The Biographical History of Philosophy PDF Download

Author: George Henry Lewes
Publisher:
ISBN:
Category : Philosophers
Languages : en
Pages : 850

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Author: George Henry Lewes
Publisher:
ISBN:
Category : Authorship
Languages : en
Pages : 194

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Author: Rosemary J. Mundhenk
Publisher: Columbia University Press
ISBN: 0231110278
Category : English prose literature
Languages : en
Pages : 500

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Book Description
Rosemary J. Mundhenk and LuAnn McCracken Fletcher have assembled a remarkable variety of Victorian nonfiction prose, both classic and lesser known. In both their commentary and selection the editors have drawn upon the insights of recent theoretical approaches to literature and culture to present a complex range of responses to Victorian issues, thus inviting modern readers to explore the many voices of the period and reenvision the Victorian era.

Author: William Baker
Publisher: Infobase Publishing
ISBN: 1438108494
Category : Literary Criticism
Languages : en
Pages : 657

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Book Description
Jane Austen has been one of the world's most popular writers for 200 years and is best known for her works Pride and Prejudice, Emma, and Sense and Sensibility.

Author: Rosemarie Bodenheimer
Publisher: Cornell University Press
ISBN: 150172102X
Category : Literary Criticism
Languages : en
Pages : 316

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Bodenheimer defines the personal paradoxes that helped to shape Eliot's fictional characters and narrative style. Bodenheimer revisits pivotal episodes in Mary Ann Evans's life and career, including the "Holy War" through which she asserted her youthful religious skepticism; her decision to elope with the married writer George Henry Lewes; and her marriage with John Cross after Lewes's death. Bodenheimer also discusses the rumor campaign that led to the discovery that "George Eliot" was a woman, and she traces the trajectory of Eliot's impassioned conflict between her ambition and her womanhood.

Author: George Lewes
Publisher: BoD – Books on Demand
ISBN: 3368847619
Category : Fiction
Languages : en
Pages : 454

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Reprint of the original, first published in 1874.

Author: Charles Darwin
Publisher: Cambridge University Press
ISBN: 110772984X
Category : Science
Languages : en
Pages : 972

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Book Description
This volume is part of the definitive edition of letters written by and to Charles Darwin, the most celebrated naturalist of the nineteenth century. Notes and appendixes put these fascinating and wide-ranging letters in context, making the letters accessible to both scholars and general readers. Darwin depended on correspondence to collect data from all over the world, and to discuss his emerging ideas with scientific colleagues, many of whom he never met in person. The letters are published chronologically: Volume 21 includes letters from 1873, the year in which Darwin received responses to his work on human and animal expression. Also in this year, Darwin continued his work on carnivorous plants and plant movement, finding unexpected similarities between the plant and animal kingdoms, raised a subscription for his friend Thomas Henry Huxley, and decided to employ a scientific secretary for the first time - his son Francis.

Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429944544
Category : Music
Languages : en
Pages : 784

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Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.

Author: Sidney Smith Rider
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 132

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Consisting of literary gossip, criticisms of books and local historical matters connected with Rhode Island.

Author: Reina Lewis
Publisher: Routledge
ISBN: 1136164677
Category : Social Science
Languages : en
Pages : 321

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Book Description
In contrast to most cultural histories of imperialism, which analyse Orientalist images of rather than by women, Gendering Orientalism focuses on the contributions of women themselves. Drawing on the little-known work of Henriette Browne, other `lost' women Orientlist artists and the literary works of George Eliot, Reina Lewis challenges masculinist assumptions relating to the stability and homogeneity of the Orientalist gaze. Gendering Orientalism argues that women did not have a straightforward access to an implicitly nale position of western superiority, Their relationship to the shifting terms of race, nation and gender produced positions from which women writers and artists could articulate alternative representations of racial difference. It is this different, and often less degrading, gaze on the Orientalized `Other' that is analysed in this book. By revealing the extent of women's involvement in the popular field of visual Orientalism and highlighting the presence of Orientalist themes in the work of Browne, Eliot and Charlotte Bronte, reina Lewis uncovers women's roles in imperial culture and discourse. Gendering Orientalism will appeal to students, lecturers and researchers in cultural studies, literature, art history, women's studies and anthropology.