Author:
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 284
Book Description
Les maitres de la caricature française au dix-neuvième siècle: Daumier- Gavarni
The Cultivation of Hatred: The Bourgeois Experience: Victoria to Freud (The Bourgeois Experience: Victoria to Freud)
Author: Peter Gay
Publisher: W. W. Norton & Company
ISBN: 0393312240
Category : History
Languages : en
Pages : 717
Book Description
The author of the bestseller Freud presents a close examination of the aggression--and debate about aggression--that raged through the Victorian Age. Gay looks at the works of such figures as Theodore Roosevelt and Nietzsche to present penetrating new insights.
Publisher: W. W. Norton & Company
ISBN: 0393312240
Category : History
Languages : en
Pages : 717
Book Description
The author of the bestseller Freud presents a close examination of the aggression--and debate about aggression--that raged through the Victorian Age. Gay looks at the works of such figures as Theodore Roosevelt and Nietzsche to present penetrating new insights.
The Cultivation of Hatred: The Bourgeois Experience: Victoria to Freud
Author: Peter Gay
Publisher: W. W. Norton & Company
ISBN: 0393243451
Category : History
Languages : en
Pages : 717
Book Description
With the same sweep, authority, and originality that marked his best-selling Freud: A Life for Our Time, Peter Gay here takes us on a remarkable journey through middle-class Victorian culture. Gay's search through middle-class Victorian culture, illuminated by lively portraits of such daunting figures as Bismarck, Darwin and his acolytes, George Eliot, and the great satirists Daumier and Wilhelm Busch, covers a vast terrain: the relations between men and women, wit, demagoguery, and much more. We discover the multiple ways in which the nineteenth century at once restrained aggressive behavior and licensed it. Aggression split the social universe into insiders and outsiders. "By gathering up communities of insiders," Professor Gay writes, the Victorians "discovered--only too often invented--a world of strangers beyond the pale, of individuals and classes, races and nations it was perfectly proper to debate, patronize, ridicule, bully, exploit, or exterminate." The aggressions so channeled or bottled could not be contained forever. Ultimately, they exploded in the First World War.
Publisher: W. W. Norton & Company
ISBN: 0393243451
Category : History
Languages : en
Pages : 717
Book Description
With the same sweep, authority, and originality that marked his best-selling Freud: A Life for Our Time, Peter Gay here takes us on a remarkable journey through middle-class Victorian culture. Gay's search through middle-class Victorian culture, illuminated by lively portraits of such daunting figures as Bismarck, Darwin and his acolytes, George Eliot, and the great satirists Daumier and Wilhelm Busch, covers a vast terrain: the relations between men and women, wit, demagoguery, and much more. We discover the multiple ways in which the nineteenth century at once restrained aggressive behavior and licensed it. Aggression split the social universe into insiders and outsiders. "By gathering up communities of insiders," Professor Gay writes, the Victorians "discovered--only too often invented--a world of strangers beyond the pale, of individuals and classes, races and nations it was perfectly proper to debate, patronize, ridicule, bully, exploit, or exterminate." The aggressions so channeled or bottled could not be contained forever. Ultimately, they exploded in the First World War.
Baudelaire and Caricature: From the Comic to an Art of Modernity
Author:
Publisher: Penn State Press
ISBN: 9780271042879
Category : Art
Languages : en
Pages : 368
Book Description
Baudelaire's essays on caricature offered the first sustained defense of the value of caricature as a serious art, worthy of study in its own right. This book argues for the crucial importance of the essays for his conception of modernity, so fundamental to the subsequent history of modernism. From the theory of the comic formulated in De l'essence du rire to his discussions of Daumier, Goya, Hogarth, Cruikshank, Bruegel, Grandville, Gavarni, Charlet, and many others, Baudelaire develops not only an aesthetic of caricature but also a caricatural aesthetic--dual and contradictory, grotesque, ironic, violent, farcical, fantastic, and fleeting--that defines an art of modern life. In particular, Baudelaire's insistence on the dualism and ambiguity of laughter has radical implications for such emblems of modernity as the city and the flâneur who roams the streets. The modern city is the space of the comic, a kind of caricature, presenting the flâneur with an image of dualism, one's position as subject and object, implicated in the same urban experiences one seems to control. The theory of the comic invests the idea of modernity with reciprocity, one's status as laughter and object of laughter, thus preventing the subjective construction and appropriation of the world that has so often been linked with the project of modernism. Comic art reflects what Walter Benjamin later defined as Baudelairean allegory, at once representing and revealing the alienation of modern experience. But Baudelaire also transforms the dualism of the comic into a peculiarly modern unity-- the doubling of the comic artist enacted for the benefit of the audience, the self-generating and self-reflexive experience of the flâneur in a "communion" with the crowd. This study examines his views in the context of the history of comic theory and contemporary accounts of the individual artists. Complete with illustrations of the many works discussed, it illuminates the history and theory of caricature, the comic, and the grotesque, and adds to our understanding of modernism in literature and the visual arts.
Publisher: Penn State Press
ISBN: 9780271042879
Category : Art
Languages : en
Pages : 368
Book Description
Baudelaire's essays on caricature offered the first sustained defense of the value of caricature as a serious art, worthy of study in its own right. This book argues for the crucial importance of the essays for his conception of modernity, so fundamental to the subsequent history of modernism. From the theory of the comic formulated in De l'essence du rire to his discussions of Daumier, Goya, Hogarth, Cruikshank, Bruegel, Grandville, Gavarni, Charlet, and many others, Baudelaire develops not only an aesthetic of caricature but also a caricatural aesthetic--dual and contradictory, grotesque, ironic, violent, farcical, fantastic, and fleeting--that defines an art of modern life. In particular, Baudelaire's insistence on the dualism and ambiguity of laughter has radical implications for such emblems of modernity as the city and the flâneur who roams the streets. The modern city is the space of the comic, a kind of caricature, presenting the flâneur with an image of dualism, one's position as subject and object, implicated in the same urban experiences one seems to control. The theory of the comic invests the idea of modernity with reciprocity, one's status as laughter and object of laughter, thus preventing the subjective construction and appropriation of the world that has so often been linked with the project of modernism. Comic art reflects what Walter Benjamin later defined as Baudelairean allegory, at once representing and revealing the alienation of modern experience. But Baudelaire also transforms the dualism of the comic into a peculiarly modern unity-- the doubling of the comic artist enacted for the benefit of the audience, the self-generating and self-reflexive experience of the flâneur in a "communion" with the crowd. This study examines his views in the context of the history of comic theory and contemporary accounts of the individual artists. Complete with illustrations of the many works discussed, it illuminates the history and theory of caricature, the comic, and the grotesque, and adds to our understanding of modernism in literature and the visual arts.
Daumier
Author: Arts Council of Great Britain
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 70
Book Description
Daumier
Catalogue ...
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 648
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 648
Book Description
Physionomie du Théâtre de l'Odéon
Author: John Raymond Williams
Publisher: Summa Publications
ISBN:
Category : Caricature
Languages : en
Pages : 44
Book Description
Publisher: Summa Publications
ISBN:
Category : Caricature
Languages : en
Pages : 44
Book Description
Caricature and Its Role in Graphic Satire
Author: Brown University. Department of Art
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 130
Book Description
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 130
Book Description