Author: Sylvia Washington Ba
Publisher: Princeton University Press
ISBN: 1400867134
Category : Poetry
Languages : en
Pages : 317
Book Description
Negritude has been defined by Léopold Sédar Senghor as "the sum of the cultural values of the black world as they are expressed in the life, the institutions, and the works of black men." Sylvia Washington Bâ analyzes Senghor's poetry to show how the concept of negritude infuses it at every level. A biographical sketch describes his childhood in Senegal, his distinguished academic career in France, and his election as President of Senegal. Themes of alienation and exile pervade Senghor's poetry, but it was by the opposition of his sensitivity and values to those of Europe that he was able to formulate his credo. Its key theme, and the supreme value of black African civilization, is the concept of life forces, which are not attributes or accidents of being, but the very essence of being. Life is an essentially dynamic mode of being for the black African, and it has been Senghor's achievement to communicate African intensity and vitality through his use of the nuances, subtleties, and sonorities of the French language. In the final chapter Sylvia Washington Bâ discusses the future of Senghor's belief that the black man's culture should be recognized as valid not simply as a matter of human justice, but because the values of negritude could be instrumental in the reintegration of positive values into western civilization and the reorientation of contemporary man toward life and love. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Concept of Negritude in the Poetry of Leopold Sedar Senghor
Author: Sylvia Washington Ba
Publisher: Princeton University Press
ISBN: 1400867134
Category : Poetry
Languages : en
Pages : 317
Book Description
Negritude has been defined by Léopold Sédar Senghor as "the sum of the cultural values of the black world as they are expressed in the life, the institutions, and the works of black men." Sylvia Washington Bâ analyzes Senghor's poetry to show how the concept of negritude infuses it at every level. A biographical sketch describes his childhood in Senegal, his distinguished academic career in France, and his election as President of Senegal. Themes of alienation and exile pervade Senghor's poetry, but it was by the opposition of his sensitivity and values to those of Europe that he was able to formulate his credo. Its key theme, and the supreme value of black African civilization, is the concept of life forces, which are not attributes or accidents of being, but the very essence of being. Life is an essentially dynamic mode of being for the black African, and it has been Senghor's achievement to communicate African intensity and vitality through his use of the nuances, subtleties, and sonorities of the French language. In the final chapter Sylvia Washington Bâ discusses the future of Senghor's belief that the black man's culture should be recognized as valid not simply as a matter of human justice, but because the values of negritude could be instrumental in the reintegration of positive values into western civilization and the reorientation of contemporary man toward life and love. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400867134
Category : Poetry
Languages : en
Pages : 317
Book Description
Negritude has been defined by Léopold Sédar Senghor as "the sum of the cultural values of the black world as they are expressed in the life, the institutions, and the works of black men." Sylvia Washington Bâ analyzes Senghor's poetry to show how the concept of negritude infuses it at every level. A biographical sketch describes his childhood in Senegal, his distinguished academic career in France, and his election as President of Senegal. Themes of alienation and exile pervade Senghor's poetry, but it was by the opposition of his sensitivity and values to those of Europe that he was able to formulate his credo. Its key theme, and the supreme value of black African civilization, is the concept of life forces, which are not attributes or accidents of being, but the very essence of being. Life is an essentially dynamic mode of being for the black African, and it has been Senghor's achievement to communicate African intensity and vitality through his use of the nuances, subtleties, and sonorities of the French language. In the final chapter Sylvia Washington Bâ discusses the future of Senghor's belief that the black man's culture should be recognized as valid not simply as a matter of human justice, but because the values of negritude could be instrumental in the reintegration of positive values into western civilization and the reorientation of contemporary man toward life and love. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Black, French, and African
Author: Janet G. Vaillant
Publisher:
ISBN: 9780674864511
Category :
Languages : en
Pages : 412
Book Description
Publisher:
ISBN: 9780674864511
Category :
Languages : en
Pages : 412
Book Description
Selected Poems of Léopold Sédar Senghor
Author: Léopold Sédar Senghor
Publisher: CUP Archive
ISBN: 9780521291118
Category : Literary Criticism
Languages : en
Pages : 148
Book Description
Publisher: CUP Archive
ISBN: 9780521291118
Category : Literary Criticism
Languages : en
Pages : 148
Book Description
Freedom Time
Author: Gary Wilder
Publisher: Duke University Press
ISBN: 0822375796
Category : History
Languages : en
Pages : 444
Book Description
Freedom Time reconsiders decolonization from the perspectives of Aimé Césaire (Martinique) and Léopold Sédar Senghor (Senegal) who, beginning in 1945, promoted self-determination without state sovereignty. As politicians, public intellectuals, and poets they struggled to transform imperial France into a democratic federation, with former colonies as autonomous members of a transcontinental polity. In so doing, they revitalized past but unrealized political projects and anticipated impossible futures by acting as if they had already arrived. Refusing to reduce colonial emancipation to national independence, they regarded decolonization as an opportunity to remake the world, reconcile peoples, and realize humanity’s potential. Emphasizing the link between politics and aesthetics, Gary Wilder reads Césaire and Senghor as pragmatic utopians, situated humanists, and concrete cosmopolitans whose postwar insights can illuminate current debates about self-management, postnational politics, and planetary solidarity. Freedom Time invites scholars to decolonize intellectual history and globalize critical theory, to analyze the temporal dimensions of political life, and to question the territorialist assumptions of contemporary historiography.
