Author: Jules Barbey d'AurevillyPublisher:
ISBN:
Category :
Languages : en
Pages : 266
Book Description
Weird Women
Author: Jules Barbey d'AurevillyPublisher:
ISBN:
Category :
Languages : en
Pages : 266
Book Description
Les Diaboliques (Henri-Georges Clouzot, 1955)
Author: Susan HaywardPublisher: University of Illinois Press
ISBN: 9780252030895
Category : Performing Arts
Languages : en
Pages : 150
Book Description
"Les Diaboliques" (The Fiends ) was a top grossing film in 1955. Clouzot shrouded his film in mystery, beseeching his audience not to give away the ending. He also radically changed the original story of Boileau and Narcejeac's novel ("Celle qui n'etait plus" ), heterosexualising the original lesbian plot. His film demonstrates how to imply, rather than show, horror, keeping the spectator in a state of continued suspense, only releasing us in the few final frames. Fifty years later, "Les Diaboliques" still intrigues perhaps due to its excessive ambiguities and numerous plot twists that make it a film noir to end all films noirs, and not least the great performance of Simone Signoret. In this enjoyable and challenging Cine-File, Susan Hayward, leading writer on French cinema, sets "Les Diaboliques" against the political culture of its time and demonstrates the importance of Clouzot as a master of the thriller genre. She gives an illuminating in-depth textual analysis of the film and presents a comparison with its US remake which, juxtaposed with the original film book, highlights the great staying power of Clouzot's version, still a popular film with international audiences half a century after its premiere."
Les Diaboliques
Author: D'aurevilly Jules Barbey D'aurevillyPublisher:
ISBN: 9788726765243
Category :
Languages : en
Pages : 0
Book Description
She Who Was No More
Author: Pierre BoileauPublisher: Pushkin Press
ISBN: 1782271406
Category : Fiction
Languages : en
Pages : 161
Book Description
A murdered spouse returns from the dead in this classic thriller. Every Saturday evening, travelling salesman Ferdinand Ravinel returns to his wife, Mireille, who waits patiently for him at home. But Ferdinand has another lover, Lucienne, an ambitious doctor, and together the adulterers have devised a murderous plan. Drugging Mireille, the pair drown her in a bathtub, but in the morning, before the "accidental" death can be discovered, the corpse is gone-so begins the unraveling of Ferdinand's plot, and his sanity... This classic of French noir fiction was adapted for the screen by Henri-Georges Clouzot as Les Diaboliques ( The Devils), starring Simone Signoret and Véra Clouzot, the film which in turn inspired Alfred Hitchcock's Psycho. A second movie version, Diabolique, followed in 1996, starring Sharon Stone. Boileau-Narcejac is the nom-de-plume of Pierre Boileau (1906-89) and Thomas Narcejac (1908-98), one of France's most successful writing duos. Boileau and Narcejac both individually received the prestigious Prix du roman d'aventures before beginning a partnership that spanned four decades, from the Fifties to the Eighties, and produced more than fifty thrillers. Their works inspired numerous films, including Alfred Hitchcock's Vertigo and Henri-Georges Clouzot's Les Diaboliques, based on their 1952 debut novel She Who Was No More.
Big Ears
Author: Nichole T. RustinPublisher: Duke University Press
ISBN: 0822389223
Category : Music
Languages : en
Pages : 474
Book Description
In jazz circles, players and listeners with “big ears” hear and engage complexity in the moment, as it unfolds. Taking gender as part of the intricate, unpredictable action in jazz culture, this interdisciplinary collection explores the terrain opened up by listening, with big ears, for gender in jazz. Essays range from a reflection on the female boogie-woogie pianists who played at Café Society in New York during the 1930s and 1940s to interpretations of how the jazzman is represented in Dorothy Baker’s novel Young Man with a Horn (1938) and Michael Curtiz’s film adaptation (1950). Taken together, the essays enrich the field of jazz studies by showing how gender dynamics have shaped the production, reception, and criticism of jazz culture. Scholars of music, ethnomusicology, American studies, literature, anthropology, and cultural studies approach the question of gender in jazz from multiple perspectives. One contributor scrutinizes the tendency of jazz historiography to treat singing as subordinate to the predominantly male domain of instrumental music, while another reflects on her doubly inappropriate position as a female trumpet player and a white jazz musician and scholar. Other essays explore the composer George Russell’s Lydian Chromatic Concept as a critique of mid-twentieth-century discourses of embodiment, madness, and black masculinity; performances of “female hysteria” by Les Diaboliques, a feminist improvising trio; and the BBC radio broadcasts of Ivy Benson and Her Ladies’ Dance Orchestra during the Second World War. By incorporating gender analysis into jazz studies, Big Ears transforms ideas of who counts as a subject of study and even of what counts as jazz. Contributors: Christina Baade, Jayna Brown, Farah Jasmine Griffin, Monica Hairston, Kristin McGee, Tracy McMullen, Ingrid Monson, Lara Pellegrinelli, Eric Porter, Nichole T. Rustin, Ursel Schlicht, Julie Dawn Smith, Jeffrey Taylor, Sherrie Tucker, João H. Costa Vargas
