Author: Frank Waters
Publisher: MacAdam/Cage Publishing
ISBN: 9781878448071
Category : Biography & Autobiography
Languages : en
Pages : 306
Book Description
This, Frank Waters' last book, is a moving and powerful reminiscence of the Taos he knew and loved, and of the friends who peopled it, like Mabel Luhan, Tony Lujan, and Dorothy Brett.
Of Time and Change
Author: Frank Waters
Publisher: MacAdam/Cage Publishing
ISBN: 9781878448071
Category : Biography & Autobiography
Languages : en
Pages : 306
Book Description
This, Frank Waters' last book, is a moving and powerful reminiscence of the Taos he knew and loved, and of the friends who peopled it, like Mabel Luhan, Tony Lujan, and Dorothy Brett.
Publisher: MacAdam/Cage Publishing
ISBN: 9781878448071
Category : Biography & Autobiography
Languages : en
Pages : 306
Book Description
This, Frank Waters' last book, is a moving and powerful reminiscence of the Taos he knew and loved, and of the friends who peopled it, like Mabel Luhan, Tony Lujan, and Dorothy Brett.
Academy Notes
Author: Buffalo Fine Arts Academy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 464
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 464
Book Description
Leon Gaspard
Author: Forrest Fenn
Publisher: Tia Collection
ISBN: 9780991479214
Category : Painters
Languages : en
Pages : 0
Book Description
Leon Shulman Gaspard (1882-1964) was an interesting addition to the New Mexico arts scene when he arrived in 1918. A Russian-born, French-trained veteran of the airborne campaigns of the Great War, he arrived physically diminished from a horrific plane crash that had put him in a French hospital for two years. Seeking a more hospitable climate, he arrived in Taos to find a vibrant arts community and an exotic blend of native, western, and Hispanic cultures. Having traveled widely throughout Russia, China, Mongolia, Tibet, Morocco, and Northern Africa as a fur trader, painter, army pilot and spy, Gaspard had a love of exotic cultures and a desire to document them artistically. Taos allowed him just such an opportunity, and he set out to paint the Native Americans in much the same way he had painted the native peoples of North Africa and Asia while in Paris. A pariah of sorts when he first arrived, Gaspard was saved socially when Herbert Dunton, one of the founding members of the Taos Society of Artists, took a liking to him and began to bring him around to meet his colleagues. A kindly and gregarious man, Gaspard eventually became accepted and well liked, and one of the most important of the many distinguished artists that made Taos their home in the early part of the twentieth century.
Publisher: Tia Collection
ISBN: 9780991479214
Category : Painters
Languages : en
Pages : 0
Book Description
Leon Shulman Gaspard (1882-1964) was an interesting addition to the New Mexico arts scene when he arrived in 1918. A Russian-born, French-trained veteran of the airborne campaigns of the Great War, he arrived physically diminished from a horrific plane crash that had put him in a French hospital for two years. Seeking a more hospitable climate, he arrived in Taos to find a vibrant arts community and an exotic blend of native, western, and Hispanic cultures. Having traveled widely throughout Russia, China, Mongolia, Tibet, Morocco, and Northern Africa as a fur trader, painter, army pilot and spy, Gaspard had a love of exotic cultures and a desire to document them artistically. Taos allowed him just such an opportunity, and he set out to paint the Native Americans in much the same way he had painted the native peoples of North Africa and Asia while in Paris. A pariah of sorts when he first arrived, Gaspard was saved socially when Herbert Dunton, one of the founding members of the Taos Society of Artists, took a liking to him and began to bring him around to meet his colleagues. A kindly and gregarious man, Gaspard eventually became accepted and well liked, and one of the most important of the many distinguished artists that made Taos their home in the early part of the twentieth century.
The Poster
Branding the American West
Author: Marian Wardle
Publisher: University of Oklahoma Press
ISBN: 0806154128
Category : Art
Languages : en
Pages : 241
Book Description
Artists and filmmakers in the early twentieth century reshaped our vision of the American West. In particular, the Taos Society of Artists and the California-based artist Maynard Dixon departed from the legendary depiction of the “Wild West” and fostered new images, or brands, for western art. This volume, illustrated with more than 150 images, examines select paintings and films to demonstrate how these artists both enhanced and contradicted earlier representations of the West. Prior to this period, American art tended to portray the West as a wild frontier with untamed lands and peoples. Renowned artists such as Henry Farny and Frederic Remington set their work in the past, invoking an environment immersed in conflict and violence. This trademark perspective began to change, however, when artists enamored with the Southwest stamped a new imprint on their paintings. The contributors to this volume illuminate the complex ways in which early-twentieth-century artists, as well as filmmakers, evoked a southwestern environment not just suspended in time but also permanent rather than transient. Yet, as the authors also reveal, these artists were not entirely immune to the siren call of the vanishing West, and their portrayal of peaceful yet “exotic” Native Americans was an expansion rather than a dismissal of earlier tropes. Both brands cast a romantic spell on the West, and both have been seared into public consciousness. Branding the American West is published in association with the Brigham Young University Museum of Art, Provo, Utah, and the Stark Museum of Art, Orange, Texas.
