Author: Liz Larner
Publisher: Museum of Contemporary Art, San Diego
ISBN:
Category : Architecture
Languages : en
Pages : 134
Book Description
By Russell Ferguson.
Liz Larner
Author: Liz Larner
Publisher: Museum of Contemporary Art, San Diego
ISBN:
Category : Architecture
Languages : en
Pages : 134
Book Description
By Russell Ferguson.
Publisher: Museum of Contemporary Art, San Diego
ISBN:
Category : Architecture
Languages : en
Pages : 134
Book Description
By Russell Ferguson.
Liz Larner
Author: Catherine Opie
Publisher: Karma, New York
ISBN: 9781942607243
Category : Ceramic sculpture, American
Languages : en
Pages : 0
Book Description
Published to coincide with her solo exhibition at the Aspen Art Museum, this catalogue surveys over five years of Los Angeles-based artist Liz Larner's (born 1960) wall-based ceramic works. Larner's process explores the natural compression and fragmentation of the body and of ceramic forms themselves. Fired and coated with pigment and resin, each ceramic work fits into one of six categories: inflexion, caesura, subduction, mantle, passage and calefaction. Resembling magnificently colored ancient tablets or sculptural specimens of the mineral world, the pieces have fissures and cracks that evoke geological processes. With a photo-essay by Catherine Opie, an essay by curator and writer Jenelle Porter, and an interview between Larner and Aspen Art Museum Director Heidi Zuckerman, this is an accessible entry into the work of an eminent female artist whose practice continues to radically enliven contemporary sculpture.
Publisher: Karma, New York
ISBN: 9781942607243
Category : Ceramic sculpture, American
Languages : en
Pages : 0
Book Description
Published to coincide with her solo exhibition at the Aspen Art Museum, this catalogue surveys over five years of Los Angeles-based artist Liz Larner's (born 1960) wall-based ceramic works. Larner's process explores the natural compression and fragmentation of the body and of ceramic forms themselves. Fired and coated with pigment and resin, each ceramic work fits into one of six categories: inflexion, caesura, subduction, mantle, passage and calefaction. Resembling magnificently colored ancient tablets or sculptural specimens of the mineral world, the pieces have fissures and cracks that evoke geological processes. With a photo-essay by Catherine Opie, an essay by curator and writer Jenelle Porter, and an interview between Larner and Aspen Art Museum Director Heidi Zuckerman, this is an accessible entry into the work of an eminent female artist whose practice continues to radically enliven contemporary sculpture.
The Art of Digital Marketing for Fashion and Luxury Brands
Author: Wilson Ozuem
Publisher: Springer Nature
ISBN: 303070324X
Category : Business & Economics
Languages : en
Pages : 471
Book Description
This book explores omnichannel fashion and luxury retailing with a particular emphasis on the role of computer-mediated marketing environments in determining a consumer’s purchase and post-purchase trajectories. The fashion industry has evolved rapidly over the last few years with the diffusion of fast fashion and luxury democratization, not to mention the advent of ICT and the development of communication. Today, fashion companies face new challenges, such as how to manage brands and how to choose between marketplaces and digital marketspaces. While some companies focus on one channel selection, others embrace the omnichannel choice and look for a balance between the two environments. Whatever the strategy, it is essential to manage these touch-points in order to create interaction between consumers and brands, provide meaningful customer experiences, and to maximize customers’ engagement. An insightful read for scholars in marketing, fashion and retail, this book investigates the triangulation between branding, marketplace, and marketspace and its impact on the organization.
Publisher: Springer Nature
ISBN: 303070324X
Category : Business & Economics
Languages : en
Pages : 471
Book Description
This book explores omnichannel fashion and luxury retailing with a particular emphasis on the role of computer-mediated marketing environments in determining a consumer’s purchase and post-purchase trajectories. The fashion industry has evolved rapidly over the last few years with the diffusion of fast fashion and luxury democratization, not to mention the advent of ICT and the development of communication. Today, fashion companies face new challenges, such as how to manage brands and how to choose between marketplaces and digital marketspaces. While some companies focus on one channel selection, others embrace the omnichannel choice and look for a balance between the two environments. Whatever the strategy, it is essential to manage these touch-points in order to create interaction between consumers and brands, provide meaningful customer experiences, and to maximize customers’ engagement. An insightful read for scholars in marketing, fashion and retail, this book investigates the triangulation between branding, marketplace, and marketspace and its impact on the organization.
