of print, Mark Twain Speaking assembles Twain's lectures, after-dinner speeches, and interviews from 1864 to 1909. Explanatory notes describe occasions, identify personalities, and discuss techniques of Twain's oral craftsmanship. A chronology listing date, place, and title of speech or type of engagement completes the collection.
Publisher: University of Iowa Press
ISBN: 1587297191
Category : Biography & Autobiography
Languages : en
Pages : 721
Book Description
Originally published in 1976 and reissued in 2006 after many years out of print, Mark Twain Speaking assembles Twain's lectures, after-dinner speeches, and interviews from 1864 to 1909. Explanatory notes describe occasions, identify personalities, and discuss techniques of Twain's oral craftsmanship. A chronology listing date, place, and title of speech or type of engagement completes the collection.
1601
The Phonoscope
Mark Twain Speaking from the Grave
Author: Tim Champlin
Publisher: Crossroad Press
ISBN:
Category : Fiction
Languages : en
Pages : 275
Book Description
This is a "What if…?" novel. What if Mark Twain actually dictated secrets on the recordings he made toward the end of his life? What if he had hidden them for a future generation to find, then laid a trail of clues for their discovery? Following graduation from Middle Tennessee State College, I declined an offer to become a Border Patrol Agent in order to finish work on a Master of Arts degree in English at Peabody College, now part of Vanderbilt University. I had fun creating a scenario of what might have been. The real Sam Clemens—Mark Twain—was a very complex man who led a fascinating, diverse life for nearly seventy-five years. The man is much more interesting than I have been able to portray him in fiction.
Publisher: Crossroad Press
ISBN:
Category : Fiction
Languages : en
Pages : 275
Book Description
This is a "What if…?" novel. What if Mark Twain actually dictated secrets on the recordings he made toward the end of his life? What if he had hidden them for a future generation to find, then laid a trail of clues for their discovery? Following graduation from Middle Tennessee State College, I declined an offer to become a Border Patrol Agent in order to finish work on a Master of Arts degree in English at Peabody College, now part of Vanderbilt University. I had fun creating a scenario of what might have been. The real Sam Clemens—Mark Twain—was a very complex man who led a fascinating, diverse life for nearly seventy-five years. The man is much more interesting than I have been able to portray him in fiction.
My Platonic Sweetheart
Author: Mark Twain
Publisher: Createspace Independent Publishing Platform
ISBN: 9781523288984
Category :
Languages : en
Pages : 28
Book Description
My Platonic Sweetheart is a piece of short fiction by Mark Twain. Samuel Langhorne Clemens (November 30, 1835 - April 21, 1910), better known by his pen name Mark Twain, was an American author and humorist. He wrote The Adventures of Tom Sawyer (1876) and its sequel, Adventures of Huckleberry Finn (1885), the latter often called "The Great American Novel." Twain grew up in Hannibal, Missouri, which provided the setting for Huckleberry Finn and Tom Sawyer. After an apprenticeship with a printer, he worked as a typesetter and contributed articles to the newspaper of his older brother, Orion Clemens. He later became a riverboat pilot on the Mississippi River before heading west to join Orion in Nevada. He referred humorously to his singular lack of success at mining, turning to journalism for the Virginia City Territorial Enterprise. In 1865, his humorous story, "The Celebrated Jumping Frog of Calaveras County," was published, based on a story he heard at Angels Hotel in Angels Camp, California, where he had spent some time as a miner. The short story brought international attention, and was even translated into classic Greek. His wit and satire, in prose and in speech, earned praise from critics and peers, and he was a friend to presidents, artists, industrialists, and European royalty.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781523288984
Category :
Languages : en
Pages : 28
Book Description
My Platonic Sweetheart is a piece of short fiction by Mark Twain. Samuel Langhorne Clemens (November 30, 1835 - April 21, 1910), better known by his pen name Mark Twain, was an American author and humorist. He wrote The Adventures of Tom Sawyer (1876) and its sequel, Adventures of Huckleberry Finn (1885), the latter often called "The Great American Novel." Twain grew up in Hannibal, Missouri, which provided the setting for Huckleberry Finn and Tom Sawyer. After an apprenticeship with a printer, he worked as a typesetter and contributed articles to the newspaper of his older brother, Orion Clemens. He later became a riverboat pilot on the Mississippi River before heading west to join Orion in Nevada. He referred humorously to his singular lack of success at mining, turning to journalism for the Virginia City Territorial Enterprise. In 1865, his humorous story, "The Celebrated Jumping Frog of Calaveras County," was published, based on a story he heard at Angels Hotel in Angels Camp, California, where he had spent some time as a miner. The short story brought international attention, and was even translated into classic Greek. His wit and satire, in prose and in speech, earned praise from critics and peers, and he was a friend to presidents, artists, industrialists, and European royalty.
Is Shakespeare Dead?
