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Author: Alice Goldfarb Marquis Publisher: ISBN: Category : Art Languages : en Pages : 392
Book Description
Journalist and historian Marquis tells the story of French-born American painter and all-around celebrity Duchamp (1887-1968). A substantially different version of the biography was published as Marcel Duchamp: Eros, c'est la vie by Whitson in 1980. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Alice Goldfarb Marquis Publisher: ISBN: Category : Art Languages : en Pages : 392
Book Description
Journalist and historian Marquis tells the story of French-born American painter and all-around celebrity Duchamp (1887-1968). A substantially different version of the biography was published as Marcel Duchamp: Eros, c'est la vie by Whitson in 1980. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Thomas Girst Publisher: Thames & Hudson ISBN: 0500771979 Category : Art Languages : en Pages : 251
Book Description
“Girst elegantly unravels the skeins of Duchamp’s thinking. . . . An essential compendium for puzzling out an essential artist.” —Richard Armstrong, Director of the Solomon R. Guggenheim Museum and Foundation Among the most influential artists of the last hundred years, Marcel Duchamp holds great allure for many contemporary artists worldwide and is largely considered to be one of the founding fathers of modern art. Despite this popularity, books on Duchamp are often hyper-theoretical, rarely presenting the artist in an accessible way. This new book explores the artist’s life and work through short, alphabetical dictionary entries that introduce his legacy in a clear and engaging way. From alchemy and anatomy to Warhol and windows, The Duchamp Dictionary offers a pithy and readable text that draws on in-depth scholarship and the very latest research. Thomas Girst includes close to 200 entries on the most interesting and important artworks, relationships, people, and ideas in Duchamp’s life—from The Bicycle Wheel and Fountain to Walter and Louise Arensberg, Peggy Guggenheim, Katherine Dreier, and Arturo Schwarz. Delightful, newly commissioned illustrations introduce each letter of the alphabet and accompany select entries, capturing the irreverent spirit of the artist himself.
Author: T. J. Demos Publisher: Mit Press ISBN: 9780262518116 Category : Art Languages : en Pages : 0
Book Description
Created while the artist was living variously in New York, Buenos Aires, and occupied France, during the global catastrophes of war and fascism, these works express the anguish of displacement and celebrate the freedom of geopolitical homelessness.
Author: David Joselit Publisher: MIT Press ISBN: 9780262600385 Category : Design Languages : en Pages : 276
Book Description
In Infinite Regress, David Joselit considers the plurality of identities and practices within Duchamp's life and art between 1910 and 1941, conducting a synthetic reading of his early and middle career. There is not one Marcel Duchamp, but several. Within his oeuvre Duchamp practiced a variety of modernist idioms and invented an array of contradictory personas: artist and art dealer, conceptualist and craftsman, chess champion and dreamer, dandy and recluse. In Infinite Regress, David Joselit considers the plurality of identities and practices within Duchamp's life and art between 1910 and 1941, conducting a synthetic reading of his early and middle career. Taking into account underacknowledged works and focusing on the conjunction of the machine and the commodity in Duchamp's art, Joselit notes a consistent opposition between the material world and various forms of measurement, inscription, and quantification. Challenging conventional accounts, he describes the readymade strategy not merely as a rejection of painting, but as a means of producing new models of the modern self.
Author: Pierre Cabanne Publisher: Da Capo Press ISBN: 0786749717 Category : Art Languages : en Pages : 158
Book Description
With an introduction by Robert Motherwell and an appreciation by Jasper Johns "Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art. . . "In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said. "The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage-'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.' "He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.' "The art community feels Duchamp's presence and his absence. He has changed the condition of being here."--Jasper Johns, from Marcel Duchamp: An Appreciation
Author: Arshile Gorky Publisher: ISBN: 9783906915074 Category : Landscapes in art Languages : en Pages : 140
Book Description
Published on the occasion of the exhibition Ardent Nature: Arshile Gorky Landscapes, 1943-47, presented at Hauser & Wirth New York, November 2-December 23, 2017.
Author: Michael R. Taylor Publisher: ISBN: 9780876332115 Category : Languages : en Pages : 447
Book Description
In his early thirties, Marcel Duchamp (1887-1968) convinced everyone that he had abandoned making art in favor of playing chess. But from 1946 to 1966, he was secretly at work in his studio on West 14th Street in New York City. There he produced his final masterpiece: Étant donnés: 1o la chute d'eau, 2o le gaz d'éclairage, composed of a battered wood door through which one views a prone, nude female, holding aloft an antique gas lamp against a landscape of trees, waterfall, and sky. Unveiled as a permanent installation at the Philadelphia Museum of Art in July 1969, the year after Duchamp's death, it startled the art world with its explicit eroticism and voyeurism, as well as its trompe l'oeil realism. Since its public debut, Étant donnés has been recognized as one of the most important and enigmatic works of the 20th century. Published to commemorate the fortieth anniversary of the original installation of Étant donnés and to accompany the first major exhibition on the artwork and its studies, this richly illustrated book presents a wealth of new research and documents that draw upon previously unpublished works of art and materials. The catalogue also examines the critical and artistic reception of Étant donnés, as evidenced by the subsequent work of Les Levine, Hannah Wilke, Robert Gober, Marcel Dzama, Ray Johnson, and other artists who have engaged with Duchamp's provocative and challenging tableau-construction.
Author: Thierry de Duve Publisher: Mit Press ISBN: 9780262540728 Category : Art Languages : en Pages : 488
Book Description
The Duchamp scholars represented here are among the leading European and American critics of their generation. Their 11 essays offer lively nd diverse perspectives on the artist, focusing on the major issues surrounding his contribution: the philosophical implications of Duchamp's skepticism, eroticism, and paradoxical acceptance of contradiction; the events leading to the creation of the infamous Fountain; a rigorous reading of the Large Glass by Jean Suquet that appears here in English for the first time, as does Andre Gervais's exhilarating voyage through Duchamp's puns, aphorisms,and word plays; a reinterpretation of Duchamp's late works as ready mades; the influence of scientific models on his art, and of the gender-based teaching of drawing in the Third Republic on his - or Rrose Selavy's - peculiar use of mechanical drawing. Thierry de Duve is Director of Studies, Association de prefiguration de l'Ecole des Beaux-Arts de la Ville de Paris. Copublished with the Nova Scotia College of Art and Design
Author: Alice Goldfarb Marquis
Author: Alice Goldfarb Marquis
Author: Thomas Girst
Author: T. J. Demos
Author: Marcel Duchamp
Author: David Joselit
Author: Pierre Cabanne
Author: Marcel Duchamp
Author: Arshile Gorky
Author: Michael R. Taylor
Author: Thierry de Duve