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Author: Ivan Wyschnegradsky Publisher: ISBN: 9780692883747 Category : Harmony Languages : en Pages : 31
Book Description
The publication of the first available English translation of composer and microtonal theorist Ivan Wyschnegradsky's Manual of Quarter-Tone Harmony. This seminal work, originally published in 1932, posits the composer's methodology and usage of quarter tones as a harmonic language.Produced with the permission of Association Wyschnegradsky (Paris, France) and Wyschnegradsky's heir Dmitri Vysneyev, this new edition is edited and with a foreword by Noah Kaplan and translated into English by Rosalie Kaplan.
Author: Ivan Wyschnegradsky Publisher: ISBN: 9780692883747 Category : Harmony Languages : en Pages : 31
Book Description
The publication of the first available English translation of composer and microtonal theorist Ivan Wyschnegradsky's Manual of Quarter-Tone Harmony. This seminal work, originally published in 1932, posits the composer's methodology and usage of quarter tones as a harmonic language.Produced with the permission of Association Wyschnegradsky (Paris, France) and Wyschnegradsky's heir Dmitri Vysneyev, this new edition is edited and with a foreword by Noah Kaplan and translated into English by Rosalie Kaplan.
Author: Kyle Gann Publisher: University of Illinois Press ISBN: 0252051424 Category : Music Languages : en Pages : 316
Book Description
"Tuning is the secret lens through which the history of music falls into focus," says Kyle Gann. Yet in Western circles, no other musical issue is so ignored, so taken for granted, so shoved into the corners of musical discourse. A classroom essential and an invaluable reference, The Arithmetic of Listening offers beginners the grounding in music theory necessary to find their own way into microtonality and the places it may take them. Moving from ancient Greece to the present, Kyle Gann delves into the infinite tunings available to any musician who feels straitjacketed by obedience to standardized Western European tuning. He introduces the concept of the harmonic series and demonstrates its relationship to equal-tempered and well-tempered tuning. He also explores recent experimental tuning models that exploit smaller intervals between pitches to create new sounds and harmonies. Systematic and accessible, The Arithmetic of Listening provides a much-needed primer for the wide range of tuning systems that have informed Western music. Audio examples demonstrating the musical ideas in The Arithmetic of Listening can be found at: https://www.kylegann.com/Arithmetic.html
Author: Ross W. Duffin Publisher: W. W. Norton & Company ISBN: 0393075648 Category : Music Languages : en Pages : 197
Book Description
"A fascinating and genuinely accessible guide....Educating, enjoyable, and delightfully unscary."—Classical Music What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"—the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian). Some images in the ebook are not displayed owing to permissions issues.
Author: Arnold Schoenberg Publisher: W. W. Norton & Company ISBN: 9780393004786 Category : Music Languages : en Pages : 226
Book Description
This book is Schoenberg's last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. The earlier chapters recapitulate in condensed form the principles laid down in his 'Theory of Harmony'; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of 'monotonality, ' showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.
Author: Job IJzerman Publisher: ISBN: 0190695005 Category : Music Languages : en Pages : 417
Book Description
A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: - the hardcopy text, providing essential stylistic and technical information and repertoire discussion; - an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; - an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.
Author: Ivan Wyschnegradsky
Author: Ivan Wyschnegradsky
Author: Kyle Gann
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Author: Joseph Gostwick (formerly Gostick.)
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Author: Ross W. Duffin
Author: Hugo Riemann
Author: Arnold Schoenberg
Author: Job IJzerman
Author: Johann Georg Albrechtsberger