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Author: Steven Ascher Publisher: Penguin ISBN: 9780452286788 Category : Performing Arts Languages : en Pages : 836
Book Description
A fully revised, comprehensive guide offers an in-depth exploration of today's recent technological advances, such as digital age filmmaking, while reviewing a collection of new methods and techniques in relation to various film formats and offering suggestions on the business aspects of financing and producing films. Original.
Author: Steven Ascher Publisher: Penguin ISBN: 9780452286788 Category : Performing Arts Languages : en Pages : 836
Book Description
A fully revised, comprehensive guide offers an in-depth exploration of today's recent technological advances, such as digital age filmmaking, while reviewing a collection of new methods and techniques in relation to various film formats and offering suggestions on the business aspects of financing and producing films. Original.
Author: American Society of Cinematographers Publisher: American Cinematographer ISBN: Category : Juvenile Nonfiction Languages : en Pages : 492
Book Description
This newly revised edition of the "American Cinematographer Film Manual" continues to be the standard, providing fully updated, comprehensive coverage of cinematography from production to post. (Performing Arts)
Author: P.H. Heintzen Publisher: Springer Science & Business Media ISBN: 9400913311 Category : Medical Languages : en Pages : 347
Book Description
According to Schopenhauer problems are usually passing through three stages: - in the first stage they are ignored or just smiled at, - in the second stage they are fought, and in the third stage they are considered to be self-evident, just taken for granted. Whereas digital subtraction angiography (DSA) has obviously reached stage three of that scale, i.e. routine use in radiology, digital angiocardiography, in particular imaging the heart and coronary circulation, is still on its way to the final goal: the filmless heart catheterization laboratory for all invasive and interventional procedures. A few pioneers have already completely abandoned the conventional cine coronary and angiocardiographic technique, others - as we do -still combine both digital and conventional methods in clinical routine, but most cardiol ogists up till now stay sceptically aside. We hope that at least some of the articles published in this volume may convince more and more cardiologists that digital imaging procedures are the method of choice, in particular if quantitative assessment of the anatomical or functional status of the cardiovascular system is required (pre- and post operations or pre-and post-interventions). Such a critical control of all therapeutic procedures, be it by surgical, catheter-or medical 'interventions', is indeed an urgent and widely under estimated or neglected requirement.
Author: Chris Gehman Publisher: YYZ Books ISBN: 9780920397329 Category : Computers Languages : en Pages : 292
Book Description
Editors Chris Gehman and Steve Reinke bring together a collection of critical essays and artists' projects that is indispensable to anyone who, in this new digital era, has begun to question the modern cinematic experience.
Author: Torkell Saetervadet Publisher: Indiana University Press ISBN: 9782960029628 Category : Performing Arts Languages : en Pages : 0
Book Description
FIAF Digital Projection Guide addresses the technical challenges that cinémathèques, archival and repertory cinemas and festivals encounter in the paradigm change from analogue film projection to digital cinema. The guide is an extension of, and update to, The Advanced Projection Manual (2006), a book covering the craft of projecting film classics with modern equipment. FIAF Digital Projection Guide covers the following topics: * What is D-cinema, and what are the alternatives? * Pixel – the digital picture element * The DCP file format * Digital projection systems * 3-D projection technology * Sound for digital cinema * Practical advice for digital conversions FIAF Digital Projection Guide is published by the International Federation of Film Archives (FIAF) and sponsored jointly by The Norwegian Film Institute (NFI) and the Giornate del cinema muto (Pordenone).
Author: David E. Elkins, SOC Publisher: Taylor & Francis ISBN: 1136048987 Category : Performing Arts Languages : en Pages : 625
Book Description
Excel as an Assistant Cameraman (AC) in today’s evolving film industry with this updated classic. Learn what to do—and what NOT to do—during production and get the job done right the first time. The Camera Assistant’s Manual, Sixth Edition covers the basics of cinematography and provides you with the multi-skill set needed to maintain and transport a camera, troubleshoot common problems on location, prepare for job interviews, and work with the latest film and video technologies. Illustrations, checklists, and tables accompany each chapter and highlight the daily workflow of an AC. This new edition has been updated to include: A fresh chapter on the entry level camera positions of Camera Trainee/Production Assistant Coverage of emerging iPhone apps that are used by filmmakers and ACs on set An updated companion website offering online tutorials, clips, and techniques that ACs can easily access while on location (www.cameraassistantmanual.com) All new sample reports and forms including AC time cards, resumé templates, a digital camera report, and a non-prep disclaimer Instruction and custom forms to help freelance filmmakers keep track of daily expenses for tax purposes The Camera Assistant’s Manual, Sixth Edition is an AC's bible for success and a must-have for anyone looking to prosper in this highly technical and ever-changing profession.
Author: David Stump, ASC Publisher: Routledge ISBN: 0429889011 Category : Performing Arts Languages : en Pages : 648
Book Description
Today’s successful cinematographer must be equal parts artist, technician, and business-person. The cinematographer needs to master the arts of lighting, composition, framing and other aesthetic considerations, as well as the technology of digital cameras, recorders, and workflows, and must know how to choose the right tools (within their budget) to get the job done. David Stump’s Digital Cinematography focuses on the tools and technology of the trade, looking at how digital cameras work, the ramifications of choosing one camera versus another, and how those choices help creative cinematographers to tell a story. This book empowers the reader to correctly choose the appropriate camera and workflow for their project from today’s incredibly varied options, as well as understand the ins and outs of implementing those options. Veteran ASC cinematographer David Stump has updated this edition with the latest technology for cameras, lenses, and recorders, as well as included a new section on future cinematographic trends. Ideal for advanced cinematography students as well as working professionals looking for a resource to stay on top of the latest trends, this book is a must read.
Author: Stephen M. Hart Publisher: Reaktion Books ISBN: 1780234031 Category : Art Languages : en Pages : 225
Book Description
From El Megano and Black God, White Devil to City of God and Babel, Latin American films have a rich history. In this concise but comprehensive account, Stephen M. Hart traces Latin American cinema from its origins in 1896 to the present day, along the way providing original views of major films and mini-biographies of major film directors. Describing the broad contours of Latin American film and its connections to major historical developments, Hart guides readers through the story of how Hollywood dominance succumbed to the emergence of the Nuevo Cine Latinoamericano and how this movement has led to the “New” New Latin American Cinema of the twenty-first century. He offers a fresh analysis of the effects of major changes in film technology, revealing how paradigm shifts such as the move to digital preceded new cinematographic techniques and visions. He also looks closely at the films themselves, examining how filmmakers express their messages. Finally, he considers the decision by a group of directors to film in English, which enhanced the visibility of Latin American cinema around the world. Featuring 120 illustrations, this clear, cogent guide to the history of this region’s cinema will appeal to fans of Central Station and Like Water for Chocolate alike.
Author: Steven Ascher
Author: Steven Ascher
Author: American Society of Cinematographers
Author: Peter Lunenfeld
Author: P.H. Heintzen
Author: Chris Gehman
Author: Torkell Saetervadet
Author: David E. Elkins, SOC
Author: Charles S. Swartz
Author: David Stump, ASC
Author: Stephen M. Hart