Publisher: University of Oklahoma Press
ISBN: 0806154128
Category : Art
Languages : en
Pages : 241
Book Description
Artists and filmmakers in the early twentieth century reshaped our vision of the American West. In particular, the Taos Society of Artists and the California-based artist Maynard Dixon departed from the legendary depiction of the “Wild West” and fostered new images, or brands, for western art. This volume, illustrated with more than 150 images, examines select paintings and films to demonstrate how these artists both enhanced and contradicted earlier representations of the West. Prior to this period, American art tended to portray the West as a wild frontier with untamed lands and peoples. Renowned artists such as Henry Farny and Frederic Remington set their work in the past, invoking an environment immersed in conflict and violence. This trademark perspective began to change, however, when artists enamored with the Southwest stamped a new imprint on their paintings. The contributors to this volume illuminate the complex ways in which early-twentieth-century artists, as well as filmmakers, evoked a southwestern environment not just suspended in time but also permanent rather than transient. Yet, as the authors also reveal, these artists were not entirely immune to the siren call of the vanishing West, and their portrayal of peaceful yet “exotic” Native Americans was an expansion rather than a dismissal of earlier tropes. Both brands cast a romantic spell on the West, and both have been seared into public consciousness. Branding the American West is published in association with the Brigham Young University Museum of Art, Provo, Utah, and the Stark Museum of Art, Orange, Texas.
International Studio
The President's Report to the Board of Regents for the Academic Year ...
Author: University of Michigan
Publisher:
ISBN:
Category :
Languages : en
Pages : 894
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 894
Book Description
A Russian Jew of Bloomsbury
Author: Galya Diment
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773588086
Category : Biography & Autobiography
Languages : en
Pages : 451
Book Description
Samuel Koteliansky (1880-1955) fled the pogroms of Russia in 1911 and established himself as a friend of many of Britain's literati and intellectuals, who were fascinated by his homeland's more civilized side: the Ballets Russes, Tolstoy, Dostoevsky, and Chekhov. Kot, as he was known, soon became an indispensable guide to Russian culture for England's leading writers, artists, and intellectuals, who in turn helped introduce English audiences to Russian works. A Russian Jew of Bloomsbury looks at the remarkable life and influence that an outsider had on the tightly knit circle of Britain's cultural elite. Among Koteliansky's friends were Katherine Mansfield, Leonard and Virginia Woolf - for whose Hogarth Press he translated many Russian classics - Mark Gertler, Lady Ottoline Morrell, H.G. Wells, and Dilys Powell. But it was his close and turbulent friendship with D.H. Lawrence, with whom he had copious correspondence, that proved to be Koteliansky's lasting legacy. In a lively and vibrant narrative, Galya Diment shows how, despite Kot's determination, he could never shake off the dark aspects of his past or overcome the streak of anti-Semitism that ran through British society and could be found in many of his famous literary friends. A stirring account of the early-twentieth century, Jewish émigré life, and English and Russian letters, A Russian Jew of Bloomsbury casts new light - and shadows - on the giants of English modernism.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773588086
Category : Biography & Autobiography
Languages : en
Pages : 451
Book Description
Samuel Koteliansky (1880-1955) fled the pogroms of Russia in 1911 and established himself as a friend of many of Britain's literati and intellectuals, who were fascinated by his homeland's more civilized side: the Ballets Russes, Tolstoy, Dostoevsky, and Chekhov. Kot, as he was known, soon became an indispensable guide to Russian culture for England's leading writers, artists, and intellectuals, who in turn helped introduce English audiences to Russian works. A Russian Jew of Bloomsbury looks at the remarkable life and influence that an outsider had on the tightly knit circle of Britain's cultural elite. Among Koteliansky's friends were Katherine Mansfield, Leonard and Virginia Woolf - for whose Hogarth Press he translated many Russian classics - Mark Gertler, Lady Ottoline Morrell, H.G. Wells, and Dilys Powell. But it was his close and turbulent friendship with D.H. Lawrence, with whom he had copious correspondence, that proved to be Koteliansky's lasting legacy. In a lively and vibrant narrative, Galya Diment shows how, despite Kot's determination, he could never shake off the dark aspects of his past or overcome the streak of anti-Semitism that ran through British society and could be found in many of his famous literary friends. A stirring account of the early-twentieth century, Jewish émigré life, and English and Russian letters, A Russian Jew of Bloomsbury casts new light - and shadows - on the giants of English modernism.
Soviet Adventures in the Land of the Capitalists
Author: Lisa A. Kirschenbaum
Publisher: Cambridge University Press
ISBN: 1316518469
Category : History
Languages : en
Pages : 355
Book Description
Unique account of how ordinary people shaped Soviet-American relations in the 1930s told through the adventures of two Russian humourists.
Publisher: Cambridge University Press
ISBN: 1316518469
Category : History
Languages : en
Pages : 355
Book Description
Unique account of how ordinary people shaped Soviet-American relations in the 1930s told through the adventures of two Russian humourists.