Author: Richard V. Francaviglia
Publisher: Texas A&M University Press
ISBN: 160344503X
Category : Historical films
Languages : en
Pages : 150
Book Description
This important volume addresses a number of central topics concerning how history is depicted in film. In the preface, the volume editors emphasize the importance of using film in teaching history: students will see historical films, and if they are not taught critical viewing, they will be inclined simply to accept what they see as fact. Authors of the individual chapters then explore the portrayal of history--and the uses of history--in specific films and film genres. Robert Rosenstone's "In Praise of the Biopic" considers such films as Reds, They Died with Their Boots On, Little Big Man, Seabiscuit, Cinderella Man, and The Grapes of Wrath. In his chapter, Geoff Pingree focuses on the big questions posed in Jay Rosenblatt's 1998 film Human Remains. Richard Francaviglia's chapter on films about the Middle East is especially timely in the post-9/11 world. One chapter, by Daniel A. Nathan, Peter Berg, and Erin Klemyk, is devoted to a single film: Martin Scorsese's urban history The Gangs of New York, which the authors see as a way of exploring complex themes of the immigrant experience. Finally, Robert Brent Toplin addresses the paradox of using an art form (film) to present history. Among other themes, he considers the impact of Patton and Platoon on military decisions and interpretations, and of Birth of a Nation and Glory on race relations. The cumulative effect is to increase the reader's understanding of the medium of film in portraying history and to stimulate the imagination as to how it can and how it should not be used. Students and teachers of history and cinema will benefit deeply from this informative and thoughtful discussion.
Lights, Camera. . . Faith!
Author: Peter Malone
Publisher:
ISBN: 9780819845016
Category : Religion
Languages : en
Pages : 512
Book Description
The third volume in the Movie Lectionary series of the Movie lover's guide to scripture maintains the same rich scriptural, reflective and inspirational standards of the previous two volumes. It continues to take a fresh look at the scriptures through the
Publisher:
ISBN: 9780819845016
Category : Religion
Languages : en
Pages : 512
Book Description
The third volume in the Movie Lectionary series of the Movie lover's guide to scripture maintains the same rich scriptural, reflective and inspirational standards of the previous two volumes. It continues to take a fresh look at the scriptures through the
Media Mindfulness
Author: Gretchen Hailer
Publisher: Saint Mary's Press
ISBN: 0884899055
Category : Religion
Languages : en
Pages : 152
Book Description
Whether you are a Catholic high school teacher of any discipline, a catechist, or a youth minister, feel confident that you can educate teens in one of the most difficult yet crucial areas of their growth in faith. Beware! Sister Media and Sister Catechist have written an information-packed resource that also shares their sense of fun and exploration. You and your students might consider this study of Media Mindfulness to be one of the most enjoyable and meaningful educational experiences in high school!
Publisher: Saint Mary's Press
ISBN: 0884899055
Category : Religion
Languages : en
Pages : 152
Book Description
Whether you are a Catholic high school teacher of any discipline, a catechist, or a youth minister, feel confident that you can educate teens in one of the most difficult yet crucial areas of their growth in faith. Beware! Sister Media and Sister Catechist have written an information-packed resource that also shares their sense of fun and exploration. You and your students might consider this study of Media Mindfulness to be one of the most enjoyable and meaningful educational experiences in high school!
Lights, Camera, History
Author: Richard V. Francaviglia
Publisher: Texas A&M University Press
ISBN: 160344503X
Category : Historical films
Languages : en
Pages : 150
Book Description
This important volume addresses a number of central topics concerning how history is depicted in film. In the preface, the volume editors emphasize the importance of using film in teaching history: students will see historical films, and if they are not taught critical viewing, they will be inclined simply to accept what they see as fact. Authors of the individual chapters then explore the portrayal of history--and the uses of history--in specific films and film genres. Robert Rosenstone's "In Praise of the Biopic" considers such films as Reds, They Died with Their Boots On, Little Big Man, Seabiscuit, Cinderella Man, and The Grapes of Wrath. In his chapter, Geoff Pingree focuses on the big questions posed in Jay Rosenblatt's 1998 film Human Remains. Richard Francaviglia's chapter on films about the Middle East is especially timely in the post-9/11 world. One chapter, by Daniel A. Nathan, Peter Berg, and Erin Klemyk, is devoted to a single film: Martin Scorsese's urban history The Gangs of New York, which the authors see as a way of exploring complex themes of the immigrant experience. Finally, Robert Brent Toplin addresses the paradox of using an art form (film) to present history. Among other themes, he considers the impact of Patton and Platoon on military decisions and interpretations, and of Birth of a Nation and Glory on race relations. The cumulative effect is to increase the reader's understanding of the medium of film in portraying history and to stimulate the imagination as to how it can and how it should not be used. Students and teachers of history and cinema will benefit deeply from this informative and thoughtful discussion.