Publisher: Duke University Press
ISBN: 0822375796
Category : History
Languages : en
Pages : 444
Book Description
Freedom Time reconsiders decolonization from the perspectives of Aimé Césaire (Martinique) and Léopold Sédar Senghor (Senegal) who, beginning in 1945, promoted self-determination without state sovereignty. As politicians, public intellectuals, and poets they struggled to transform imperial France into a democratic federation, with former colonies as autonomous members of a transcontinental polity. In so doing, they revitalized past but unrealized political projects and anticipated impossible futures by acting as if they had already arrived. Refusing to reduce colonial emancipation to national independence, they regarded decolonization as an opportunity to remake the world, reconcile peoples, and realize humanity’s potential. Emphasizing the link between politics and aesthetics, Gary Wilder reads Césaire and Senghor as pragmatic utopians, situated humanists, and concrete cosmopolitans whose postwar insights can illuminate current debates about self-management, postnational politics, and planetary solidarity. Freedom Time invites scholars to decolonize intellectual history and globalize critical theory, to analyze the temporal dimensions of political life, and to question the territorialist assumptions of contemporary historiography.
Negritude Women
Author: T. Denean Sharpley-Whiting
Publisher: U of Minnesota Press
ISBN: 9780816636808
Category : Literary Criticism
Languages : en
Pages : 186
Book Description
The Negritude movement, which signaled the awakening of a pan-African consciousness among black French intellectuals, has been understood almost exclusively in terms of the contributions of its male founders: Aime Cesaire, Leopold Sedar Senghor, and Leon G. Damas. This masculine genealogy has completely overshadowed the central role played by French-speaking black women in its creation and evolution. In Negritude Women, T. Denean Sharpley-Whiting offers a long-overdue corrective, revealing the contributions made by four women -- Suzanne Lacascade, Jane and Paulette Nardal, and Suzanne Roussy-Cesaire -- who were not merely integral to the success of the movement, but often in its vanguard. Through such disparate tactics as Lacascade's use of Creole expressions in her French prose writings, the literary salon and journal founded by the Martinique-born Nardal sisters, and Roussy-Cesaire's revolutionary blend of surrealism and Negritude in the pages of Tropiques, the journal she founded with her husband, these four remarkable women made vital contributions. In exploring their influence on the development of themes central to Negritude -- black humanism, the affirmation of black peoples and their cultures, and the rehabilitation of Africa -- Sharpley-Whiting provides the movement's first genuinely inclusive history.
Publisher: U of Minnesota Press
ISBN: 9780816636808
Category : Literary Criticism
Languages : en
Pages : 186
Book Description
The Negritude movement, which signaled the awakening of a pan-African consciousness among black French intellectuals, has been understood almost exclusively in terms of the contributions of its male founders: Aime Cesaire, Leopold Sedar Senghor, and Leon G. Damas. This masculine genealogy has completely overshadowed the central role played by French-speaking black women in its creation and evolution. In Negritude Women, T. Denean Sharpley-Whiting offers a long-overdue corrective, revealing the contributions made by four women -- Suzanne Lacascade, Jane and Paulette Nardal, and Suzanne Roussy-Cesaire -- who were not merely integral to the success of the movement, but often in its vanguard. Through such disparate tactics as Lacascade's use of Creole expressions in her French prose writings, the literary salon and journal founded by the Martinique-born Nardal sisters, and Roussy-Cesaire's revolutionary blend of surrealism and Negritude in the pages of Tropiques, the journal she founded with her husband, these four remarkable women made vital contributions. In exploring their influence on the development of themes central to Negritude -- black humanism, the affirmation of black peoples and their cultures, and the rehabilitation of Africa -- Sharpley-Whiting provides the movement's first genuinely inclusive history.
