Author: Christopher Goldsack
Publisher: Lulu.com
ISBN: 1326729608
Category : Art
Languages : en
Pages : 70
Book Description
BBC Singers Conducted By Jane Glover & Simon Joly.
Liebeslieder Waltzes Op. 52
Author: Christopher Goldsack
Publisher: Lulu.com
ISBN: 1326729608
Category : Art
Languages : en
Pages : 70
Book Description
BBC Singers Conducted By Jane Glover & Simon Joly.
Publisher: Lulu.com
ISBN: 1326729608
Category : Art
Languages : en
Pages : 70
Book Description
BBC Singers Conducted By Jane Glover & Simon Joly.
Love Song Waltzes (Liebeslieder Waltzes), Opus 52
Author: Johannes Brahms
Publisher: Alfred Music
ISBN: 9781457472848
Category : Music
Languages : en
Pages : 52
Book Description
In spite of being well-known as a great composer of large, complex musical works, some of Brahms' most successful works were smaller, more intimate pieces, such as the eighteen "Liebeslieder," or "Love Song Waltzes," Opus 52, for Soli, Chorus and Piano Four-Hand Accompaniment. Choral score with piano duet accompaniment.
Publisher: Alfred Music
ISBN: 9781457472848
Category : Music
Languages : en
Pages : 52
Book Description
In spite of being well-known as a great composer of large, complex musical works, some of Brahms' most successful works were smaller, more intimate pieces, such as the eighteen "Liebeslieder," or "Love Song Waltzes," Opus 52, for Soli, Chorus and Piano Four-Hand Accompaniment. Choral score with piano duet accompaniment.
Liebeslieder Walzer (Love Song Waltzes), Opus 52
Author: Johannes Brahms
Publisher: Alfred Music
ISBN: 9781457472831
Category : Music
Languages : en
Pages : 36
Book Description
In 1868, Johannes Brahms decided to compose a romantic song cycle, the 18 "Liebeslieder Wälzer" or "Love Song Waltzes," Opus 52. When published in 1870, they were an instant success, popular with all musicians and singers. This choral score will include choir and soloist parts, in German and in English, with piano accompaniment.
Publisher: Alfred Music
ISBN: 9781457472831
Category : Music
Languages : en
Pages : 36
Book Description
In 1868, Johannes Brahms decided to compose a romantic song cycle, the 18 "Liebeslieder Wälzer" or "Love Song Waltzes," Opus 52. When published in 1870, they were an instant success, popular with all musicians and singers. This choral score will include choir and soloist parts, in German and in English, with piano accompaniment.
Multi-Voice Songs: A Selection
Author: Johannes Brahms
Publisher: Courier Dover Publications
ISBN: 0486814564
Category : Music
Languages : en
Pages : 193
Book Description
Unaccompanied choral works composed or otherwise arranged by Brahms for mixed choruses as well as individual men's and women's choruses include songs, love songs, romances, quartetes, and duets.
Publisher: Courier Dover Publications
ISBN: 0486814564
Category : Music
Languages : en
Pages : 193
Book Description
Unaccompanied choral works composed or otherwise arranged by Brahms for mixed choruses as well as individual men's and women's choruses include songs, love songs, romances, quartetes, and duets.
Liebeslieder, Opus 52 (Love Songs)
Author: Johannes Brahms
Publisher: Alfred Music
ISBN: 1457419548
Category : Music
Languages : en
Pages : 66
Book Description
For the first time in over 100 years, this choral classic is now available in an easy-to-read octavo format for the vocalist. This brilliant edition includes German text with singable English translation, vocal cues, literal translations and an IPA transcription of the German text. The Conductor/Piano Score is available separately.
Publisher: Alfred Music
ISBN: 1457419548
Category : Music
Languages : en
Pages : 66
Book Description
For the first time in over 100 years, this choral classic is now available in an easy-to-read octavo format for the vocalist. This brilliant edition includes German text with singable English translation, vocal cues, literal translations and an IPA transcription of the German text. The Conductor/Piano Score is available separately.
