Author:
Publisher: The Library Company of Phil
ISBN: 9781422361009
Category :
Languages : en
Pages : 68
Book Description
Library Company of Philadelphia: 1967 Annual Report
Author:
Publisher: The Library Company of Phil
ISBN: 9781422361009
Category :
Languages : en
Pages : 68
Book Description
Publisher: The Library Company of Phil
ISBN: 9781422361009
Category :
Languages : en
Pages : 68
Book Description
Annual Report
Author: Apprentices' Library Company of Philadelphia
Publisher:
ISBN:
Category :
Languages : en
Pages : 592
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 592
Book Description
National Library of Medicine Current Catalog
Author: National Library of Medicine (U.S.)
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 1256
Book Description
First multi-year cumulation covers six years: 1965-70.
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 1256
Book Description
First multi-year cumulation covers six years: 1965-70.
Historical Sketch of the Mercantile Library, Philadelphia, and the 93d Annual Report
Author: Mercantile Library of Philadelphia
Publisher:
ISBN:
Category :
Languages : en
Pages : 588
Book Description
The 39th report, 1862 contains the charter, by-laws, library rules, and list of subscribers and stockholders; the 42d, 1865 and 45th, 1868, List of members; the 46th, 1869, Amended charter; 77th, 1900, List of stockholders with addresses.
Publisher:
ISBN:
Category :
Languages : en
Pages : 588
Book Description
The 39th report, 1862 contains the charter, by-laws, library rules, and list of subscribers and stockholders; the 42d, 1865 and 45th, 1868, List of members; the 46th, 1869, Amended charter; 77th, 1900, List of stockholders with addresses.
Annual Report of the Directors of the Redwood Library and Athenaeum
Author: Redwood Library and Athenaeum
Publisher:
ISBN:
Category :
Languages : en
Pages : 572
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 572
Book Description
Current Catalog
Author: National Library of Medicine (U.S.)
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 720
Book Description
Includes subject section, name section, and 1968-1970, technical reports.
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 720
Book Description
Includes subject section, name section, and 1968-1970, technical reports.
Annual Report of the Board of Managers of the Apprentices' Library Company of New York
Author: Apprentices' Library Company of Philadelphia
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
Book Description
Research in Education
Annual Report of the Warder Public Library
Contraband Guides
Author: Paul H. D. Kaplan
Publisher: Penn State Press
ISBN: 0271088222
Category : Art
Languages : en
Pages : 313
Book Description
In his best-selling travel memoir, The Innocents Abroad, Mark Twain punningly refers to the black man who introduces him to Venetian Renaissance painting as a “contraband guide,” a term coined to describe fugitive slaves who assisted Union armies during the Civil War. By means of this and similar case studies, Paul H. D. Kaplan documents the ways in which American cultural encounters with Europe and its venerable artistic traditions influenced nineteenth-century concepts of race in the United States. Americans of the Civil War era were struck by the presence of people of color in European art and society, and American artists and authors, both black and white, adapted and transformed European visual material to respond to the particular struggles over the identity of African Americans. Taking up the work of both well- and lesser-known artists and writers—such as the travel writings of Mark Twain and William Dean Howells, the paintings of German American Emanuel Leutze, the epistolary exchange between John Ruskin and Charles Eliot Norton, newspaper essays written by Frederick Douglass and William J. Wilson, and the sculpture of freed slave Eugène Warburg—Kaplan lays bare how racial attitudes expressed in mid-nineteenth-century American art were deeply inflected by European traditions. By highlighting the contributions people of black African descent made to the fine arts in the United States during this period, along with the ways in which they were represented, Contraband Guides provides a fresh perspective on the theme of race in Civil War–era American art. It will appeal to art historians, to specialists in African American studies and American studies, and to general readers interested in American art and African American history.
Publisher: Penn State Press
ISBN: 0271088222
Category : Art
Languages : en
Pages : 313
Book Description
In his best-selling travel memoir, The Innocents Abroad, Mark Twain punningly refers to the black man who introduces him to Venetian Renaissance painting as a “contraband guide,” a term coined to describe fugitive slaves who assisted Union armies during the Civil War. By means of this and similar case studies, Paul H. D. Kaplan documents the ways in which American cultural encounters with Europe and its venerable artistic traditions influenced nineteenth-century concepts of race in the United States. Americans of the Civil War era were struck by the presence of people of color in European art and society, and American artists and authors, both black and white, adapted and transformed European visual material to respond to the particular struggles over the identity of African Americans. Taking up the work of both well- and lesser-known artists and writers—such as the travel writings of Mark Twain and William Dean Howells, the paintings of German American Emanuel Leutze, the epistolary exchange between John Ruskin and Charles Eliot Norton, newspaper essays written by Frederick Douglass and William J. Wilson, and the sculpture of freed slave Eugène Warburg—Kaplan lays bare how racial attitudes expressed in mid-nineteenth-century American art were deeply inflected by European traditions. By highlighting the contributions people of black African descent made to the fine arts in the United States during this period, along with the ways in which they were represented, Contraband Guides provides a fresh perspective on the theme of race in Civil War–era American art. It will appeal to art historians, to specialists in African American studies and American studies, and to general readers interested in American art and African American history.