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Author: Bonnie S. McDougall Publisher: U OF M CENTER FOR CHINESE STUDIES ISBN: 0892640391 Category : Social Science Languages : en Pages : 129
Book Description
The writings of Mao Zedong have been circulated throughout the world more widely, perhaps, than those of any other single person this century. The “Talks at the Yan’an Conference on Literature and Art” has occupied a prominent position among his many works and has been the subject of intense scrutiny both within and outside China. This text has undoubted importance to modern Chinese literature and history. In particular, it reveals Mao’s views on such questions as the relationship between writers or works of literature and their audience, or the nature and value of different kinds of literary products. In this translation and commentary, Bonnie S. McDougall finds that Mao was in fact ahead of many of his critics in the West and his Chinese contemporaries in his discussion of literary issues. Unlike the majority of modern Chinese writers deeply influenced by Western theories of literature and society (including Marxism), Mao remained close to traditional patterns of thought and avoided the often mechanical or narrowly literal interpretations that were the hallmark of Western schools current in China in the early twentieth century. Many of the detailed discussions on the “Talks” in the West have been concerned with their political and historical significance. However, since Mao is a literary figure of some importance in twentieth-century China, McDougall finds it worthwhile to follow up his published remarks on the nature and source of literature and the means of its evaluation. By better understanding the complex and revolutionary ideas contained in the “Talks,” McDougall suggests we may acquire the necessary analytical tools for a more fruitful investigation into contemporary Chinese literature.
Author: Bonnie S. McDougall Publisher: U OF M CENTER FOR CHINESE STUDIES ISBN: 0892640391 Category : Social Science Languages : en Pages : 129
Book Description
The writings of Mao Zedong have been circulated throughout the world more widely, perhaps, than those of any other single person this century. The “Talks at the Yan’an Conference on Literature and Art” has occupied a prominent position among his many works and has been the subject of intense scrutiny both within and outside China. This text has undoubted importance to modern Chinese literature and history. In particular, it reveals Mao’s views on such questions as the relationship between writers or works of literature and their audience, or the nature and value of different kinds of literary products. In this translation and commentary, Bonnie S. McDougall finds that Mao was in fact ahead of many of his critics in the West and his Chinese contemporaries in his discussion of literary issues. Unlike the majority of modern Chinese writers deeply influenced by Western theories of literature and society (including Marxism), Mao remained close to traditional patterns of thought and avoided the often mechanical or narrowly literal interpretations that were the hallmark of Western schools current in China in the early twentieth century. Many of the detailed discussions on the “Talks” in the West have been concerned with their political and historical significance. However, since Mao is a literary figure of some importance in twentieth-century China, McDougall finds it worthwhile to follow up his published remarks on the nature and source of literature and the means of its evaluation. By better understanding the complex and revolutionary ideas contained in the “Talks,” McDougall suggests we may acquire the necessary analytical tools for a more fruitful investigation into contemporary Chinese literature.
Author: Bonnie McDougall Publisher: University of Michigan Press ISBN: 0472901338 Category : Social Science Languages : en Pages : 129
Book Description
The writings of Mao Zedong have been circulated throughout the world more widely, perhaps, than those of any other single person this century. The “Talks at the Yan’an Conference on Literature and Art” has occupied a prominent position among his many works and has been the subject of intense scrutiny both within and outside China. This text has undoubted importance to modern Chinese literature and history. In particular, it reveals Mao’s views on such questions as the relationship between writers or works of literature and their audience, or the nature and value of different kinds of literary products. In this translation and commentary, Bonnie S. McDougall finds that Mao was in fact ahead of many of his critics in the West and his Chinese contemporaries in his discussion of literary issues. Unlike the majority of modern Chinese writers deeply influenced by Western theories of literature and society (including Marxism), Mao remained close to traditional patterns of thought and avoided the often mechanical or narrowly literal interpretations that were the hallmark of Western schools current in China in the early twentieth century. Many of the detailed discussions on the “Talks” in the West have been concerned with their political and historical significance. However, since Mao is a literary figure of some importance in twentieth-century China, McDougall finds it worthwhile to follow up his published remarks on the nature and source of literature and the means of its evaluation. By better understanding the complex and revolutionary ideas contained in the “Talks,” McDougall suggests we may acquire the necessary analytical tools for a more fruitful investigation into contemporary Chinese literature.
Author: Wang Fanxi Publisher: BRILL ISBN: 9004421564 Category : Political Science Languages : en Pages : 336
Book Description
Wang Fanxi, a leader of the Chinese Trotskyists, wrote this book on Mao more than fifty years ago. He did so while in exile in the then Portuguese colony of Macau, across the water from Hong Kong, where he had been sent in 1949 to represent his comrades in China, soon to disappear for decades into Mao’s jails. The book is an analytical study whose strength lies less in describing Mao’s life than in explaining Maoism and setting out a radical view on it as a political movement and a current of thought within the Marxist tradition to which both Wang and Mao belonged. With its clear and provoking thesis, it has, since its writing, stood the test of time far better than the hundreds of descriptive studies that have in the meantime come and gone.
