Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 124
Book Description
M. William Shak-speare's King Lear
King Lear
Author: Jeffrey Kahan
Publisher: Routledge
ISBN: 1135973652
Category : Literary Criticism
Languages : en
Pages : 385
Book Description
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
Publisher: Routledge
ISBN: 1135973652
Category : Literary Criticism
Languages : en
Pages : 385
Book Description
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
M. William Shak-speare: His True Chronicle Historie of the Life and Death of King Lear and His Three Daughters
M. William Shake-speare, His True Chronicle History of the Life and Death of King Lear, and His Three Daughters
M. William Shak-speare, His True Chronicle Historie of the Life and Death of King Lear and His Three Daughters
Author: William Shakespeare
Publisher: Prentice Hall
ISBN:
Category : Drama
Languages : en
Pages : 180
Book Description
What modern readers and audiences generally know as 'Shakespeare's King Lear' is a composite construction created by merging The Tragedie of King Lear (1623) and the earlier (1608) Quarto version. In the last twenty years these two texts have again been disentangled from one another, and recognised as different states in a process of textual production: but only since editors and critics have generally agreed that both texts were separately written by Shakespeare himself, who produced the 1623 version by adapting, editing and 'revising' the Quarto. This new critical edition presents the play in a largely unmodernised form, with a minimum of editorial interference; and argues that both in terms of its relation to the Folio and its character as an individual text, it is better approached formally and historically as an independent play than evaluated on the basis of a speculative theory of authorship.
Publisher: Prentice Hall
ISBN:
Category : Drama
Languages : en
Pages : 180
Book Description
What modern readers and audiences generally know as 'Shakespeare's King Lear' is a composite construction created by merging The Tragedie of King Lear (1623) and the earlier (1608) Quarto version. In the last twenty years these two texts have again been disentangled from one another, and recognised as different states in a process of textual production: but only since editors and critics have generally agreed that both texts were separately written by Shakespeare himself, who produced the 1623 version by adapting, editing and 'revising' the Quarto. This new critical edition presents the play in a largely unmodernised form, with a minimum of editorial interference; and argues that both in terms of its relation to the Folio and its character as an individual text, it is better approached formally and historically as an independent play than evaluated on the basis of a speculative theory of authorship.
M. William Shak-speare's King Lear
Author: William Shakespeare
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 120
Book Description
The Complete Works of William Shakespeare
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 1192
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1192
Book Description
Shakespeare's Stationers
Author: Marta Straznicky
Publisher: University of Pennsylvania Press
ISBN: 0812207386
Category : Literary Criticism
Languages : en
Pages : 383
Book Description
Recent studies in early modern cultural bibliography have put forth a radically new Shakespeare—a man of keen literary ambition who wrote for page as well as stage. His work thus comes to be viewed as textual property and a material object not only seen theatrically but also bought, read, collected, annotated, copied, and otherwise passed through human hands. This Shakespeare was invented in large part by the stationers—publishers, printers, and booksellers—who produced and distributed his texts in the form of books. Yet Shakespeare's stationers have not received sustained critical attention. Edited by Marta Straznicky, Shakespeare's Stationers: Studies in Cultural Bibliography shifts Shakespearean textual scholarship toward a new focus on the earliest publishers and booksellers of Shakespeare's texts. This seminal collection is the first to explore the multiple and intersecting forms of agency exercised by Shakespeare's stationers in the design, production, marketing, and dissemination of his printed works. Nine critical studies examine the ways in which commerce intersected with culture and how individual stationers engaged in a range of cultural functions and political movements through their business practices. Two appendices, cataloguing the imprints of Shakespeare's texts to 1640 and providing forty additional stationer profiles, extend the volume's reach well beyond the case studies, offering a foundation for further research.