Publisher: Texas A&M University Press
ISBN: 160344503X
Category : Historical films
Languages : en
Pages : 150
Book Description
This important volume addresses a number of central topics concerning how history is depicted in film. In the preface, the volume editors emphasize the importance of using film in teaching history: students will see historical films, and if they are not taught critical viewing, they will be inclined simply to accept what they see as fact. Authors of the individual chapters then explore the portrayal of history--and the uses of history--in specific films and film genres. Robert Rosenstone's "In Praise of the Biopic" considers such films as Reds, They Died with Their Boots On, Little Big Man, Seabiscuit, Cinderella Man, and The Grapes of Wrath. In his chapter, Geoff Pingree focuses on the big questions posed in Jay Rosenblatt's 1998 film Human Remains. Richard Francaviglia's chapter on films about the Middle East is especially timely in the post-9/11 world. One chapter, by Daniel A. Nathan, Peter Berg, and Erin Klemyk, is devoted to a single film: Martin Scorsese's urban history The Gangs of New York, which the authors see as a way of exploring complex themes of the immigrant experience. Finally, Robert Brent Toplin addresses the paradox of using an art form (film) to present history. Among other themes, he considers the impact of Patton and Platoon on military decisions and interpretations, and of Birth of a Nation and Glory on race relations. The cumulative effect is to increase the reader's understanding of the medium of film in portraying history and to stimulate the imagination as to how it can and how it should not be used. Students and teachers of history and cinema will benefit deeply from this informative and thoughtful discussion.
At the Foot of the Cross with Julian of Norwich
Author: Emma Pennington
Publisher:
ISBN: 9780857465191
Category :
Languages : en
Pages : 208
Book Description
'All shall be well, and all shall be well, and all manner of thing shall be well.' This quotation may be all that many people know of Julian of Norwich, an anchoress from the fourteenth century. This book seeks to bring to a popular readership a devotional engagement with Julian's work. The introduction gives a general background to Julian, the nature of visions in the 14th century and the type of text Julian gives us, namely a meditative text which intends to lead the reader to 'beholding'. Each chapter centres on one aspect or image from Julian's Revelation, which seeks to make the events of the Passion present to the reader's imagination. The commentary incorporates reflection, the biblical narrative and Julian's subsequent teachings to create a meditation that enables the reader to linger on the wonder of the cross, ending with a prayer that leads to silence and a thought or verse to carry into daily life.
Publisher:
ISBN: 9780857465191
Category :
Languages : en
Pages : 208
Book Description
'All shall be well, and all shall be well, and all manner of thing shall be well.' This quotation may be all that many people know of Julian of Norwich, an anchoress from the fourteenth century. This book seeks to bring to a popular readership a devotional engagement with Julian's work. The introduction gives a general background to Julian, the nature of visions in the 14th century and the type of text Julian gives us, namely a meditative text which intends to lead the reader to 'beholding'. Each chapter centres on one aspect or image from Julian's Revelation, which seeks to make the events of the Passion present to the reader's imagination. The commentary incorporates reflection, the biblical narrative and Julian's subsequent teachings to create a meditation that enables the reader to linger on the wonder of the cross, ending with a prayer that leads to silence and a thought or verse to carry into daily life.
Lights, Camera...faith!
Reel Spirituality
Author: Robert K. Johnston
Publisher: Baker Academic
ISBN: 0801031877
Category : Performing Arts
Languages : en
Pages : 352
Book Description
A comprehensive study of theology and film that explores how the Christian faith is portrayed in film throughout history.
Publisher: Baker Academic
ISBN: 0801031877
Category : Performing Arts
Languages : en
Pages : 352
Book Description
A comprehensive study of theology and film that explores how the Christian faith is portrayed in film throughout history.