Brahms's Vocal Duets and Quartets with Piano
Author: Paul Stark
Publisher: Indiana University Press
ISBN: 0253028450
Category : Music
Languages : en
Pages : 173
Book Description
" . . . a generous treatment of some of Brahms's most endearing and imaginative creations." —Choice " . . . an excellent addition to the literature on vocal chamber music . . . " —Notes In this sequel to A Guide to the Solo Songs of Johannes Brahms, Lucien Stark opens up a beautiful and largely neglected repertoire, providing the full German text for each song, along with a new English translation, notes on vocal ranges, and a wealth of engaging commentary of technical, aesthetic, and historical interest.
Publisher: Indiana University Press
ISBN: 0253028450
Category : Music
Languages : en
Pages : 173
Book Description
" . . . a generous treatment of some of Brahms's most endearing and imaginative creations." —Choice " . . . an excellent addition to the literature on vocal chamber music . . . " —Notes In this sequel to A Guide to the Solo Songs of Johannes Brahms, Lucien Stark opens up a beautiful and largely neglected repertoire, providing the full German text for each song, along with a new English translation, notes on vocal ranges, and a wealth of engaging commentary of technical, aesthetic, and historical interest.
Notes on Brahms
Author: Conrad Wilson
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802829917
Category : Music
Languages : en
Pages : 148
Book Description
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802829917
Category : Music
Languages : en
Pages : 148
Book Description
A Basic Classical and Operatic Recordings Collection on Compact Discs for Libraries
Author: Kenyon C. Rosenberg
Publisher: Scarecrow Press
ISBN: 9780810823228
Category : Language Arts & Disciplines
Languages : en
Pages : 398
Book Description
Lists classical and operatic recordings that are specifically available in the new (and desirable) compact disc format. Individual titles are graded for their appropriateness to specific types and sizes of libraries. The main portion covers some 160 composers whose works are important in constituting a nuclear library collection of "serious" music. There are over 1,200 titles included and individually numbered (and fully cross-referenced) and graded. For numerous works, two or more performances are cited in order to provide the librarian with greater choices; monophonic works are specifically indicated. Many of the works are annotated. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Scarecrow Press
ISBN: 9780810823228
Category : Language Arts & Disciplines
Languages : en
Pages : 398
Book Description
Lists classical and operatic recordings that are specifically available in the new (and desirable) compact disc format. Individual titles are graded for their appropriateness to specific types and sizes of libraries. The main portion covers some 160 composers whose works are important in constituting a nuclear library collection of "serious" music. There are over 1,200 titles included and individually numbered (and fully cross-referenced) and graded. For numerous works, two or more performances are cited in order to provide the librarian with greater choices; monophonic works are specifically indicated. Many of the works are annotated. Annotation copyrighted by Book News, Inc., Portland, OR
Ten Masterpieces of Music
Author: Harvey Sachs
Publisher: Liveright Publishing
ISBN: 1631495194
Category : Music
Languages : en
Pages : 384
Book Description
Some pieces of music survive. Most fall into oblivion. What gives the ten masterpieces selected for this book their exceptional vitality? In this penetrating volume, Harvey Sachs, acclaimed biographer and historian of classical music, takes readers into the hearts of ten extraordinary works of classical music in ten different genres, showing both the curious novice and the seasoned listener how to recognize, appreciate, and engage with these masterpieces on a historical and compositional level. Far from what is often thought, classical music is neither dead nor dying. As a genre, it is constantly evolving, its pieces passing through countless permutations and combinations yet always retaining that essential élan vital, or life force. The works collected here, composed in the years between 1784 and 1966, are a testament to this fact. As Sachs skillfully demonstrates, they have endured not because they were exceptionally well-made or interesting but because they were created by composers—Mozart and Beethoven; Schubert, Schumann, Berlioz, Verdi, and Brahms; Sibelius, Prokofiev, and Stravinsky—who had a particular genius for drawing music out of their deepest wellsprings. “Through music,” Sachs writes, “they universalized the intimate.” In describing how music actually sounds, Ten Masterpieces of Music seems to do the impossible, animating the process of composing as well as the coming together of disparate scales and