Author: Henry Addison Nelson
Publisher:
ISBN:
Category : Presbyterian Church
Languages : en
Pages : 1162
Book Description
The Church at Home and Abroad
Author: Henry Addison Nelson
Publisher:
ISBN:
Category : Presbyterian Church
Languages : en
Pages : 1162
Book Description
Publisher:
ISBN:
Category : Presbyterian Church
Languages : en
Pages : 1162
Book Description
Mariolatry
Unfolding the South
Author: Alison Chapman
Publisher: Manchester University Press
ISBN: 9780719061301
Category : Art
Languages : en
Pages : 260
Book Description
A radically new version of Anglo-Italian cultural relations in the late Romantic and Victorian periods that corrects traditional male-centred accounts.
Publisher: Manchester University Press
ISBN: 9780719061301
Category : Art
Languages : en
Pages : 260
Book Description
A radically new version of Anglo-Italian cultural relations in the late Romantic and Victorian periods that corrects traditional male-centred accounts.
Cold Blood
Author: Jason Hurlburt
Publisher: Xlibris Corporation
ISBN: 1477128573
Category : Fiction
Languages : en
Pages : 226
Book Description
Cold Blood had taken a few months to write, originally, and this was an early novel. This novel was science fiction. Mickey King Kong, a vampire novel, had been classified as Hitler Wins. Norma Shearer, the Oscar Winner and the protagonist, had been a vampire. Mickey King Kong, the world’s biggest monster, had been turned into a vampire, by Norma Shearer. The earth had been destroyed, and so had all the other celestial bodies, except the moon, which turned to ice. Most beings don’t have a mouth, fangs, teeth, or beak. This novel has the most racial slurs and usages of profanity, in a book, debatably. The novel also includes the character of Vlad the Impaler.Cold Blood had taken a few months to write, originally, and this was an early novel. This novel was science fiction. Mickey King Kong, a vampire novel, had been classified as Hitler Wins. Norma Shearer, the Oscar Winner and the protagonist, had been a vampire. Mickey King Kong, the world’s biggest monster, had been turned into a vampire, by Norma Shearer. The earth had been destroyed, and so had all the other celestial bodies, except the moon, which turned to ice. Most beings don’t have a mouth, fangs, teeth, or beak. This novel has the most racial slurs and usages of profanity, in a book, debatably. The novel also includes the character of Vlad the Impaler.
Publisher: Xlibris Corporation
ISBN: 1477128573
Category : Fiction
Languages : en
Pages : 226
Book Description
Cold Blood had taken a few months to write, originally, and this was an early novel. This novel was science fiction. Mickey King Kong, a vampire novel, had been classified as Hitler Wins. Norma Shearer, the Oscar Winner and the protagonist, had been a vampire. Mickey King Kong, the world’s biggest monster, had been turned into a vampire, by Norma Shearer. The earth had been destroyed, and so had all the other celestial bodies, except the moon, which turned to ice. Most beings don’t have a mouth, fangs, teeth, or beak. This novel has the most racial slurs and usages of profanity, in a book, debatably. The novel also includes the character of Vlad the Impaler.Cold Blood had taken a few months to write, originally, and this was an early novel. This novel was science fiction. Mickey King Kong, a vampire novel, had been classified as Hitler Wins. Norma Shearer, the Oscar Winner and the protagonist, had been a vampire. Mickey King Kong, the world’s biggest monster, had been turned into a vampire, by Norma Shearer. The earth had been destroyed, and so had all the other celestial bodies, except the moon, which turned to ice. Most beings don’t have a mouth, fangs, teeth, or beak. This novel has the most racial slurs and usages of profanity, in a book, debatably. The novel also includes the character of Vlad the Impaler.
Hail Mary?
