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Author: William Thomas Venner Publisher: McFarland ISBN: 0786473509 Category : History Languages : en Pages : 243
Book Description
This book follows the 7th Tennessee Infantry Regiment from their May 1861 mustering-in to the war's final moments at Appomattox in April 1865. It is an intensely personal account based upon the Tennesseans' letters, journals, memoirs, official reports, personnel records and family histories. It is a powerful account of courage and sacrifice. The men (a full roster is included) changed from exhilarated volunteers to battle-hardened veterans. They had eagerly rushed to join up, "anxious to confront the enemy on the battle front." Later, amid the grim realities, the Tennesseans stayed with their comrades and carried out their responsibilities. Rifleman Tom Holloway wrote, "I went into this measure with the conviction that it was my imperative duty." Eventually, as the war destroyed the Tennesseans, Lt. Ferguson Harris wrote simply, "I wonder who will be the last of us to go?"
Author: William Thomas Venner Publisher: McFarland ISBN: 0786473509 Category : History Languages : en Pages : 243
Book Description
This book follows the 7th Tennessee Infantry Regiment from their May 1861 mustering-in to the war's final moments at Appomattox in April 1865. It is an intensely personal account based upon the Tennesseans' letters, journals, memoirs, official reports, personnel records and family histories. It is a powerful account of courage and sacrifice. The men (a full roster is included) changed from exhilarated volunteers to battle-hardened veterans. They had eagerly rushed to join up, "anxious to confront the enemy on the battle front." Later, amid the grim realities, the Tennesseans stayed with their comrades and carried out their responsibilities. Rifleman Tom Holloway wrote, "I went into this measure with the conviction that it was my imperative duty." Eventually, as the war destroyed the Tennesseans, Lt. Ferguson Harris wrote simply, "I wonder who will be the last of us to go?"
Author: Thomas Postlewait Publisher: Praeger ISBN: Category : Literary Criticism Languages : en Pages : 224
Book Description
This analytical history is the most comprehensive and accurate record of the Ibsen campaign in London. Postlewait places major emphasis on the activities of William Archer, the theatre critic, translator, and director who zealously campaigned for the acceptance of Ibsen's works in particular and the new drama in general. He argues that proper appreciation of Archer's often devious role as the foremost advocate of Ibsen is vital to understanding how and why Ibsen was ultimately received on the London stage. Postlewait's reassessment challenges all previous histories and critical studies of this theatrical era and confronts the many contradictions of Archer's life and works that have previously clouded more straightforward histories. He presents Archer as a man with a sense of missionary urgency but also as an individual with an often paradoxical character and numerous self-defeating attributes. This process of reconstituting history and reexamining the career of William Archer, especially in light of his close relationships with Bernard Shaw and Elizabeth Robins, reveals the importance, complexity, and even brilliance of a man who may fittingly be called the prophet of the new drama.
Author: James Woodfield Publisher: Routledge ISBN: 1317389425 Category : Performing Arts Languages : en Pages : 222
Book Description
Originally published in 1984. The turn of the nineteenth and twentieth centuries was a time of considerable change in the English theatre. Victorian attitudes were shocked or shattered by the new drama of Ibsen; the major figure of George Bernard Shaw dominated the period; theatre censorship was the subject of a long and furious contest; and staging conventions changed from the spectacular stylings of Irving and Beerbohm Tree to the masking and statuesque styles of Isadora Duncan and the inner realism of Stanislavsky. This book traces the activities of the leading figures in the English theatre, notably William Archer who introduced Ibsen to this country and who became one of the main promoters of the idea of a National Theatre. Other personalities discussed include Harley Granville Barker, particularly his association with Shaw at the Court Theatre and his part in campaigns against censorship and for changes in the staging of Shakespeare, and Edward Gordon Craig, whose rebellion against the Victorian theatre took and anti-realist direction. This is a stimulating account of the background to the modern English theatre which can only increase appreciation of its standard and variety.
Author: William Thomas Venner
Author: William Thomas Venner
Author: New South Wales. Parliament. Legislative Council
Author: Thomas Postlewait
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