Author: Louis Spohr
Publisher: BoD – Books on Demand
ISBN: 3752588950
Category : Fiction
Languages : en
Pages : 690
Book Description
Reprint of the original, first published in 1865.
Louis Spohr's Autobiography
Author: Louis Spohr
Publisher: BoD – Books on Demand
ISBN: 3752588950
Category : Fiction
Languages : en
Pages : 690
Book Description
Reprint of the original, first published in 1865.
Publisher: BoD – Books on Demand
ISBN: 3752588950
Category : Fiction
Languages : en
Pages : 690
Book Description
Reprint of the original, first published in 1865.
Louis Spohr's Autobiography
Author: Louis Spohr
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 696
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 696
Book Description
Louis Spohr's autobiography, tr. from the German. Copyright ed
Ludwig Spohr's Autobiography. Translated from the German. Copyright Edition
Chamber Music
Author: Mark A. Radice
Publisher: University of Michigan Press
ISBN: 0472051652
Category : Music
Languages : en
Pages : 384
Book Description
A thorough overview and history of chamber music
Publisher: University of Michigan Press
ISBN: 0472051652
Category : Music
Languages : en
Pages : 384
Book Description
A thorough overview and history of chamber music
Reader's Guide to Music
Author: Murray Steib
Publisher: Routledge
ISBN: 1135942692
Category : Music
Languages : en
Pages : 2624
Book Description
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
Publisher: Routledge
ISBN: 1135942692
Category : Music
Languages : en
Pages : 2624
Book Description
The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).
The Life and Legacy of Franz Xaver Hauser
Author: Dale A. Jorgenson
Publisher: SIU Press
ISBN: 9780809319756
Category : Biography & Autobiography
Languages : en
Pages : 320
Book Description
In this remarkable biography, Dale A. Jorgenson discloses the great legacy left by Hauser for future generations. Hauser's finest contribution was his achievement in cataloging all of Bach's known works and his collecting and disseminating for live performance all the original manuscripts and authentic copies of Bach's work he could obtain - materials he than made available to the Bach Society, founded in Leipzig in 1850.
Publisher: SIU Press
ISBN: 9780809319756
Category : Biography & Autobiography
Languages : en
Pages : 320
Book Description
In this remarkable biography, Dale A. Jorgenson discloses the great legacy left by Hauser for future generations. Hauser's finest contribution was his achievement in cataloging all of Bach's known works and his collecting and disseminating for live performance all the original manuscripts and authentic copies of Bach's work he could obtain - materials he than made available to the Bach Society, founded in Leipzig in 1850.
The Origins and Ascendancy of the Concert Mass
Author: Stephanie Rocke
Publisher: Routledge
ISBN: 1000300196
Category : Music
Languages : en
Pages : 207
Book Description
The mass is an extraordinary musical form. Whereas other Western art music genres from medieval times have fallen out of favour, the mass has not merely survived but flourished. A variety of historical forces within religious, secular, and musical arenas saw the mass expand well beyond its origins as a cycle of medieval chants, become concertised and ultimately bifurcate. Even as Western societies moved away from their Christian origins to become the religiously plural and politically secular societies of today, and the Church itself moved in favour of congregational singing, composers continued to compose masses. By the early twentieth century two forms of mass existed: the liturgical mass composed for church services, and the concert mass composed for secular venues. Spanning two millennia, The Origins and Ascendancy of the Concert Mass outlines the origins and meanings of the liturgical texts, defines the concert mass, explains how and why the split occurred, and provides examples that demonstrate composers’ gradual appropriation of the genre as a vehicle for personal expression on serious issues. By the end of the twentieth century the concert mass had become a repository for an eclectic range of theological and political ideas.
Publisher: Routledge
ISBN: 1000300196
Category : Music
Languages : en
Pages : 207
Book Description
The mass is an extraordinary musical form. Whereas other Western art music genres from medieval times have fallen out of favour, the mass has not merely survived but flourished. A variety of historical forces within religious, secular, and musical arenas saw the mass expand well beyond its origins as a cycle of medieval chants, become concertised and ultimately bifurcate. Even as Western societies moved away from their Christian origins to become the religiously plural and politically secular societies of today, and the Church itself moved in favour of congregational singing, composers continued to compose masses. By the early twentieth century two forms of mass existed: the liturgical mass composed for church services, and the concert mass composed for secular venues. Spanning two millennia, The Origins and Ascendancy of the Concert Mass outlines the origins and meanings of the liturgical texts, defines the concert mass, explains how and why the split occurred, and provides examples that demonstrate composers’ gradual appropriation of the genre as a vehicle for personal expression on serious issues. By the end of the twentieth century the concert mass had become a repository for an eclectic range of theological and political ideas.
The Strad
General Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 498
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 498
Book Description