Author: Maurice Hamington
Publisher: Routledge
ISBN: 1136662952
Category : Religion
Languages : en
Pages : 225
Book Description
Hail Mary? examines the sexist and misogynist themes that underlie the socially constructed religious imagery of Mary, the mother of Jesus. Maurice Hamington explores the sources for three prominent Marian images: Mary as the "the blessed Virgin," Mary, the "Mediatrix"; and Mary, "the second Eve." Hamington critiques these images for the valorization of sexist forces with the Catholic Church that serve to maintain systems of oppression against women. In challenging dominant, religious representations of Mary, Hamington surveys a variety of emerging reinterpretations of Mary. He then provides a framework for further study of "non-alienating" images of Mary.
Publisher: Routledge
ISBN: 1136662952
Category : Religion
Languages : en
Pages : 225
Book Description
Hail Mary? examines the sexist and misogynist themes that underlie the socially constructed religious imagery of Mary, the mother of Jesus. Maurice Hamington explores the sources for three prominent Marian images: Mary as the "the blessed Virgin," Mary, the "Mediatrix"; and Mary, "the second Eve." Hamington critiques these images for the valorization of sexist forces with the Catholic Church that serve to maintain systems of oppression against women. In challenging dominant, religious representations of Mary, Hamington surveys a variety of emerging reinterpretations of Mary. He then provides a framework for further study of "non-alienating" images of Mary.
Mariolatry
Author: Thomas Hartwell Horne
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Book Description
Son of Man
Author: John R. Rice
Publisher: Sword of the Lord Publishers
ISBN: 9780873987677
Category : Bible
Languages : en
Pages : 576
Book Description
Publisher: Sword of the Lord Publishers
ISBN: 9780873987677
Category : Bible
Languages : en
Pages : 576
Book Description
Correspondence with a Jesuit on the Subject of Mariolatry
Comic Sense
Author: Thomas Pughe
Publisher: Birkhäuser
ISBN: 3034877463
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
The idea for this study came to me in the course of my reading of innova tive US-American! fiction of the last three decades. I observed that much of it is cast in the comic mode - or, more precisely, that there seems to be in contemporary fiction an affinity between 'innovation' and 'the comic' and that this affinity, furthermore, appears to be characteristic of postmo dernism. It is obvious, at the same time, that comic has become an elusive and, more often than not, a disputable category. Frederick Karl, in his sur vey of American Fictions 1940-1980, maintains, for instance, that much comic writing consists in ridicule that lacks deeper intellectual and cul tural roots. "Wit and mockery," he notes, "by themselves have little lasting value. Even in the best of such fiction, Gravity's Rainbow, one is made aware of attenuated skits stiched onto previous segments, rather than baked in by a defined point of view. " (Karl: 27) Such assessments of course challenge my view that the comic is in significant ways connected with what is innovative in postmodernist US-American fiction. Yet the term comic -or related terms like humour, parody, irony and so fort- is regularly and heavily employed in discussions or reviews of con temporary fiction.
Publisher: Birkhäuser
ISBN: 3034877463
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
The idea for this study came to me in the course of my reading of innova tive US-American! fiction of the last three decades. I observed that much of it is cast in the comic mode - or, more precisely, that there seems to be in contemporary fiction an affinity between 'innovation' and 'the comic' and that this affinity, furthermore, appears to be characteristic of postmo dernism. It is obvious, at the same time, that comic has become an elusive and, more often than not, a disputable category. Frederick Karl, in his sur vey of American Fictions 1940-1980, maintains, for instance, that much comic writing consists in ridicule that lacks deeper intellectual and cul tural roots. "Wit and mockery," he notes, "by themselves have little lasting value. Even in the best of such fiction, Gravity's Rainbow, one is made aware of attenuated skits stiched onto previous segments, rather than baked in by a defined point of view. " (Karl: 27) Such assessments of course challenge my view that the comic is in significant ways connected with what is innovative in postmodernist US-American fiction. Yet the term comic -or related terms like humour, parody, irony and so fort- is regularly and heavily employed in discussions or reviews of con temporary fiction.