Author: Eglise catholique. Église de France
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Lettre écrite à Notre S. Père le Pape, par les prélats du royaume de France, assemblés à Paris, sur le sujet des cinq propositions condamnées par Sa Sainteté. Traduite de latin en français. (28 Mars 1654.).
Author: Eglise catholique. Église de France
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Book Description
Lettre écrite à notre S.-P. le pape, par les prélats du royaume de France assemblés à Paris, sur le sujet des cinq propositions condamnées par Sa Sainteté, traduite de latin en français. (Signé
Lettre écrite à notre S.-P. le pape, par les prélats du royaume de France assemblés à Paris, sur le sujet des cinq propositions condamnées par Sa Sainteté, traduite de latin en français. (Signé : le cardinal Mazarin, président, etc. [28 mars 1654.]).
The Wars of Religion in France, 1559-1576
Author: James Westfall Thompson
Publisher:
ISBN:
Category : France
Languages : en
Pages : 708
Book Description
Publisher:
ISBN:
Category : France
Languages : en
Pages : 708
Book Description
About the Contemplative Life
Author: Philo (of Alexandria.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 530
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 530
Book Description
Lettre escrite à Nostre S. Père le Pape par les prélats du royaume de France, assemblez à Paris sur le sujet des cinq Propositions condamnées par Sa Sainteté; traduite de latin en françois (28. jour du mois de mars 1654)
Lettre escrite à nostre S. Pere le pape par les Prelats du Royaume de France, assemblez à Paris, sur le sujet des cinq Propositions condamnées par sa Sainteté : traduite de latin en françois
Author: France. Assemblée générale du clergé
Publisher:
ISBN:
Category :
Languages : fr
Pages : 6
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 6
Book Description
The Cult at the End of the World
Author: David E. Kaplan
Publisher: Vintage
ISBN: 9780099728511
Category : Armageddon
Languages : en
Pages : 310
Book Description
Publisher: Vintage
ISBN: 9780099728511
Category : Armageddon
Languages : en
Pages : 310
Book Description
Almahide
Author: MADELEINE DE. SCUDERY
Publisher: Gale Ecco, Print Editions
ISBN: 9781385783733
Category :
Languages : en
Pages : 680
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Harvard University Houghton Library N029846 In fact by Madelène de Scudéry. In three parts, each of three books, but disposed in four sections each having separate pagination and register, as follows: part I; part II; part III, book 1; and part III, books 2 and 3. London: printed by J. M. for Thomas Dring, 1702. [2],225, [1];267, [1];107, [1];76p.; 2°
Publisher: Gale Ecco, Print Editions
ISBN: 9781385783733
Category :
Languages : en
Pages : 680
Book Description
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Harvard University Houghton Library N029846 In fact by Madelène de Scudéry. In three parts, each of three books, but disposed in four sections each having separate pagination and register, as follows: part I; part II; part III, book 1; and part III, books 2 and 3. London: printed by J. M. for Thomas Dring, 1702. [2],225, [1];267, [1];107, [1];76p.; 2°
Epic and Empire
Author: David Quint
Publisher: Princeton University Press
ISBN: 0691222959
Category : Literary Criticism
Languages : en
Pages : 444
Book Description
Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.
Publisher: Princeton University Press
ISBN: 0691222959
Category : Literary Criticism
Languages : en
Pages : 444
Book Description
Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.