Author: Charles KinkelPublisher:
ISBN:
Category : Piano music
Languages : en
Pages : 6
Book Description
Little daisy polka
Author: Charles KinkelPublisher:
ISBN:
Category : Piano music
Languages : en
Pages : 6
Book Description
Write Me a Letter
Author: Miss Daisy Weed’s Little Piece of Heaven
Author: Charlotte GodkinPublisher: Austin Macauley Publishers
ISBN: 1638290547
Category : Juvenile Fiction
Languages : en
Pages : 239
Book Description
Laughter and tears will escape you as you read through the adventures of Miss Daisy Weed and her many fairy and animal friends, all so busy in their own special lives. Serious traits of each character are displayed, only for you to find, as you read on, that although apparently serious, it is oh so humorous. These little daisy flower fairies are trying to balance the sad things happening in life. Their delicate waves of gentleness and understanding to all on the planet affected by evil and greed pulls at your heartstrings. Although the story is unfolding page by page with Miss Daisy Weed, the reality is, this is our world, our planet. Let us all speak up and reach out and make this incredible world what God intended it to be.
Complete Catalogue of Sheet Music and Musical Works published by the Board of Music Trade, etc
Author: Board of Music Trade (UNITED STATES OF AMERICA)Publisher:
ISBN:
Category :
Languages : en
Pages : 594
Book Description
Kissing Thro' the Bars
Author: 25 Crochet Baby Blanket Patterns
Author: Daisy CraftsPublisher:
ISBN:
Category :
Languages : en
Pages : 133
Book Description
Welcome to Daisy Farm Crafts and our first collection of crochet baby blanket patterns! I'm Tiffany and my four daughters and I love making baby blankets for our friends and family - a tradition that has been passed down through my family for generations. The collection we have put together in this book are 25 of our most popular baby blanket patterns from the Daisy Farm Crafts website. Our patterns have been shared on Pinterest millions of times and many hands have now made Daisy Farm Crafts baby blankets to celebrate and welcome their new ones into the world. I'm happy the patterns will now be in book form and we hope you have as much fun making them as we did! We use US crochet terms and easy to read explanations of the patterns. If we do use an abbreviation, we explain what it stands for. You can also find video tutorials for most of the patterns in the book if you need help. We love seeing what you make! Come and share with us on Facebook or Instagram. We will cheer you on!
The General Baptist repository, and Missionary observer [afterw.] The General Baptist magazine repository and Missionary observer [afterw.] The General Baptist magazine
![The General Baptist repository, and Missionary observer [afterw.] The General Baptist magazine repository and Missionary observer [afterw.] The General Baptist magazine PDF](https://books.google.com/books/content/images/frontcover/li8EAAAAQAAJ?fife=w80-h100)
Author: The Guitar in American Banjo, Mandolin and Guitar Periodicals, 1882-1933
Author: Jeffrey NoonanPublisher: A-R Editions, Inc.
ISBN: 9780895796448
Category : Music
Languages : en
Pages : 344
Book Description
In the early years of the twentieth century, O.G. Sonneck, the father of American musicology, decried the state of musical bibliography in this country, encouraging musical scholars to dedicate themselves to preserving, cataloging, and promoting the use of America’s musical ephemera, especially newspapers and magazines. Despite his century-old calls, much work in this area remains undone. This volume responds to Sonneck’s call for action by creating a bibliography of periodicals that document the use and place of the guitar in a little-known segment of America’s musical culture in the final decades of the nineteenth century through the first third of the twentieth century. Between 1880 and the mid-1930s, a unique musical movement grew and flourished in this country. Focused on the promotion of so-called “plectral instruments,” this movement promoted the banjo, the mandolin, and the guitar as cultivated instruments on a par with the classical violin or piano. The Banjo, Mandolin and Guitar (BMG) community consisted of instrument manufacturers, music publishers, professional teachers and composers, and amateur students. While some professional soloists achieved national recognition, the performing focus of the movement was ensemble work, with bands of banjos, mandolins and guitars ranging from quartets and quintets (modeled on the violin-family string ensembles) to festival orchestras of up to 400 players (mimicking the late romantic symphony orchestra). The repertoire of most ensembles included popular dances of the day as well as light classics, but more ambitious ensembles tackled Mozart, Haydn, Beethoven, and even Wagner. Although this movement straddled both popular and cultivated (classical) music-making, its elitist pretensions contributed to its demise in the wake of the explosive growth of modern American popular music linked to Tin Pan Alley or the blues. While the movement’s heyday spanned the early years of audio recording, only a handful of active BMG performers made recordings. As a result few musical scholars are aware of the BMG movement and its contribution to American musical culture, especially its influence on the physical and technical development of America’s instrument, the guitar The movement did, however, leave extensive traces of itself in periodicals produced by manufacturing and publishing concerns. Beginning in 1882, the leadership of the BMG movement fell to the publishers, editors, and contributors from these promotional journals, which were dedicated to the “interests of Banjoists, Mandolinists and Guitarists” While advertising dominated the pages of most of these periodicals, nearly all offered product and publication reviews, historical surveys, biographical sketches, and technical advice. In addition, the BMG magazines not only documented performances with reviews and program lists but also contained musical scores for solo instruments and plucked-string ensembles. These magazines are the primary sources which document this vibrant expression of America’s musical life. While one or two of the BMG magazines have been known by guitar scholars, most have not seen the light of day in decades. Similarly, a few of the leading guitar figures of the BMG movement—principally William Foden, Vahdah Olcott-Bickford, and George C. Krick—have been acknowledged and documented but many more remain completely anonymous. This bibliography offers access to the periodicals which help document the story of the guitar in America’s progressive era—a story of tradition and transformation—as lived and told by the guitar’s players, teachers, manufacturers, composers, and fans in the BMG movement. The bibliography consists of two large sections. The first contains a chronological list of articles, news items, advertisements, illustrations, and photographs as well as a list of musical works for guitar published in the BMG magazines. The second section of the bibliography is a series of indices which link names and subjects to the lists. With nearly 5500 entries and over 100 pages of indices, this bibliography offers researchers access to a musical world that has been locked away on library shelves for the past century.
Mind and Body
Author: Publisher:
ISBN:
Category : Physical education and training
Languages : en
Pages : 252
Book Description
Author: