Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
Book Description
Photographs by Man Ray
Photographs
Man Ray
Man Ray: Photographs, 1920-1934, Paris
Photographs by Man Ray
Author: Man Ray
Publisher: Courier Corporation
ISBN: 0486238423
Category : Photography
Languages : en
Pages : 130
Book Description
Still lifes, landscapes, nudes, women's faces, portraits, and rayographs (photographs made without cameras) produced by Ray in the twenties and early thirties are accompanied by the comments of his contemporaries
Publisher: Courier Corporation
ISBN: 0486238423
Category : Photography
Languages : en
Pages : 130
Book Description
Still lifes, landscapes, nudes, women's faces, portraits, and rayographs (photographs made without cameras) produced by Ray in the twenties and early thirties are accompanied by the comments of his contemporaries
Man Ray, Photographs, 1920-1934
Photographs by Man Ray
Man Ray Photographs 1920-1934
Photographs by Man Ray
Fotografien
Author: Man Ray
Publisher: Delano Greenridge Editions
ISBN:
Category : Photography
Languages : en
Pages : 134
Book Description
As I recall discovering this book of photographs, I remember the sense of beauty and mystery that remains undiminished almost seventy years after its original publication. On a formal plane, one can easily understand how Man Ray manipulated the optics of the camera, juxtaposing near and far, object against object, space against object, and tactile against transparent. It is also apparent how he deliberately manipulated the process of photographic printmaking, using unusual tones of black, white, and gray to transform content into spaces, forms and surfaces. However, it is not simply how Man Ray manipulated the technical processes that is significant. What is important is how the images function visually, and how the photograph bridges or breaks the gap between what is perceived and/or imagined.
Publisher: Delano Greenridge Editions
ISBN:
Category : Photography
Languages : en
Pages : 134
Book Description
As I recall discovering this book of photographs, I remember the sense of beauty and mystery that remains undiminished almost seventy years after its original publication. On a formal plane, one can easily understand how Man Ray manipulated the optics of the camera, juxtaposing near and far, object against object, space against object, and tactile against transparent. It is also apparent how he deliberately manipulated the process of photographic printmaking, using unusual tones of black, white, and gray to transform content into spaces, forms and surfaces. However, it is not simply how Man Ray manipulated the technical processes that is significant. What is important is how the images function visually, and how the photograph bridges or breaks the gap between what is perceived and/or imagined.