A Long Hard Look at 'Psycho'
Author: Raymond DurgnatPublisher: Bloomsbury Publishing
ISBN: 1844575608
Category : Performing Arts
Languages : en
Pages : 313
Book Description
Upon its release in 1960, Alfred Hitchcock's Psycho divided critical opinion, with several leading film critics condemning Hitchcock's apparent encouragement of the audience's identification with the gruesome murder that lies at the heart of the film. Such antipathy did little to harm Psycho's box-office returns, and it would go on to be acknowledged as one of the greatest film thrillers, with scenes and characters that are among the most iconic in all cinema. In his illuminating study of Psycho, Raymond Durgnat provides a minute analysis of its unfolding narrative, enabling us to consider what happens to the viewer as he or she watches the film, and to think afresh about questions of spectatorship, Hollywood narrative codes, psycho-analysis, editing and shot composition. In his introduction to the new edition, Henry K. Miller presents A Long Hard Look at 'Psycho' as the culmination of Durgnat's decades-long campaign to correct what he called film studies' 'Grand Error'. In the course of expounding Durgnat's root-and-branch challenge to our inherited shibboleths about Hollywood cinema in general and Hitchcock in particular, Miller also describes the eclectic intellectual tradition to which Durgnat claimed allegiance. This band of amis inconnus, among them William Empson, Edgar Morin and Manny Farber, had at its head Durgnat's mentor Thorold Dickinson. The book's story begins in the early 1960s, when Dickinson made the long hard look the basis of his pioneering film course at the Slade School of Fine Art, and Psycho became one of its first objects.
Vertigo
Author: Pierre BoileauPublisher: Pushkin Vertigo
ISBN: 1782271392
Category : Fiction
Languages : en
Pages : 163
Book Description
The original breath-taking psychological thriller behind Hitchcock’s legendary film—the story of a man tormented by his search for the truth, and ultimately destroyed by a terrible secret It could have happened to any of us, but it happened to a man named Flavieres. His days as a detective were over, and everyone knew he had his reasons. But when an old friend appeared out of nowhere with concerns about his withdrawn and mysterious wife, Flavieres didn't have the heart to refuse. Soon, he would be scouring the streets of Paris in search of an answer—in search of a girl who belonged to no one, not even to herself. Intrigue would be replaced by obsession, and dreams replaced by nightmares. This is the story of a desperate man. A man who ended up compromising his own morality beyond all measure, while World War II raged outside his front door. A man tormented—and destroyed—by a dark, terrible secret.
The Roman Noir in Post-war French Culture
Author: Claire GorraraPublisher: Oxford Studies in Modern European Culture
ISBN: 9780199246090
Category : Fiction
Languages : en
Pages : 160
Book Description
All the novelists studied were published initially in popular collections, such as the Serie noire, but they have been chosen for the innovation of their work and the exciting ways in which they resist tired conventions and offer new ways of representing social reality." "One of the first English-language studies of this popular genre, The Roman Noir in Post-War French Culture offers much more than close readings of these fascinating texts; it demonstrates the important contribution of the roman noir to the cultural histories of post-war France."--Jacket.
The Story Without a Name
Author: Jules Barbey D'AurevillyPublisher: Tien & Van Os
ISBN:
Category : Fiction
Languages : en
Pages : 104
Book Description
In a desolate village at the foot of the Cévennes, a Capuchin preacher stays with a mother-and-daughter household. Despite his eloquence, madame de Ferjol and her daughter Lasthénie find him imposing, and they become increasingly uneasy around him. On the day before Easter, the Ladies de Ferjol learn that their Capuchin guest has disappeared without a word. Shortly after, Lasthénie falls mysteriously ill, and become increasingly pale and melancholy. What follows is a descent into suspicion, religious fanatism and despair, ultimately resulting in destructive consequences.
The Testament of Judith Barton
Author: Wendy PowersPublisher: Wendy Powers
ISBN: 0615589847
Category : Fiction
Languages : en
Pages : 283
Book Description
Imagine the cinematic masterpiece Vertigo retold by its tragic heroine: that character, Judy Barton, may be the most-watched and least-understood woman in movie history. The Testament of Judith Barton tells Judy's behind-the-scenes side of the story in her own voice. Like Wicked for The Wizard of Oz, it reveals the secret history behind a classic story from a mysterious woman's point of view.