Leo Frobenius on African History, Art and Culture
Author: Leo Frobenius
Publisher: Markus Wiener Publishers
ISBN:
Category : Art
Languages : en
Pages : 286
Book Description
Foreword / by Léopold Sédar Senghor -- The "Atlas Africanus"--Discussion of the method of cultural history -- On the morphological method of studying cultures -- The nature of culture -- Reflections on African art -- Rock art of the Saharan atlas -- Rock art of the Fezzan -- Rock art of South Africa -- African hunters: the Mahalbi culture -- African hunters: bushmen and hunting spirits -- The civilization of the Kabyls -- Tales from the Sudan -- The religion of the Yoruba -- Zimbabwe and the Wahungwe civilization -- Editor's postscript -- Main works of Leo Frobenius -- Works on Leo Frobenius
Publisher: Markus Wiener Publishers
ISBN:
Category : Art
Languages : en
Pages : 286
Book Description
Foreword / by Léopold Sédar Senghor -- The "Atlas Africanus"--Discussion of the method of cultural history -- On the morphological method of studying cultures -- The nature of culture -- Reflections on African art -- Rock art of the Saharan atlas -- Rock art of the Fezzan -- Rock art of South Africa -- African hunters: the Mahalbi culture -- African hunters: bushmen and hunting spirits -- The civilization of the Kabyls -- Tales from the Sudan -- The religion of the Yoruba -- Zimbabwe and the Wahungwe civilization -- Editor's postscript -- Main works of Leo Frobenius -- Works on Leo Frobenius
In Senghor's Shadow
Author: Elizabeth Harney
Publisher: Duke University Press
ISBN: 9780822333951
Category : Art
Languages : en
Pages : 356
Book Description
DIVA study of art in post-independence Senegal./div
Publisher: Duke University Press
ISBN: 9780822333951
Category : Art
Languages : en
Pages : 356
Book Description
DIVA study of art in post-independence Senegal./div
Nocturnes
Author: Léopold Sédar Senghor
Publisher: Okpaku Communications Corporation
ISBN:
Category : Poetry
Languages : en
Pages : 88
Book Description
Publisher: Okpaku Communications Corporation
ISBN:
Category : Poetry
Languages : en
Pages : 88
Book Description
Léopold Sédar Senghor and the Politics of Negritude
Author: Irving Leonard Markovitz
Publisher: Heinemann Educational Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
Monograph on the leadership role of leopold sedar senghor and other African intellectuals in the development of socialist ideology in Senegal - covers the philosophy and political aspects of negritude as a nationalist movement, the role of France, social change, political leadership, social structure, the role of cooperative organisation, economic development, education, the role of political parties, etc. Bibliography pp. 240 to 289. Biography senghor l.s.
Publisher: Heinemann Educational Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 322
Book Description
Monograph on the leadership role of leopold sedar senghor and other African intellectuals in the development of socialist ideology in Senegal - covers the philosophy and political aspects of negritude as a nationalist movement, the role of France, social change, political leadership, social structure, the role of cooperative organisation, economic development, education, the role of political parties, etc. Bibliography pp. 240 to 289. Biography senghor l.s.
Art World City
Author: Joanna Grabski
Publisher: Indiana University Press
ISBN: 0253026229
Category : Art
Languages : en
Pages : 329
Book Description
“Insightful . . . should be on the bookshelf of anyone interested in contemporary art on the continent of Africa, its politics, its display, its economics.” —African Arts Art World City focuses on contemporary art and artists in the city of Dakar, a famously thriving art metropolis in the West African nation of Senegal. Joanna Grabski illuminates how artists earn their livelihoods from the city’s resources, possibilities, and connections. She examines how and why they produce and exhibit their work and how they make an art scene and transact with art world mediators such as curators, journalists, critics, art lovers, and collectors from near and far. Grabski shows that Dakar-based artists participate in a platform that has a global reach. They extend Dakar’s creative economy and the city’s urban vibe into an “art world city.” “In her fine-grained analysis, Joanna Grabski demonstrates the ways that the urban environment and the sites of art production, exhibition, and sale imbricate one another to constitute Dakar as an Art World City.” —Mary Jo Arnoldi, Curator, Anthropology, National Museum of Natural History, Smithsonian “A valuable addition to the anthropology of cities and of art worlds. It stretches and revises the notion of art world to include multiple scales, and illustrates how the city enables simultaneous engagement for artists with local, national, Pan-African, and global discourses and platforms.” —City & Society “A beautiful book. The photographs, most of which are by the author, are stunning.” —College Art Association Reviews
Publisher: Indiana University Press
ISBN: 0253026229
Category : Art
Languages : en
Pages : 329
Book Description
“Insightful . . . should be on the bookshelf of anyone interested in contemporary art on the continent of Africa, its politics, its display, its economics.” —African Arts Art World City focuses on contemporary art and artists in the city of Dakar, a famously thriving art metropolis in the West African nation of Senegal. Joanna Grabski illuminates how artists earn their livelihoods from the city’s resources, possibilities, and connections. She examines how and why they produce and exhibit their work and how they make an art scene and transact with art world mediators such as curators, journalists, critics, art lovers, and collectors from near and far. Grabski shows that Dakar-based artists participate in a platform that has a global reach. They extend Dakar’s creative economy and the city’s urban vibe into an “art world city.” “In her fine-grained analysis, Joanna Grabski demonstrates the ways that the urban environment and the sites of art production, exhibition, and sale imbricate one another to constitute Dakar as an Art World City.” —Mary Jo Arnoldi, Curator, Anthropology, National Museum of Natural History, Smithsonian “A valuable addition to the anthropology of cities and of art worlds. It stretches and revises the notion of art world to include multiple scales, and illustrates how the city enables simultaneous engagement for artists with local, national, Pan-African, and global discourses and platforms.” —City & Society “A beautiful book. The photographs, most of which are by the author, are stunning.” —College Art Association Reviews