melodies, trills and harmonies. It tells us, too, how particular compositions came to be, often revealing that the pieces we now consider “classic” were never intended to be so. In poignant, exquisite prose, Sachs shows how Mozart, a former child prodigy under constant pressure to produce new music, hastily penned Piano Concerto No. 17 in G major, one of his finest piano concertos, for a teenage student, and likewise demonstrates how Goethe’s Faust, Part One, became a springboard for the musical imagination of the French composer Berlioz. As Sachs explains, these pieces are not presented as candidates for a new “Top Ten.” They represent neither the most well-known nor the most often-performed works of each composer. Instead, they were chosen precisely because he had something profound to say about them, about their composers, about how each piece fits into its composer’s life, and about how each of these lives can be contextualized by time and place. In fact, Sachs encourages readers to form their own favorites, and teaches them how to discern special characteristics that will enhance their own listening experiences. With Ten Masterpieces of Music, it becomes evident that Sachs has lived with these pieces for a veritable lifetime. His often-soaring descriptions of the works and the dramatic lives of the men who composed them bring a heightened dimension to the musical perceptions of all listeners, communicating both the sheer improbability of a work becoming a classic and why certain pieces—these ten among them—survive the perilous test of time.
Publisher: Liveright Publishing
ISBN: 1631495194
Category : Music
Languages : en
Pages : 384
Book Description
Some pieces of music survive. Most fall into oblivion. What gives the ten masterpieces selected for this book their exceptional vitality? In this penetrating volume, Harvey Sachs, acclaimed biographer and historian of classical music, takes readers into the hearts of ten extraordinary works of classical music in ten different genres, showing both the curious novice and the seasoned listener how to recognize, appreciate, and engage with these masterpieces on a historical and compositional level. Far from what is often thought, classical music is neither dead nor dying. As a genre, it is constantly evolving, its pieces passing through countless permutations and combinations yet always retaining that essential élan vital, or life force. The works collected here, composed in the years between 1784 and 1966, are a testament to this fact. As Sachs skillfully demonstrates, they have endured not because they were exceptionally well-made or interesting but because they were created by composers—Mozart and Beethoven; Schubert, Schumann, Berlioz, Verdi, and Brahms; Sibelius, Prokofiev, and Stravinsky—who had a particular genius for drawing music out of their deepest wellsprings. “Through music,” Sachs writes, “they universalized the intimate.” In describing how music actually sounds, Ten Masterpieces of Music seems to do the impossible, animating the process of composing as well as the coming together of disparate scales and melodies, trills and harmonies. It tells us, too, how particular compositions came to be, often revealing that the pieces we now consider “classic” were never intended to be so. In poignant, exquisite prose, Sachs shows how Mozart, a former child prodigy under constant pressure to produce new music, hastily penned Piano Concerto No. 17 in G major, one of his finest piano concertos, for a teenage student, and likewise demonstrates how Goethe’s Faust, Part One, became a springboard for the musical imagination of the French composer Berlioz. As Sachs explains, these pieces are not presented as candidates for a new “Top Ten.” They represent neither the most well-known nor the most often-performed works of each composer. Instead, they were chosen precisely because he had something profound to say about them, about their composers, about how each piece fits into its composer’s life, and about how each of these lives can be contextualized by time and place. In fact, Sachs encourages readers to form their own favorites, and teaches them how to discern special characteristics that will enhance their own listening experiences. With Ten Masterpieces of Music, it becomes evident that Sachs has lived with these pieces for a veritable lifetime. His often-soaring descriptions of the works and the dramatic lives of the men who composed them bring a heightened dimension to the musical perceptions of all listeners, communicating both the sheer improbability of a work becoming a classic and why certain pieces—these ten among them—survive the perilous test of time.
Catalog of "Connorized" Music Rolls for 65 Note Player-pianos
Author: John Church Company
Publisher:
ISBN:
Category : Player piano rolls
Languages : en
Pages : 668
Book Description
Publisher:
ISBN:
Category : Player piano rolls
Languages : en
Pages : 668
Book Description