Conversations with Artists
Author: Heidi Zuckerman
Publisher:
ISBN: 9781792379536
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781792379536
Category :
Languages : en
Pages :
Book Description
After Nature
Author: Jedediah Purdy
Publisher: Harvard University Press
ISBN: 0674368223
Category : History
Languages : en
Pages : 337
Book Description
An Artforum Best Book of the Year A Legal Theory Bookworm Book of the Year Nature no longer exists apart from humanity. Henceforth, the world we will inhabit is the one we have made. Geologists have called this new planetary epoch the Anthropocene, the Age of Humans. The geological strata we are now creating record industrial emissions, industrial-scale crop pollens, and the disappearance of species driven to extinction. Climate change is planetary engineering without design. These facts of the Anthropocene are scientific, but its shape and meaning are questions for politics—a politics that does not yet exist. After Nature develops a politics for this post-natural world. “After Nature argues that we will deserve the future only because it will be the one we made. We will live, or die, by our mistakes.” —Christine Smallwood, Harper’s “Dazzling...Purdy hopes that climate change might spur yet another change in how we think about the natural world, but he insists that such a shift will be inescapably political... For a relatively slim volume, this book distills an incredible amount of scholarship—about Americans’ changing attitudes toward the natural world, and about how those attitudes might change in the future.” —Ross Andersen, The Atlantic
Publisher: Harvard University Press
ISBN: 0674368223
Category : History
Languages : en
Pages : 337
Book Description
An Artforum Best Book of the Year A Legal Theory Bookworm Book of the Year Nature no longer exists apart from humanity. Henceforth, the world we will inhabit is the one we have made. Geologists have called this new planetary epoch the Anthropocene, the Age of Humans. The geological strata we are now creating record industrial emissions, industrial-scale crop pollens, and the disappearance of species driven to extinction. Climate change is planetary engineering without design. These facts of the Anthropocene are scientific, but its shape and meaning are questions for politics—a politics that does not yet exist. After Nature develops a politics for this post-natural world. “After Nature argues that we will deserve the future only because it will be the one we made. We will live, or die, by our mistakes.” —Christine Smallwood, Harper’s “Dazzling...Purdy hopes that climate change might spur yet another change in how we think about the natural world, but he insists that such a shift will be inescapably political... For a relatively slim volume, this book distills an incredible amount of scholarship—about Americans’ changing attitudes toward the natural world, and about how those attitudes might change in the future.” —Ross Andersen, The Atlantic
Contemporary Women Artists
Author: Laurie Collier Hillstrom
Publisher: Saint James Press
ISBN:
Category : Art
Languages : en
Pages : 800
Book Description
Provides biographical and career information on more than 350 of the world's most prominent and influential contemporary (20th century) women artists. Includes visual art in the following media: painting, sculpture, drawing, printmaking, collage, photography, ceramics, mixed media, electronic media, performance art, video, design, and graphic arts.
Publisher: Saint James Press
ISBN:
Category : Art
Languages : en
Pages : 800
Book Description
Provides biographical and career information on more than 350 of the world's most prominent and influential contemporary (20th century) women artists. Includes visual art in the following media: painting, sculpture, drawing, printmaking, collage, photography, ceramics, mixed media, electronic media, performance art, video, design, and graphic arts.
Keep It Moving?
Author: Rachel Rivenc
Publisher: Getty Publications
ISBN: 1606065378
Category : Art
Languages : en
Pages : 378
Book Description
Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings.
Publisher: Getty Publications
ISBN: 1606065378
Category : Art
Languages : en
Pages : 378
Book Description
Kinetic art not only includes movement but often depends on it to produce an intended effect and therefore fully realize its nature as art. It can take a multiplicity of forms and include a wide range of motion, from motorized and electrically driven movement to motion as the result of wind, light, or other sources of energy. Kinetic art emerged throughout the twentieth century and had its major developments in the 1950s and 1960s. Professionals responsible for conserving contemporary art are in the midst of rethinking the concept of authenticity and solving the dichotomy often felt between original materials and functionality of the work of art. The contrast is especially acute with kinetic art when a compromise between the two often seems impossible. Also to be considered are issues of technological obsolescence and the fact that an artist’s chosen technology often carries with it strong sociological and historical information and meanings.