Author: Ji Fengyuan Publisher: University of Hawaii Press ISBN: 0824844688 Category : Language Arts & Disciplines Languages : en Pages : 360
Book Description
When Mao and the Chinese Communist Party won power in 1949, they were determined to create new, revolutionary human beings. Their most precise instrument of ideological transformation was a massive program of linguistic engineering. They taught everyone a new political vocabulary, gave old words new meanings, converted traditional terms to revolutionary purposes, suppressed words that expressed "incorrect" thought, and required the whole population to recite slogans, stock phrases, and scripts that gave "correct" linguistic form to "correct" thought. They assumed that constant repetition would cause the revolutionary formulae to penetrate people's minds, engendering revolutionary beliefs and values. In an introductory chapter, Dr. Ji assesses the potential of linguistic engineering by examining research on the relationship between language and thought. In subsequent chapters, she traces the origins of linguistic engineering in China, describes its development during the early years of communist rule, then explores in detail the unprecedented manipulation of language during the Cultural Revolution of 1966–1976. Along the way, she analyzes the forms of linguistic engineering associated with land reform, class struggle, personal relationships, the Great Leap Forward, Mao-worship, Red Guard activism, revolutionary violence, Public Criticism Meetings, the model revolutionary operas, and foreign language teaching. She also reinterprets Mao’s strategy during the early stages of the Cultural Revolution, showing how he manipulated exegetical principles and contexts of judgment to "frame" his alleged opponents. The work concludes with an assessment of the successes and failures of linguistic engineering and an account of how the Chinese Communist Party relaxed its control of language after Mao's death.
Author: Mao Tse-tung Publisher: Courier Corporation ISBN: 0486119572 Category : History Languages : en Pages : 130
Book Description
The first documented, systematic study of a truly revolutionary subject, this 1937 text remains the definitive guide to guerrilla warfare. It concisely explains unorthodox strategies that transform disadvantages into benefits.
Author: Chang-tai Hung Publisher: Univ of California Press ISBN: 0520354869 Category : History Languages : en Pages : 468
Book Description
This is the first comprehensive study of popular culture in twentieth-century China, and of its political impact during the Sino-Japanese War of 1937-1945 (known in China as "The War of Resistance against Japan"). Chang-tai Hung shows in compelling detail how Chinese resisters used a variety of popular cultural forms—especially dramas, cartoons, and newspapers—to reach out to the rural audience and galvanize support for the war cause. While the Nationalists used popular culture as a patriotic tool, the Communists refashioned it into a socialist propaganda instrument, creating lively symbols of peasant heroes and joyful images of village life under their rule. In the end, Hung argues, the Communists' use of popular culture contributed to their victory in revolution.
Author: Stuart Schram Publisher: Routledge ISBN: 1317515897 Category : History Languages : en Pages : 1072
Book Description
This eighth volume covers the period 1942 to 1945 when Mao asserted his status as the incarnation and symbol of the Chinese Revolution and the sinification of Marxism-Leninism.
Author: Cynthia Chris Publisher: Routledge ISBN: 0415699428 Category : Art Languages : en Pages : 330
Book Description
Contemporary media authorship is frequently collaborative, participatory, non-site specific, or quite simply goes unrecognized. In this volume, media and film scholars explore the theoretical debates around authorship, intention, and identity within the rapidly transforming and globalized culture industry of new media. Defining media broadly, across a range of creative artifacts and production cultures-from visual arts to videogames, from textiles to television-contributors consider authoring practices of artists, designers, do-it-yourselfers, media professionals, scholars, and others. Specifically, they ask: What constitutes "media" and "authorship" in a technologically converged, globally conglomerated, multiplatform environment for the production and distribution of content? What can we learn from cinematic and literary models of authorship-and critiques of those models-with regard to authorship not only in television and recorded music, but also interactive media such as videogames and the Internet? How do we conceive of authorship through practices in which users generate content collaboratively or via appropriation? What institutional prerogatives and legal debates around intellectual property rights, fair use, and copyright bear on concepts of authorship in "new media"? By addressing these issues, Media Authorship demonstrates that the concept of authorship as formulated in literary and film studies is reinvigorated, contested, remade-even, reauthored-by new practices in the digital media environment.
Author: Adrian Chan Publisher: A&C Black ISBN: 9780826473073 Category : Political Science Languages : en Pages : 230
Book Description
This groundbreaking study of Chinese Marxism examines the ideology and praxis of Marxism as it has developed in China from its earliest beginnings to current debates. This is the first systematic, full-length analysis of the development and nature of Marxist ideology in China. Adrian Chan challenges established scholarship in both the West and China, which continues to be overshadowed by Cold War dogma and party orthodoxy, respectively. It has long been argued that Chinese Marxism was merely an offshoot of Soviet thought blended with ill-defined traditional Chinese ideas. Using previously neglected Chinese sources--including newspapers, political journals and communist party documents--Chan refutes this. Showing how the first Chinese revolutionaries were directly influenced by the writings of Marx, Chinese Marxism argues that Bolshevism was a secondary influence on Chinese communist thought. Mao himself drew upon Marxian themes in the creation of party orthodoxy. In doing so he signalled his differences from Lenin and Stalin on important issues of theory and practice.However, not all party leaders accepted this Marxian praxis. This has led to continuous conflict between proponents of Maoist Marxism and Soviet-type scientific Marxism-Leninism. Chinese Marxism presents detailed studies of the Great Leap Forward and the Cultural Revolution to illustrate the consequences of this ongoing ideological conflict, and brings the story up to the present day with an analysis of the current Thermidorean Reaction and the controversial embracing of Confucianism.
Author: Bonnie S. McDougall
Author: Bonnie S. McDougall
Author: Bonnie McDougall
Author: Wang Fanxi
Author: Ji Fengyuan
Author: Mao Tse-tung
Author: Chang-tai Hung
Author: Julia Frances Andrews
Author: Stuart Schram
Author: Cynthia Chris
Author: Adrian Chan