This Book Is a Camera
Author: Kelli Anderson
Publisher:
ISBN: 9780997175905
Category :
Languages : en
Pages :
Book Description
This is a working camera that pops up from the pages of a book..The book concisely explains--and actively demonstrates--how a structure as humble as a folded piece of paper can tap into the intrinsic properties of light to produce a photograph.The book includes:- a piece of paper folded into a working 4x5" camera- a lightproof bag- 5 sheets of photo-paper "film"- development instructions (from complete DIY to "outsource it")- a foil-stamped cover- a satisfying demonstration of the connection between design & science / structures & functions
Publisher:
ISBN: 9780997175905
Category :
Languages : en
Pages :
Book Description
This is a working camera that pops up from the pages of a book..The book concisely explains--and actively demonstrates--how a structure as humble as a folded piece of paper can tap into the intrinsic properties of light to produce a photograph.The book includes:- a piece of paper folded into a working 4x5" camera- a lightproof bag- 5 sheets of photo-paper "film"- development instructions (from complete DIY to "outsource it")- a foil-stamped cover- a satisfying demonstration of the connection between design & science / structures & functions
Film, Lacan and the Subject of Religion
Author: Steve Nolan
Publisher: A&C Black
ISBN: 1441166874
Category : Performing Arts
Languages : en
Pages : 348
Book Description
In their study of religion and film, religious film analysts have tended to privilege religion. Uniquely, this study treats the two disciplines as genuine equals, by regarding both liturgy and film as representational media. Steve Nolan argues that, in each case, subjects identify with a represented 'other' which joins them into a narrative where they become participants in an ideological 'reality'. Finding many current approaches to religious film analysis lacking, Film, Lacan and the Subject of Religion explores the film theory other writers ignore, particularly that mix of psychoanalysis, Marxism and semiotics - often termed Screen theory - that attempts to understand how cinematic representation shapes spectator identity. Using translations and commentary on Lacan not originally available to Screen theorists, Nolan returns to Lacan's contribution to psychoanalytic film theory and offers a sustained application to religious practice, examining several 'priest films' and real-life case study to expose the way liturgical representation shapes religious identity. Film, Lacan and the Subject of Religion proposes an interpretive strategy by which religious film analysts can develop the kind of analysis that engages with and critiques both cultural and religious practice.
Publisher: A&C Black
ISBN: 1441166874
Category : Performing Arts
Languages : en
Pages : 348
Book Description
In their study of religion and film, religious film analysts have tended to privilege religion. Uniquely, this study treats the two disciplines as genuine equals, by regarding both liturgy and film as representational media. Steve Nolan argues that, in each case, subjects identify with a represented 'other' which joins them into a narrative where they become participants in an ideological 'reality'. Finding many current approaches to religious film analysis lacking, Film, Lacan and the Subject of Religion explores the film theory other writers ignore, particularly that mix of psychoanalysis, Marxism and semiotics - often termed Screen theory - that attempts to understand how cinematic representation shapes spectator identity. Using translations and commentary on Lacan not originally available to Screen theorists, Nolan returns to Lacan's contribution to psychoanalytic film theory and offers a sustained application to religious practice, examining several 'priest films' and real-life case study to expose the way liturgical representation shapes religious identity. Film, Lacan and the Subject of Religion proposes an interpretive strategy by which religious film analysts can develop the kind of analysis that engages with and critiques both cultural and religious practice.
The Routledge Companion to Religion and Film
Author: John Lyden
Publisher: Taylor & Francis
ISBN: 0415448530
Category : Performing Arts
Languages : en
Pages : 518
Book Description
The Routledge Companion to Religion and Film brings together a lively and experienced team of contributors to investigate the ways in which this exciting discipline is developing.
Publisher: Taylor & Francis
ISBN: 0415448530
Category : Performing Arts
Languages : en
Pages : 518
Book Description
The Routledge Companion to Religion and Film brings together a lively and experienced team of contributors to investigate the ways in which this exciting discipline is developing.
Faith and Film
Author: Edward N. McNulty
Publisher: Presbyterian Publishing Corp
ISBN: 0664229506
Category : Religion
Languages : en
Pages : 282
Book Description
Growing numbers of church leaders are discovering that many films are able to impact viewers with gospel truths almost as well as a good sermon. Ed McNulty, a former pastor and longtime reviewer of films, offers this guide to help church leaders enter into dialogue with contemporary films. McNulty carefully crafts a theology of movies and then provides practical suggestions for creating and leading movie discussions with groups. In addition, he provides people from all across the theological spectrum with a framework to understand whether the overall message of a film outweighs concerns over profanity, violence, or sex in the film. He concludes by introducing twenty-seven films and including provocative questions about each that will prepare leaders to assemble and facilitate a group. Popular films explored include The Color Purple; Crash; Hotel Rwanda; The Matrix; Million Dollar Baby; O Brother, Where Art Thou? and The Shawshank Redemption.
Publisher: Presbyterian Publishing Corp
ISBN: 0664229506
Category : Religion
Languages : en
Pages : 282
Book Description
Growing numbers of church leaders are discovering that many films are able to impact viewers with gospel truths almost as well as a good sermon. Ed McNulty, a former pastor and longtime reviewer of films, offers this guide to help church leaders enter into dialogue with contemporary films. McNulty carefully crafts a theology of movies and then provides practical suggestions for creating and leading movie discussions with groups. In addition, he provides people from all across the theological spectrum with a framework to understand whether the overall message of a film outweighs concerns over profanity, violence, or sex in the film. He concludes by introducing twenty-seven films and including provocative questions about each that will prepare leaders to assemble and facilitate a group. Popular films explored include The Color Purple; Crash; Hotel Rwanda; The Matrix; Million Dollar Baby; O Brother, Where Art Thou? and The Shawshank Redemption.