The Artist in the Counterculture
Author: Thomas Crow
Publisher: Princeton University Press
ISBN: 0691236267
Category : Art
Languages : en
Pages : 288
Book Description
How California’s counterculture of the 1960s to 1980s profoundly shaped—and was shaped by—West Coast artists The 1960s exert a special fascination in modern art. But most accounts miss the defining impact of the period’s youth culture, largely incubated in California, on artists who came of age in that decade. As their prime exemplar, Bruce Conner, reminisced, “I did everything that everybody did in 1967 in the Haight-Ashbury. . . . I would take peyote and walk out in the streets.” And he vividly channeled those experiences into his art, while making his mark on every facet of the psychedelic movement—from the mountains of Mexico with Timothy Leary to the rock ballrooms of San Francisco to the gilded excesses of the New Hollywood. In The Artist in the Counterculture, Thomas Crow tells the story of California art from the 1960s to the 1980s—some of the strongest being made anywhere at the time—and why it cannot be understood apart from the new possibilities of thinking and feeling unleashed by the rebels of the counterculture. Crow reevaluates Conner and other key figures—from Catholic activist Corita Kent to Black Panther Emory Douglas to ecological witness Bonnie Ora Sherk—as part of a generational cohort galvanized by resistance to war, racial oppression, and environmental degradation. Younger practitioners of performance and installation carried the mindset of rebellion into the 1970s and 1980s, as previously excluded artists of color moved to the forefront in Los Angeles. Mike Kelley, their contemporary, remained unwaveringly true to the late countercultural flowering he had witnessed at the dawn of his career. The result is a major new account of the counterculture’s enduring influence on modern art.
Publisher: Princeton University Press
ISBN: 0691236267
Category : Art
Languages : en
Pages : 288
Book Description
How California’s counterculture of the 1960s to 1980s profoundly shaped—and was shaped by—West Coast artists The 1960s exert a special fascination in modern art. But most accounts miss the defining impact of the period’s youth culture, largely incubated in California, on artists who came of age in that decade. As their prime exemplar, Bruce Conner, reminisced, “I did everything that everybody did in 1967 in the Haight-Ashbury. . . . I would take peyote and walk out in the streets.” And he vividly channeled those experiences into his art, while making his mark on every facet of the psychedelic movement—from the mountains of Mexico with Timothy Leary to the rock ballrooms of San Francisco to the gilded excesses of the New Hollywood. In The Artist in the Counterculture, Thomas Crow tells the story of California art from the 1960s to the 1980s—some of the strongest being made anywhere at the time—and why it cannot be understood apart from the new possibilities of thinking and feeling unleashed by the rebels of the counterculture. Crow reevaluates Conner and other key figures—from Catholic activist Corita Kent to Black Panther Emory Douglas to ecological witness Bonnie Ora Sherk—as part of a generational cohort galvanized by resistance to war, racial oppression, and environmental degradation. Younger practitioners of performance and installation carried the mindset of rebellion into the 1970s and 1980s, as previously excluded artists of color moved to the forefront in Los Angeles. Mike Kelley, their contemporary, remained unwaveringly true to the late countercultural flowering he had witnessed at the dawn of his career. The result is a major new account of the counterculture’s enduring influence on modern art.
Vile Days
Author: Gary Indiana
Publisher: MIT Press
ISBN: 1635900379
Category : Art
Languages : en
Pages : 601
Book Description
Gary Indiana's collected columns of art criticism from the Village Voice, documenting, from the front lines, the 1980s New York art scene. In 1985, the Village Voice offered me a job as senior art critic. This made my life easier and lousy at the same time. I now had to actually enter all those galleries instead of peeking in the windows. At times, the only tangible perk was having the chump for a fifth of vodka whenever twenty more phonies had flattered my ass off in the course of a working week. —from Vile Days From March 1985 through June 1988 in The Village Voice, Gary Indiana reimagined the weekly art column. Thirty years later, Vile Days brings together for the first time all of those vivid dispatches, too long stuck in archival limbo, so that the fire of Indiana's observations can burn again. In the midst of Reaganism, the grim toll of AIDS, and the frequent jingoism of postmodern theory, Indiana found a way to be the moment's Baudelaire. He turned the art review into a chronicle of life under siege. As a critic, Indiana combines his novelistic and theatrical gifts with a startling political acumen to assess art and the unruly environments that give it context. No one was better positioned to elucidate the work of key artists at crucial junctures of their early careers, from Sherrie Levine and Richard Prince to Jeff Koons and Cindy Sherman, among others. But Indiana also remained alert to the aesthetic consequence of sumo wrestling, flower shows, public art, corporate galleries, and furniture design. Edited and prefaced by Bruce Hainley, Vile Days provides an opportunity to track Indiana's emergence as one of the most prescient writers of his generation.