Publisher: University of Pennsylvania Press
ISBN: 0812207386
Category : Literary Criticism
Languages : en
Pages : 383
Book Description
Recent studies in early modern cultural bibliography have put forth a radically new Shakespeare—a man of keen literary ambition who wrote for page as well as stage. His work thus comes to be viewed as textual property and a material object not only seen theatrically but also bought, read, collected, annotated, copied, and otherwise passed through human hands. This Shakespeare was invented in large part by the stationers—publishers, printers, and booksellers—who produced and distributed his texts in the form of books. Yet Shakespeare's stationers have not received sustained critical attention. Edited by Marta Straznicky, Shakespeare's Stationers: Studies in Cultural Bibliography shifts Shakespearean textual scholarship toward a new focus on the earliest publishers and booksellers of Shakespeare's texts. This seminal collection is the first to explore the multiple and intersecting forms of agency exercised by Shakespeare's stationers in the design, production, marketing, and dissemination of his printed works. Nine critical studies examine the ways in which commerce intersected with culture and how individual stationers engaged in a range of cultural functions and political movements through their business practices. Two appendices, cataloguing the imprints of Shakespeare's texts to 1640 and providing forty additional stationer profiles, extend the volume's reach well beyond the case studies, offering a foundation for further research.
William Shakespeare
Author: Stanley Wells
Publisher: W. W. Norton & Company
ISBN: 9780393316674
Category : Biography & Autobiography
Languages : en
Pages : 692
Book Description
An indespensable companion to The Norton Shakespeare, Based on the Oxford Edition, this is the most comprehensive reference work on Shakespearean textual problems ever compiled in a single volume. William Shakespeare: A Textual Companion provides a wealth of information about the problems presented by texts and the processes by which editorial decisions are reached. The General Introduction discusses the critical and theoretical issues raised by different kinds of editions, the nature of early manuscripts, printed texts, and the evidence for the canon and chronology of Shakespeare's works. It also offers a concise history of the editing of Shakespeare and sets forth the editorial principles of the Oxford Edition. Included for each work, are an introduction, textual notes, press variants, discussions of emendations and problems of modernization, plausible alternative readings, and a letter-by-letter reprint of the stage directions in the control text, among other materials. --
Publisher: W. W. Norton & Company
ISBN: 9780393316674
Category : Biography & Autobiography
Languages : en
Pages : 692
Book Description
An indespensable companion to The Norton Shakespeare, Based on the Oxford Edition, this is the most comprehensive reference work on Shakespearean textual problems ever compiled in a single volume. William Shakespeare: A Textual Companion provides a wealth of information about the problems presented by texts and the processes by which editorial decisions are reached. The General Introduction discusses the critical and theoretical issues raised by different kinds of editions, the nature of early manuscripts, printed texts, and the evidence for the canon and chronology of Shakespeare's works. It also offers a concise history of the editing of Shakespeare and sets forth the editorial principles of the Oxford Edition. Included for each work, are an introduction, textual notes, press variants, discussions of emendations and problems of modernization, plausible alternative readings, and a letter-by-letter reprint of the stage directions in the control text, among other materials. --
Shakespeare in Print
Author: Andrew Murphy
Publisher: Cambridge University Press
ISBN: 1139439464
Category : Literary Criticism
Languages : en
Pages : 519
Book Description
Shakespeare in Print is a comprehensive 2003 account of Shakespeare publishing and an indispensable research resource. Andrew Murphy sets out the history of the Shakespeare text from the Renaissance through to the twenty-first century, from the twin perspectives of editing and publishing history. Murphy tackles issues of editorial and textual theory in an accessible and engaging manner. He draws on a wide range of archival materials and attends to topics little explored by previous scholars, such as the importance of Scottish and Irish editions in the eighteenth century, the rise of the educational edition and the history and significance of mass-market editions. The extensive appendix is an invaluable reference tool which provides full publishing details of all single-text Shakespeare editions up to 1709 and all collected editions up to 1821. The listing also provides details of a selected range of major editions beyond these dates to the present day.
Publisher: Cambridge University Press
ISBN: 1139439464
Category : Literary Criticism
Languages : en
Pages : 519
Book Description
Shakespeare in Print is a comprehensive 2003 account of Shakespeare publishing and an indispensable research resource. Andrew Murphy sets out the history of the Shakespeare text from the Renaissance through to the twenty-first century, from the twin perspectives of editing and publishing history. Murphy tackles issues of editorial and textual theory in an accessible and engaging manner. He draws on a wide range of archival materials and attends to topics little explored by previous scholars, such as the importance of Scottish and Irish editions in the eighteenth century, the rise of the educational edition and the history and significance of mass-market editions. The extensive appendix is an invaluable reference tool which provides full publishing details of all single-text Shakespeare editions up to 1709 and all collected editions up to 1821. The listing also provides details of a selected range of major editions beyond these dates to the present day.