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Author: John McConnell Publisher: WestBow Press ISBN: 1449766986 Category : Poetry Languages : en Pages : 70
Book Description
Lyric Poems of Times Remembered sings of dearly remembered times and places. These are poems about good people, good things, and good times to warm your heart. In reading them, you may be reminded of good people, good things, and good times God has given you, and you may want to rejoice and give thanks. John invites, Come sit with me in the comfort of this little book, and be blessed.
Author: John McConnell Publisher: WestBow Press ISBN: 1449766986 Category : Poetry Languages : en Pages : 70
Book Description
Lyric Poems of Times Remembered sings of dearly remembered times and places. These are poems about good people, good things, and good times to warm your heart. In reading them, you may be reminded of good people, good things, and good times God has given you, and you may want to rejoice and give thanks. John invites, Come sit with me in the comfort of this little book, and be blessed.
Author: Martin Gardner Publisher: Courier Corporation ISBN: 0486116409 Category : Poetry Languages : en Pages : 226
Book Description
The 126 poems in this superb collection of 19th and 20th century British and American verse range from famous poets such as Wordsworth, Tennyson, Whitman, and Frost to less well-known poets. Includes 10 selections from the Common Core State Standards Initiative.
Author: Velcheru Narayana Rao Publisher: Univ of California Press ISBN: 0520313852 Category : Poetry Languages : en Pages : 226
Book Description
A Poem at the Right Moment collects, and preserves, poems—called catus—that have circulated orally for centuries in South India. The poems are remarkable for their wit and precision, their lyrical insight on the commonplace, their fascination with sensual experience, and their exploration of the connection between language and desire. Taken together the catus offer a penetrating critical vision and an understanding of the classical traditions of Telugu, Tamil, and Sanskrit. Each poem is presented in a contemporary English translation along with the Indian-language original. An introduction and a concluding essay explore in detail the stories and texts that comprise the catu system. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.
Author: Luís de Camões Publisher: Princeton University Press ISBN: 1400884144 Category : Poetry Languages : en Pages : 384
Book Description
Luís de Camões is world famous as the author of the great Renaissance epic The Lusíads, but his large and equally great body of lyric poetry is still almost completely unknown outside his native Portugal. In The Collected Lyric Poems of Luís de Camões, the award-winning translator of The Lusíads gives English readers the first comprehensive collection of Camões's sonnets, songs, elegies, hymns, odes, eclogues, and other poems--more than 280 lyrics altogether, all rendered in engaging verse. Camões (1524-1580) was the first great European artist to cross into the Southern Hemisphere, and his poetry bears the marks of nearly two decades spent in north and east Africa, the Persian Gulf, India, and Macau. From an elegy set in Morocco, to a hymn written at Cape Guardafui on the northern tip of Somalia, to the first modern European love poems for a non-European woman, these lyrics reflect Camões's encounters with radically unfamiliar peoples and places. Translator Landeg White has arranged the poems to follow the order of Camões's travels, making the book read like a journey. The work of one of the first European cosmopolitans, these poems demonstrate that Camões would deserve his place among the great poets even if he had never written his epic.
Author: James Longenbach Publisher: University of Chicago Press ISBN: 022671618X Category : Literary Criticism Languages : en Pages : 127
Book Description
A poet and scholar explores how lyric poetry works by examining the lives and works of thirteen twentieth- and twenty-first–century American poets and musicians. For more than a century, American poets have heeded the siren song of Ezra Pound’s make it new, staking a claim for the next poem on the supposed obsolescence of the last. But great poems are forever rehearsing their own present, inviting readers into a nowness that makes itself new each time we read or reread them. They create the present moment as we enter it, their language relying on the long history of lyric poetry while at the same time creating a feeling of unprecedented experience. In poet and critic James Longenbach’s title, the word “now” does double duty, evoking both a lyric sense of the present and twentieth-century writers’ assertion of “nowness” as they crafted their poetry in the wake of Modernism. Longenbach examines the fruitfulness of poetic repetition and indecision, of naming and renaming, and of the evolving search for newness in the construction, history, and life of lyrics. Looking to the work of thirteen poets, from Marianne Moore and T. S. Eliot through George Oppen and Jorie Graham to Carl Phillips and Sally Keith, and several musicians, including Virgil Thomson and Patti Smith, he shows how immediacy is constructed through language. Longenbach also considers the life and times of these poets, taking a close look at the syntax and diction of poetry, and offers an original look at the nowness of lyrics. Praise for The Lyric Now “Longenbach is a lyric poet, practical critic, and literary