Publisher: MIT Press
ISBN: 1635900379
Category : Art
Languages : en
Pages : 601
Book Description
Gary Indiana's collected columns of art criticism from the Village Voice, documenting, from the front lines, the 1980s New York art scene. In 1985, the Village Voice offered me a job as senior art critic. This made my life easier and lousy at the same time. I now had to actually enter all those galleries instead of peeking in the windows. At times, the only tangible perk was having the chump for a fifth of vodka whenever twenty more phonies had flattered my ass off in the course of a working week. —from Vile Days From March 1985 through June 1988 in The Village Voice, Gary Indiana reimagined the weekly art column. Thirty years later, Vile Days brings together for the first time all of those vivid dispatches, too long stuck in archival limbo, so that the fire of Indiana's observations can burn again. In the midst of Reaganism, the grim toll of AIDS, and the frequent jingoism of postmodern theory, Indiana found a way to be the moment's Baudelaire. He turned the art review into a chronicle of life under siege. As a critic, Indiana combines his novelistic and theatrical gifts with a startling political acumen to assess art and the unruly environments that give it context. No one was better positioned to elucidate the work of key artists at crucial junctures of their early careers, from Sherrie Levine and Richard Prince to Jeff Koons and Cindy Sherman, among others. But Indiana also remained alert to the aesthetic consequence of sumo wrestling, flower shows, public art, corporate galleries, and furniture design. Edited and prefaced by Bruce Hainley, Vile Days provides an opportunity to track Indiana's emergence as one of the most prescient writers of his generation.
Fodor's 2007 Los Angeles
Author: Fodor
Publisher: Fodors Travel Publications
ISBN: 1400016908
Category : Travel
Languages : en
Pages : 370
Book Description
Ascent to where the view's as stunning as the architecture, hit a glam rooftop nightclub with its own pool, get in the right place for spotting the stars, shop for TV-show castoffs in Burbank or go for a hike in the largest park in the country—Fodor's Los Angeles 2007 offers all these experiences and more! Our local writers have traveled throughout the city, plus Orange County and Catalina Island to find the best hotels, restaurants, attractions and activities to prepare you for a journey of stunning variety. Before you leave for your trip be sure to pack your Fodor's guide to ensure you don't miss a thing. The San Francisco Chronicle sums it up best —"Fodor's guides are saturated with information." - We update our Los Angeles guide every year. You won't find a more accurate, current guidebook anywhere. - Unlike other travel books, Fodor's guides rely heavily on local experts who know the territory best—so you know you're seeing the real Los Angeles. - We give you the planning tools you need to tailor your trip. We give options for all budgets. You make the choices.
Publisher: Fodors Travel Publications
ISBN: 1400016908
Category : Travel
Languages : en
Pages : 370
Book Description
Ascent to where the view's as stunning as the architecture, hit a glam rooftop nightclub with its own pool, get in the right place for spotting the stars, shop for TV-show castoffs in Burbank or go for a hike in the largest park in the country—Fodor's Los Angeles 2007 offers all these experiences and more! Our local writers have traveled throughout the city, plus Orange County and Catalina Island to find the best hotels, restaurants, attractions and activities to prepare you for a journey of stunning variety. Before you leave for your trip be sure to pack your Fodor's guide to ensure you don't miss a thing. The San Francisco Chronicle sums it up best —"Fodor's guides are saturated with information." - We update our Los Angeles guide every year. You won't find a more accurate, current guidebook anywhere. - Unlike other travel books, Fodor's guides rely heavily on local experts who know the territory best—so you know you're seeing the real Los Angeles. - We give you the planning tools you need to tailor your trip. We give options for all budgets. You make the choices.