Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1288
Book Description
General Catalogue of Printed Books to 1955
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1288
Book Description
Catalogue of Printed Books
Author: British Museum. Dept. of Printed BooksPublisher:
ISBN:
Category : Books
Languages : en
Pages : 516
Book Description
The British Union-catalogue of Early Music Before the Year 1801
Author: Edith Betty SchnapperPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 626
Book Description
The National Union Catalog, Pre-1956 Imprints
Author: Les psaumes de David mis en vers français, revus de nouveau sur les précédentes éditions avec les cantiques sacrés ()
Author: Les Psaumes de David, mis en vers françois, revus et approuvez, par les pasteurs et les professeurs de l'Église et de l'Académie de Genève. Nouvelle édition, avec les cantiques sacrés, à laquelle on a ajouté la Basse ... & où la musique est très exactement corrigée
Author: Les Psaumes de David
Author: Les Psaumes De David
Author: Les Psaumes de David, mis en vers françois ; & les cantiques sacrés, revus & approuvés par les pasteurs et professeurs de Geneve avec la musique tout au long. Nouvelle Edition, enrichie des Liturgies & Priéres publiques, & de particuliéres sur divers sujets
Author: Divine Names on the Spot
Author: Fabio PorziaPublisher:
ISBN: 9789042951617
Category : History
Languages : fr
Pages : 0
Book Description
'Ancient Greek and Semitic languages resorted to a large range of words to name the divine. Gods and goddesses were called by a variety of names and combinations of onomastic attributes. This broad lexicon of names is characterised by plurality and a tendency to build on different sequences of names; therefore, the Mapping Ancient Polytheisms project focuses on the process of naming the divine in order to better understand the ancient divine in terms of a plurality in the making. A fundamental rule for reading ancient divine names is to grasp them in their context - time and place, a ritual, the form of the discourse, a cultural milieu...: a deity is usually named according to a specific situation. From Artemis Eulochia to al-Lat, al-'Uzza and Manat, from Melqart to "my rock" in the biblical book of Psalms, this volume journeys between the sanctuary on Mount Gerizim and late antique magical practices, revisiting rituals, hymnic poetry, oaths of orators and philosophical prayers. While targeting different names in different contexts, the contributors draft theoretical propositions towards a dynamic approach of naming the divine in antiquity.'