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Author: Eric Lott Publisher: Oxford University Press, USA ISBN: Category : History Languages : en Pages : 336
Book Description
Blackface and blackness : the minstrel show in American culture -- Love and theft : "racial" production and the social unconscious of blackface -- White kids and no kids at all : working-class culture and languages of race -- The blackening of America : popular culture and national cultures -- "The seeming counterfeit" : early blackface acts, the body, and social contradiction -- "Genuine Negro fun" : racial pleasure and class formation in the 1840s -- California gold and European revolution : Stephen Foster and the American 1848 -- Uncle Tomitudes : racial melodrama and modes of production.
Author: Eric Lott Publisher: Oxford University Press, USA ISBN: Category : History Languages : en Pages : 336
Book Description
Blackface and blackness : the minstrel show in American culture -- Love and theft : "racial" production and the social unconscious of blackface -- White kids and no kids at all : working-class culture and languages of race -- The blackening of America : popular culture and national cultures -- "The seeming counterfeit" : early blackface acts, the body, and social contradiction -- "Genuine Negro fun" : racial pleasure and class formation in the 1840s -- California gold and European revolution : Stephen Foster and the American 1848 -- Uncle Tomitudes : racial melodrama and modes of production.
Author: Yuval Taylor Publisher: W. W. Norton & Company ISBN: 0393070980 Category : Biography & Autobiography Languages : en Pages : 353
Book Description
Investigates the origin and heyday of black minstrelsy, which in modern times is considered an embarrassment, and discusses whether or not the art form is actually still alive in the work of contemporary performers--from Dave Chappelle and Flavor Flav to Spike Lee.
Author: Eric Lott Publisher: Harvard University Press ISBN: 0674967712 Category : History Languages : en Pages : 289
Book Description
Blackness is a prized commodity in American pop culture. Marketed to white consumers, it invites whites to view themselves in a mirror of racial difference, while remaining “wholly” white. From sports to literature, film, and music to investigative journalism, Eric Lott reveals the hidden dynamics of this self-and-other racial mirroring.
Author: Nicholas Sammond Publisher: Duke University Press ISBN: 0822375788 Category : Performing Arts Languages : en Pages : 232
Book Description
In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.
Author: Eric Lott Publisher: Basic Books ISBN: 9780465041862 Category : Political Science Languages : en Pages : 272
Book Description
What ever happened with that liberal intellectual "boom" of the 1980s and 1990s? In The Disappearing Liberal Intellectual, Eric Lott--author of the prizewinning Love and Theft--shows that the charter members of the "new left" are suffering from a condition that he has dubbed "boomeritis." Too secure in their university appointments, lecture tours, and book deals, the once rising stars of the liberal elite--including Richard Rorty, Todd Gitlin, Michael Lind, Paul Berman, Greil Marcus, and Henry Louis Gates, Jr.--have drifted away from their radical moorings toward the political center. At once a chronicle of recent intellectual life and a polemic against contemporary liberalism's accommodations of the conservative status quo, The Disappearing Liberal Intellectual eviscerates the complacency that has seeped into the politics of the would-be vanguard of American intellectual thought. Lott issues a wake-up call to the great public intellectuals of our day and challenges them to reinvigorate political debate on campus, in their writing, and on the airwaves.
Author: W. T. Lhamon Publisher: Harvard University Press ISBN: 9780674747111 Category : Music Languages : en Pages : 302
Book Description
Cain made the first blackface turn, blackface minstrels liked to say of the first man forced to wander the world acting out his low place in life. It wasn't the "approved" reading, but then, blackface wasn't the "approved" culture either--yet somehow we're still dancing to its renegade tune. The story of an insubordinate, rebellious, truly popular culture stretching from Jim Crow to hip hop is told for the first time in Raising Cain, a provocative look at how the outcasts of official culture have made their own place in the world. Unearthing a wealth of long-buried plays and songs, rethinking materials often deemed too troubling or lowly to handle, and overturning cherished ideas about classics from Uncle Tom's Cabin to Benito Cereno to The Jazz Singer, W. T. Lhamon Jr. sets out a startlingly original history of blackface as a cultural ritual that, for all its racist elements, was ultimately liberating. He shows that early blackface, dating back to the 1830s, put forward an interpretation of blackness as that which endured a commonly felt scorn and often outwitted it. To follow the subsequent turns taken by the many forms of blackface is to pursue the way modern social shifts produce and disperse culture. Raising Cain follows these forms as they prolong and adapt folk performance and popular rites for industrial commerce, then project themselves into the rougher modes of postmodern life through such heirs of blackface as stand-up comedy, rock 'n' roll, talk TV, and hip hop. Formally raising Cain in its myriad variants, blackface appears here as a racial project more radical even than abolitionism. Lhamon's account of its provenance and persistence is a major reinterpretation of American culture.
Author: Miles White Publisher: University of Illinois Press ISBN: 025203662X Category : Music Languages : en Pages : 178
Book Description
This multilayered study of the representation of black masculinity in musical and cultural performance takes aim at the reduction of African American male culture to stereotypes of deviance, misogyny, and excess. Broadening the significance of hip-hop culture by linking it to other expressive forms within popular culture, Miles White examines how these representations have both encouraged the demonization of young black males in the United States and abroad and contributed to the construction of their identities. From Jim Crow to Jay-Z traces black male representations to chattel slavery and American minstrelsy as early examples of fetishization and commodification of black male subjectivity. Continuing with diverse discussions including black action films, heavyweight prizefighting, Elvis Presley's performance of blackness, and white rappers such as Vanilla Ice and Eminem, White establishes a sophisticated framework for interpreting and critiquing black masculinity in hip-hop music and culture. Arguing that black music has undeniably shaped American popular culture and that hip-hop tropes have exerted a defining influence on young male aspirations and behavior, White draws a critical link between the body, musical sound, and the construction of identity.
Author: Tim Brooks Publisher: McFarland ISBN: 1476676763 Category : Social Science Languages : en Pages : 291
Book Description
The minstrel show occupies a complex and controversial space in the history of American popular culture. Today considered a shameful relic of America's racist past, it nonetheless offered many black performers of the 19th and early 20th centuries their only opportunity to succeed in a white-dominated entertainment world, where white performers in blackface had by the 1830s established minstrelsy as an enduringly popular national art form. This book traces the often overlooked history of the "modern" minstrel show through the advent of 20th century mass media--when stars like Al Jolson, Bing Crosby and Mickey Rooney continued a long tradition of affecting black music, dance and theatrical styles for mainly white audiences--to its abrupt end in the 1950s. A companion two-CD reissue of recordings discussed in the book is available from Archeophone Records at www.archeophone.com.
Author: Eric Lott
Author: Eric Lott
Author: Yuval Taylor
Author: Eric Lott
Author: Annemarie Bean
Author: Nicholas Sammond
Author: Eric Lott
Author: W. T. Lhamon
Author: Miles White
Author: Tim Brooks
Author: Dale Cockrell