Author: Mark Twain
Publisher: Library of Alexandria
ISBN:
Category : Fiction
Languages : en
Pages : 7
Book Description
Is Shakespeare Dead? is a short, semi-autobiographical work by American humorist Mark Twain. It explores the controversy over the authorship of the Shakespearean literary canon via satire, anecdote, and extensive quotation of contemporary authors on the subject. Mark Twain, pseudonym of Samuel Langhorne Clemens, (born November 30, 1835, Florida, Missouri, U.S.--died April 21, 1910, Redding, Connecticut), American humorist, journalist, lecturer, and novelist who acquired international fame for his travel narratives, especially The Innocents Abroad (1869), Roughing It (1872), and Life on the Mississippi (1883), and for his adventure stories of boyhood, especially The Adventures of Tom Sawyer (1876) and Adventures of Huckleberry Finn (1885). A gifted raconteur, distinctive humorist, and irascible moralist, he transcended the apparent limitations of his origins to become a popular public figure and one of America's best and most beloved writers. Samuel Clemens, the sixth child of John Marshall and Jane Lampton Clemens, was born two months prematurely and was in relatively poor health for the first 10 years of his life. His mother tried various allopathic and hydropathic remedies on him during those early years, and his recollections of those instances (along with other memories of his growing up) would eventually find their way into Tom Sawyer and other writings. Because he was sickly, Clemens was often coddled, particularly by his mother, and he developed early the tendency to test her indulgence through mischief, offering only his good nature as bond for the domestic crimes he was apt to commit. When Jane Clemens was in her 80s, Clemens asked her about his poor health in those early years: "I suppose that during that whole time you were uneasy about me?" "Yes, the whole time," she answered. "Afraid I wouldn't live?" "No," she said, "afraid you would." Insofar as Clemens could be said to have inherited his sense of humour, it would have come from his mother, not his father. John Clemens, by all reports, was a serious man who seldom demonstrated affection. No doubt his temperament was affected by his worries over his financial situation, made all the more distressing by a series of business failures. It was the diminishing fortunes of the Clemens family that led them in 1839 to move 30 miles (50 km) east from Florida, Missouri, to the Mississippi River port town of Hannibal, where there were greater opportunities. John Clemens opened a store and eventually became a justice of the peace, which entitled him to be called "Judge" but not to a great deal more. In the meantime, the debts accumulated. Still, John Clemens believed the Tennessee land he had purchased in the late 1820s (some 70,000 acres [28,000 hectares]) might one day make them wealthy, and this prospect cultivated in the children a dreamy hope. Late in his life, Twain reflected on this promise that became a curse: It put our energies to sleep and made visionaries of us--dreamers and indolent....It is good to begin life poor; it is good to begin life rich--these are wholesome; but to begin it prospectively rich! The man who has not experienced it cannot imagine the curse of it.
Publisher: Library of Alexandria
ISBN:
Category : Fiction
Languages : en
Pages : 7
Book Description
Is Shakespeare Dead? is a short, semi-autobiographical work by American humorist Mark Twain. It explores the controversy over the authorship of the Shakespearean literary canon via satire, anecdote, and extensive quotation of contemporary authors on the subject. Mark Twain, pseudonym of Samuel Langhorne Clemens, (born November 30, 1835, Florida, Missouri, U.S.--died April 21, 1910, Redding, Connecticut), American humorist, journalist, lecturer, and novelist who acquired international fame for his travel narratives, especially The Innocents Abroad (1869), Roughing It (1872), and Life on the Mississippi (1883), and for his adventure stories of boyhood, especially The Adventures of Tom Sawyer (1876) and Adventures of Huckleberry Finn (1885). A gifted raconteur, distinctive humorist, and irascible moralist, he transcended the apparent limitations of his origins to become a popular public figure and one of America's best and most beloved writers. Samuel Clemens, the sixth child of John Marshall and Jane Lampton Clemens, was born two months prematurely and was in relatively poor health for the first 10 years of his life. His mother tried various allopathic and hydropathic remedies on him during those early years, and his recollections of those instances (along with other memories of his growing up) would eventually find their way into Tom Sawyer and other writings. Because he was sickly, Clemens was often coddled, particularly by his mother, and he developed early the tendency to test her indulgence through mischief, offering only his good nature as bond for the domestic crimes he was apt to commit. When Jane Clemens was in her 80s, Clemens asked her about his poor health in those early years: "I suppose that during that whole time you were uneasy about me?" "Yes, the whole time," she answered. "Afraid I wouldn't live?" "No," she said, "afraid you would." Insofar as Clemens could be said to have inherited his sense of humour, it would have come from his mother, not his father. John Clemens, by all reports, was a serious man who seldom demonstrated affection. No doubt his temperament was affected by his worries over his financial situation, made all the more distressing by a series of business failures. It was the diminishing fortunes of the Clemens family that led them in 1839 to move 30 miles (50 km) east from Florida, Missouri, to the Mississippi River port town of Hannibal, where there were greater opportunities. John Clemens opened a store and eventually became a justice of the peace, which entitled him to be called "Judge" but not to a great deal more. In the meantime, the debts accumulated. Still, John Clemens believed the Tennessee land he had purchased in the late 1820s (some 70,000 acres [28,000 hectares]) might one day make them wealthy, and this prospect cultivated in the children a dreamy hope. Late in his life, Twain reflected on this promise that became a curse: It put our energies to sleep and made visionaries of us--dreamers and indolent....It is good to begin life poor; it is good to begin life rich--these are wholesome; but to begin it prospectively rich! The man who has not experienced it cannot imagine the curse of it.