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Author: Oliver Schmitz
Publisher:
ISBN:
Category : Anti-apartheid movements
Languages : en
Pages : 156

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Author: Josef Gugler
Publisher: Indiana University Press
ISBN: 9780253216434
Category : History
Languages : en
Pages : 220

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Book Description
In African Film: Re-imagining a Continent, Josef Gugler provides an introduction to African cinema through an analysis of 15 films made by African filmmakers. These directors set out to re-image Africa; their films offer Western viewers the opportunity to re-imagine the continent and its people. As a point of comparison, two additional films on Africa--one from Hollywood, the other from apartheid South Africa--serve to highlight African directors' altogether different perspectives. Gugler's interpretation considers the financial and technical difficulties of African film production, the intended audiences in Africa and the West, the constraints on distribution, and the critical reception of the films.

Author: Anthony O'Brien
Publisher: Duke University Press
ISBN: 9780822325710
Category : Literary Criticism
Languages : en
Pages : 356

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Book Description
DIVA literary study of South African cultural changes since the end of apartheid from 1980 to present./div

Author: Patrick Lynn Rivers
Publisher: State University of New York Press
ISBN: 0791477843
Category : Social Science
Languages : en
Pages : 192

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Book Description
In this book, Patrick Lynn Rivers asserts that states govern racist hate by governing racial constructs. Rivers maintains that state practices used to govern hate and race in both the United States and South Africa do not make citizens safer, even as the United States markets itself as a "melting pot" of cultures and South Africa touts its status as the new multicultural "city on a hill." In effect, the regulatory practices of the neoliberal state aid in the redirection of responsibility for the eradication of racist hate away from the nation and toward the hated, leaving unaddressed the systemic causes of hate. In line with emerging scholarship on hate, but also taking advantage of the perspective that comparative analysis makes possible, Rivers advocates a particular brand of progressive activism for a socially engaged state and citizenry where race is central and racism is not anomalous.

Author: Lindiwe Dovey
Publisher: Columbia University Press
ISBN: 0231147546
Category : Art
Languages : en
Pages : 358

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Book Description
Analyzing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey identifies a specific trend in contemporary African filmmaking-one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence. Against a detailed history of the medium's savage introduction and exploitation by colonial powers in two very different African contexts, Dovey examines the complex ways in which African filmmakers are preserving, mediating, and critiquing their own cultures while seeking a united vision of the future. More than merely representing socio-cultural realities in Africa, these films engage with issues of colonialism and postcolonialism, "updating" both the history and the literature they adapt to address contemporary audiences in Africa and elsewhere. Through this deliberate and radical re-historicization of texts and realities, Dovey argues that African filmmakers have developed a method of filmmaking that is altogether distinct from European and American forms of adaptation.

Author: Keyan G. Tomaselli
Publisher: Rozenberg Publishers
ISBN: 9051708866
Category : Africa
Languages : en
Pages : 203

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Author: Isabel Balseiro
Publisher: Wayne State University Press
ISBN: 9780814330012
Category : History
Languages : en
Pages : 292

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Book Description
With the end of apartheid, South African cinema is at a turning point in its history. This collection offers an exploration of a film industry that has excluded its country's black majority, in both representation and production - and which now must overcome collusion between racist ideology and film form. Until recently, filmmakers could work only within a culture that reluctantly took black South Africans into account. Therefore, to explore what South African cinema has been and could become, the authors do not limit their discussion to film production but approach cinema as a manifestation of cultural history. How has the purpose of cinema been viewed at different times in South Africa, by different governments and social groups? What is the relation between film and a sense of nationhood in South Africa? Such questions lead to a consideration not only of films made by South Africans in South Africa but also of an unfolding film culture within a series of stages that have yet to give rise to a national cinema

Author: L. Modisane
Publisher: Springer
ISBN: 1137027037
Category : Social Science
Languages : en
Pages : 235

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Book Description
Despite incredible political upheavals and a minimal national history of film production, movies such as Come Back, Africa (1959), uDeliwe (1975), and Fools (1998) have taken on an iconic status within South African culture. In this much-needed study, author Litheko Modisane delves into the public critical engagements around old 'renegade' films and newer ones, revealing instructive details both in the production and the public lives of South African movies oriented around black social experiences. This illuminates the complex nature of cinema in modern public life, enriching established methodologies by expanding the cultural and conceptual boundaries of film as a phenomenon of textual circulation.

Author: Rob Nixon
Publisher: Taylor & Francis
ISBN: 1000631672
Category : History
Languages : en
Pages : 305

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Book Description
Originally published in 1994, Homelands, Harlem & Hollywood examines the anti-colonialist struggle against apartheid, and the ways in which American and South African culture have been fascinated with and influenced by one another. Rob Nixon’s wide-ranging analysis looks at Hollywood representations of the struggle for liberation, the impact of the Harlem Renaissance on the Sophiatown writers, the banning and censorship of television under apartheid, Mandela and messianic politics, the sports and cultural boycotts, ethnic nationalism, and the culture of violence. Nixon concludes with an investigation of how the collapse of communism and anti-communism and the rise of ethnic cleansing in Eastern Europe and the former Soviet Union had powerful implications for the shape of post-apartheid South Africa.

Author: Lesley Cowling
Publisher: NYU Press
ISBN: 1776145917
Category : Social Science
Languages : en
Pages : 403

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Book Description
In this timely, original and sophisticated collection, writers from the Global South demonstrate that forms of publicness are multiple, mobile and varied The notion that societies mediate issues through certain kinds of engagement is at the heart of imaginings of democracy and often centers on the ideal of the public sphere. But this imagined foundation of how we live collectively appears to have suffered a dramatic collapse across the world, with many democracies apparently unable to solve problems through talk – or even to agree on who speaks, in what ways and where. In the 10 essays in this timely, original and sophisticated collection, writers from southern Africa combine theoretical analysis with the examination of historical cases and contemporary developments to demonstrate that forms of publicness are multiple, mobile and varied. They propose new concepts and methodologies to analyse how public engagements work in society. Babel Unbound examines charged examples from the Global South, such as the centuries old Timbuktu archive, Nelson Mandela as a powerful absent presence in 1960s public life, and the challenges to the terms of contemporary debate around the student activism of #rhodesmustfall and #feesmustfall. These show how issues of public discussion span both archive and media, verbal debates in formal spaces and visual performances that circulate in unpredictable ways.