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Author: Nina Maria Lozano Publisher: Rhetoric and Materiality ISBN: 9780814255186 Category : Language Arts & Disciplines Languages : en Pages : 188
Book Description
Critiques and extends theories of new materialism to reveal the socioeconomic and geopolitical forces at work in the Juárez feminicidios.
Author: Nina Maria Lozano Publisher: Rhetoric and Materiality ISBN: 9780814255186 Category : Language Arts & Disciplines Languages : en Pages : 188
Book Description
Critiques and extends theories of new materialism to reveal the socioeconomic and geopolitical forces at work in the Juárez feminicidios.
Author: Rosina Lozano Publisher: Univ of California Press ISBN: 0520969588 Category : History Languages : en Pages : 376
Book Description
"This is the most comprehensive book I’ve ever read about the use of Spanish in the U.S. Incredible research. Read it to understand our country. Spanish is, indeed, an American language."—Jorge Ramos An American Language is a tour de force that revolutionizes our understanding of U.S. history. It reveals the origins of Spanish as a language binding residents of the Southwest to the politics and culture of an expanding nation in the 1840s. As the West increasingly integrated into the United States over the following century, struggles over power, identity, and citizenship transformed the place of the Spanish language in the nation. An American Language is a history that reimagines what it means to be an American—with profound implications for our own time.
Author: Sarah Lehrer-Graiwer Publisher: MIT Press ISBN: 1846381363 Category : Art Languages : en Pages : 110
Book Description
An examination of Lee Lozano's greatest experiment in art and endurance—a major work of art that might not exist at all. The artist Lee Lozano (1930–1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece), begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece, which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece, the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas.
Author: Publisher: ISBN: Category : Art Languages : en Pages : 224
Book Description
"This publication is a compilation of Lee Lozano's notebooks from 1967-70, and the three included here contain her seminal 'Language Pieces' and drawings for her paintings, including 12 studies for her 11-panel ... 'Wave Series'. Twenty years ago Lozano's notebooks were photocopied it is that record which serves as the basis for this book ..."'--P. [4] of cover.
Author: Jo Applin Publisher: Yale University Press ISBN: 0300223277 Category : Art Languages : en Pages : 194
Book Description
An illuminating study of an overlooked artist from the 1960s whose work has recently returned to the limelight This is the first in‑depth study of the idiosyncratic ten‑year career of Lee Lozano (1930-1999), assuring this important artist a key place in histories of post‑war art. The book charts the entirety of Lozano's production in 1960s New York, from her raucous drawings and paintings depicting broken tools, genitalia, and other body parts to the final exhibition of her spectacular series of abstract "Wave Paintings" at the Whitney Museum of American Art in 1970. Highly regarded at the time, Lozano is now perhaps best known for Dropout Piece (1970), a conceptual artwork and dramatic gesture with which she quit the art world. Shortly afterwards she announced she would have no further contact with other women. Her "dropout" and "boycott of women" lasted until her death, by which time she was all but forgotten. This book tackles head‑on the challenges that Lozano poses to art history--and especially to feminist art history--attending to her failures as well as her successes, and arguing that through dead ends and impasses she struggled to forge an alternative mode of living. Lee Lozano: Not Working looks for the means to think about complex figures like Lozano whose radical, politically ambiguous gestures test our assumptions about feminism and the "right way" to live and work.
Author: Barry Rosen Publisher: Karma, New York ISBN: 9781949172409 Category : Drawing, American Languages : en Pages : 0
Book Description
A handsome and hefty clothbound compendium of Lozano's explorations of gender through drawing This 640-page volume comprises drawings from a critical six-year period in the development of American painter and conceptual artist Lee Lozano's (1930-99) practice. Her daring, facetious sketches investigate issues of gender and the body through the erogenous anthropomorphization of tools. Lee Lozano: Drawings 1958-64 includes two newly commissioned essays by Helen Molesworth and Tamar Garb. "What I love about Lozano--besides the crazy, ham-fisted quality of her drawn line, pictures made with pencils that appear to have been held with a fist--is how her demonstration of the word 'connection' is not bound to any of the anodyne ways we currently use it," writes Molesworth. "There's nothing about 'listening' or 'building community' or 'empathy' in any of these drawings. For Lozano, connection is fraught and hairy. Connection is dangerous."
Author: Álvaro Lozano-Robledo Publisher: American Mathematical Soc. ISBN: 0821852426 Category : Mathematics Languages : en Pages : 217
Book Description
Many problems in number theory have simple statements, but their solutions require a deep understanding of algebra, algebraic geometry, complex analysis, group representations, or a combination of all four. The original simply stated problem can be obscured in the depth of the theory developed to understand it. This book is an introduction to some of these problems, and an overview of the theories used nowadays to attack them, presented so that the number theory is always at the forefront of the discussion. Lozano-Robledo gives an introductory survey of elliptic curves, modular forms, and $L$-functions. His main goal is to provide the reader with the big picture of the surprising connections among these three families of mathematical objects and their meaning for number theory. As a case in point, Lozano-Robledo explains the modularity theorem and its famous consequence, Fermat's Last Theorem. He also discusses the Birch and Swinnerton-Dyer Conjecture and other modern conjectures. The book begins with some motivating problems and includes numerous concrete examples throughout the text, often involving actual numbers, such as 3, 4, 5, $\frac{3344161}{747348}$, and $\frac{2244035177043369699245575130906674863160948472041} {8912332268928859588025535178967163570016480830}$. The theories of elliptic curves, modular forms, and $L$-functions are too vast to be covered in a single volume, and their proofs are outside the scope of the undergraduate curriculum. However, the primary objects of study, the statements of the main theorems, and their corollaries are within the grasp of advanced undergraduates. This book concentrates on motivating the definitions, explaining the statements of the theorems and conjectures, making connections, and providing lots of examples, rather than dwelling on the hard proofs. The book succeeds if, after reading the text, students feel compelled to study elliptic curves and modular forms in all their glory.
Author: Eduardo Lozano Publisher: Imagenes Vazquez ISBN: Category : Art Languages : en Pages : 218
Book Description
Critic study on the life and artwork of poet and painter Lozano (b. Argentina), who in the early 1950's produced an extensive collection of paintings in addition to his work as a poet. His second poetry book "De Nacer o Morir" placed him as a well-known figure of contemporary literature in Argentina. In his facet as a painter Lozano's pictorial work has been dominantly pictographic, with planimetric scenes that recall Pre-Hispanic civilizations, particularly inspired in the Maya and Aztec codices. His paintings, drawings, prints and clays sculptures sometimes categorized as primitive art are better defined in a style that moves between figuration and abstraction due to the complexity of his strokes.
Author: Nina Maria Lozano
Author: Nina Maria Lozano
Author: Rosina Lozano
Author: Sarah Lehrer-Graiwer
Author: 
Author: Jo Applin
Author: Barry Rosen
Author: Neal Lozano
Author: Adam G. Klein
Author: Álvaro Lozano-Robledo
Author: Eduardo Lozano