scholar. These are distinct roles, and there are vanishingly few people good, let alone so distinguished, in all three. In The Lyric Now, he brings a career’s worth of wisdom to bear while writing with élan and urgency for both the specialist and nonspecialist reader. No one is better at explaining how poems work, how literary history happens, and why we should care about both.” —Langdon Hammer, author of James Merrill: Life and Art “[Longenbach] does prove—with stylistic wit and epigrammatic verve—that close reading can be a literary art in its own right. . . . Taken together, these essays . . . make an implicit case for the importance of syntax to lyric poetry. This is particularly evident in Longenbach’s reading of Moore’s “The Octopus,” and in masterful readings of poems by Jorie Graham and Carl Philips. When he contrasts Patti Smith’s prose and John Ashbery’s poetry with the songs of Bob Dylan, his skill as an expert close reader proves his point about the power of syntax. This volume proves a simple yet fundamental truth: “a lyric works particularly, sentence by sentence, line by line”. . . . Summing Up: Highly recommended.” —Choice
Author: Brian Culhane Publisher: Able Muse Press ISBN: 1773490877 Category : Poetry Languages : ar Pages : 84
Book Description
With remarkable erudition, Brian Culhane’s Remembering Lethe provides apropos morals and metaphors for our own times through its clear-eyed exposition of history, myths, and legends from Latin, Sumerian, Saxon, and Greek among others. The character and might of the word, even in the midst of repression and censorship, is a pervading theme. This insightful and masterfully crafted collection is a worthy finalist for the 2020 Able Muse Book Award. PRAISE FOR REMEMBERING LETHE Brian Culhane is a poet whose work leaps across classical myths and World War II history; across poetic forms that shimmer with innovation; across loss and love and the deep river of Lethe, the river in Hades that causes forgetfulness. In our culture, in this time, we forget a lot of things. “You’ll perhaps cross the abyss / Between words, though no margin of safety’s promised us,” Culhane writes, and the journey of Remembering Lethe is one into a language and imagination so alive and generous that it beckons to, and then surprises and engages, every reader. This book is a consolation and an inspiration. —Frances McCue, author of The Bled Brian Culhane’s poetry is a form of knowledge, and its truth and beauty as art would be recognizable at any time, in any era. The title Remembering Lethe presents us with the riddle of poetry itself. Lethe, the classical river of forgetfulness, may erase the memory of everything except the very poetry that created it. Reflecting a lifetime of reading, teaching, and writing, the poems in this book merge with their subjects in classical proportions, formed by a lyric impulse the poet calls in one poem “two parts darkness, one part song.” Darkness may sometimes shadow these poems, but joy illuminates each of them in the end. —Mark Jarman, author of The Heronry In “A Crack in the Amphora,” just one of the many formally masterful, richly probing, and movingly resonant poems in Remembering Lethe, Brian Culhane enjoins the reader to “squeeze your eyes through / Past the dry outer world of painted clay,” to find “a corridor leading away / From light,” into the interior the sculptor’s “palm knew / As wet, before any votive oil splashed in.” Here, in a manner exemplary of this poet’s ingenious imaginative powers, the poem opens to a world vital with allusion and pervasively attuned both to “the core of darkness” and to the world at hand with which, as he says elsewhere, “the longhand of thought” also must contend. Culhane’s poems are unapologetically literate, inclusive in their pursuit of emotional and intellectual truth, and rare in their responsiveness to what is most necessary for the art. —Daniel Tobin, author of Blood Labors ABOUT THE AUTHOR: Brian Culhane’s The King’s Question (Graywolf Press, 2008) won the Poetry Foundation’s Emily Dickinson Award for a first book by an author over fifty. His poems have appeared widely in such journals as the Hudson Review, the New Criterion, the New Republic, and the Paris Review. After getting his MFA at Columbia University, he received a PhD in English literature from the University of Washington, where he focused on epic literature and the history of criticism. The recipient of fellowships from Washington State’s Artist Trust, MacDowell, and the Virginia Center for the Creative Arts, he now divides his time between New York’s Catskills and Seattle.
Author: Jonathan Cott Publisher: Anchor ISBN: 0385536380 Category : Biography & Autobiography Languages : en Pages : 186
Book Description
Jonathan Cott met John Lennon in 1968 and was friends with him and Yoko Ono until John's death in 1980. He has kept in touch with Yoko since that time, and is one of the small group of writers who understands her profoundly positive influence on Lennon. This deeply personal book recounts the course of those friendships over the decades and provides an intimate look at two of the most astonishing cultural figures of our time. And what Jonathan Cott has to say and tell will be found nowhere else.
Author: John McConnell
Author: John McConnell
Author: Martin Gardner
Author: Velcheru Narayana Rao
Author: Luís de Camões
Author: Ben Lerner
Author: James Longenbach
Author: Brian Culhane
Author: Edward Bliss Reed
Author: Jonathan Cott
Author: Homer Andrew Watt