Author: Jessica Gabriel Peritz Publisher: Univ of California Press ISBN: 0520380797 Category : Music Languages : en Pages : 299
Book Description
"How did 'voice' become a metaphor for selfhood in the Western imagination? The Lyric Myth of Voice situates the emergence of an ideological connection between voice and subjectivity in late eighteenth-century Italy, where long-standing political anxieties and new notions of cultural enlightenment collided in the mythical figure of the lyric poet-singer. Drawing on a range of approaches and frameworks from historical musicology to gender studies, disability studies, anthropology, and literary theory, Jessica Gabriel Peritz shows how this ancient yet modern myth of voice attained interpretable form, flesh, and sound. Ultimately, Peritz argues that music and literature together shaped the singing voice into a tool for civilizing modern Italian subjects"--
Author: Nino Pirrotta Publisher: Cambridge University Press ISBN: 9780521232593 Category : Music Languages : en Pages : 436
Book Description
This book describes the many ways in which music was used in Italian theatrical performances between the late fifteenth and early seventeenth centuries. In particular, it concentrates on Polizano's Orfeo, Machiavelli's commedies, the Florentine intermedi and early operas, and the first operas in Venice.
Author: Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 544
Book Description
A multi-volume set giving detailed information on every aspect of opera - over 100,000 entries. Improves on Steiger's Opernlexikon by including two additional data-categories for each work (language of text and literary sources) and by covering composers who have appeared since the end-date of Steiger's work (1934).
Author: Amanda Holden Publisher: Viking Adult ISBN: Category : Music Languages : en Pages : 1338
Book Description
The book, which was published early this year and is available unbundled from the CD-ROM for $69.95, contains information on more than 800 composers and examines some 1,500 operas in detail. Each composer's musical career is outlined, with an assessment of his or her overall contribution to opera. Opera entries include cast lists and orchestral forces, a commentary on the background of the work, a synopsis of the plot, and a musical analysis identifying musical highlights and points of interest. Recording and edition information is included. For those who don't like to turn pages, prefer to read from the screen, or just like the click-click of the mouse, the CD-ROM provides computer access via Windows to the information and pictures (small black and whites) of the book. The CD-ROM holds some enhancements: notably, three hours of music excerpts (unheard by this reviewer who lacks the needed 16-bit sound card; some, according to the press release, are as long as three to five minutes). Annotation copyright by Book News, Inc., Portland, OR
Author: John Warrack Publisher: Oxford ; New York : Oxford University Press ISBN: 9780198691648 Category : Music Languages : en Pages : 808
Book Description
From Aachen, a city launching much young talent, to Zwischenspiel, the usual German term for intermezzo, this new reference contains some 4,500 entries, including 750 on opera composers (with bibliographies), 600 on individual operas, 900 biographies of singers, and 350 entries of specialist terms, along with hundreds covering directors, conductors, scenes, writers, critics. A pleasing 782 pages, lots of detail, covering all aspects of the historical development and present standing of opera; appropriate for virtually all libraries. Annotation copyright by Book News, Inc., Portland, OR
Author: Jessica Gabriel Peritz
Author: Nino Pirrotta
Author: Library of Congress. Music Division
Author: Oscar George Theodore Sonneck
Author: 
Author: Amanda Holden
Author: Robert Lamar Weaver
Author: Maria Rika Maniates
Author: John Warrack
Author: Amanda Holden