Legacy of the Feathered Serpent PDF Download

Author: Alica McKenna-Johnson
Publisher: AMJ Publishing
ISBN: 0996944478
Category : Young Adult Fiction
Languages : en
Pages : 349

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Author: Ernesto Novato
Publisher:
ISBN: 9781077874022
Category :
Languages : en
Pages : 52

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*Includes pictures *Includes a bibliography for further reading Gilgamesh, Hercules, Aeneas, and Lancelot are instantly recognized as mythological heroes in the West, evoking visions of Persian monsters, ghastly labors, and the founding and glorification of cities, but the name Quetzalcoatl is as mysterious as its spelling. Even those who have come across his name when learning about the history of Mesoamerica - particularly the Aztec and the god's role in the Spanish conquest of their empire - are often unaware that the Mesoamerican deity has tales that equal any of those in the repertoire of the mythological figures mentioned above, and the tale of his transmission into modern times is no less fascinating. As archaeologists quickly learned, there are numerous temples dedicated to Quetzalcoatl all across Mesoamerica. From the Aztec to the Maya, Quetzalcoatl - the Feathered Serpent - rears his beautiful head from magnificent relief carvings in temples no less grandiose than the largest pyramid in the region, that of Cholula in Mexico. Furthermore, thousands of people still gather in the great Mayan city of Chichén Itzá during the spring and autumn equinoxes to watch the shadow of the Feathered Serpent slither its way down the temple known as El Castillo. Worship of the Feathered Serpent can be traced back 2,000 years, and the Serpent's cults appear all across Mesoamerica. The Olmec, the Aztec, and both the Yucatec and K'iche Mayans all had different names for this deity, including Kukulkan, Q'uq'umatz, and Tohil, but his iconography is curiously consistent over several centuries across the region. Depending on who was worshipping him, the Feathered Serpent was a creator-god, the god of the winds, the god of the rains, or merely a near-divine ancestor whose militaristic ways won his followers land and riches before he was eventually marred by lavishness and iniquity, resulting in his demise. To some of the invading Spanish conquistadores, Quetzalcoatl was little more than another demon the "natives" had been worshipping before they were kind enough to bring God to the New World. To others, however, Quetzalcoatl was precisely evidence of the spread of Christianity reaching Mesoamerica long before the conquistadores ever arrived. Much of what modern scholars depend on to understand Quetzalcoatl, however, comes from the period of the Spanish invasion of Mesoamerica, and therefore stories of his blowing the sun across the sky have become mixed with those linking him with Jesus Christ. Nevertheless, this makes for a fascinating picture of a deity whose image has been shaped by some of the most famous civilizations in history and continues to be adopted by people today, often for more than spiritual purposes (as is evident in the adoption of Quetzalcoatl imagery in Mexico's struggle for independence). As a result, Quetzalcoatl was and remains one of the most interesting and enlightening stories ever to have come out of any civilization, and his stories offer a better understanding of the Mesoamerican world. Quetzalcoatl: The History and Legacy of the Feathered Serpent God in Mesoamerican Mythology examines the origins of the deity and his place in the pantheon of gods. Along with pictures of important people, places, and events, you will learn about Quetzalcoatl like never before.

Author: Virginia M. Fields
Publisher: Scala Arts Publishers Incorporated
ISBN: 9781857597417
Category : Indian art
Languages : en
Pages : 0

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Published on the occasion of an exhibition held at the Los Angeles County Museum of Art, Apr. 1-July 1, 2012 and at the Dallas Museum of Art, July 29-Nov. 25, 2012.

Author: Alica McKenna-Johnson
Publisher: Amj Publishing
ISBN: 9780996944458
Category : Young Adult Fiction
Languages : en
Pages : 292

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First an ancient Phoenix King and Queen and now a sleeping Mayan god, could Sapphire's life get any weirder? Sapphire -15 years old, strong, intelligent, and with newly acquired Phoenix powers. She travels through South America, with her recently-discovered family. Performing with Cirque de Feu Magique as a cover, the Children of Fire respond to the need of magical creatures to return home to Akasha. Powerful beings take a dangerous interest in the creatures they are called to save. The challenges of growing leadership and conflict with a Mayan god force Sapphire to realize she's stronger than she thought. Legacy of the Feathered Serpent is the second novel in the Children of Fire series, a young adult urban fantasy series. Alica has plans for seven novels in this series, and possibly several novellas that accompany them. Currently, books 1 - 4 are available and book 5 is coming soon

Author: Susan C. Power
Publisher: University of Georgia Press
ISBN: 9780820325019
Category : Art
Languages : en
Pages : 300

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Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.

Author: Alica McKenna-Johnson
Publisher: AMJ Publishing
ISBN: 0996944486
Category : Fiction
Languages : en
Pages : 407

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Author: Daniel Pinchbeck
Publisher: Penguin
ISBN: 9781585425921
Category : Body, Mind & Spirit
Languages : en
Pages : 422

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Draws on cosmological phenomena of the modern world as well as the author's own research into shamanic and metaphysical belief systems to support the Mayan theory about an unprecedented global shift predicted for the year 2012.

Author: Duncan Tonatiuh
Publisher: Abrams
ISBN: 1613121652
Category : Juvenile Nonfiction
Languages : en
Pages : 38

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Discover the life and legacy of celebrated Mexican artist Diego Rivera in this picture book by award-winning author and illustrator Duncan Tonatiuh A Pura Belpré Illustrator Award Winner! Diego Rivera, one of the most famous painters of the twentieth century, was once just a mischievous little boy who loved to draw. But this little boy would grow up to follow his passion and greatly influence the world of art. After studying in Spain and France as a young man, Diego was excited to return to his home country of Mexico. There, he toured from the coasts to the plains to the mountains. He met the peoples of different regions and explored the cultures, architecture, and history of those that had lived before. Returning to Mexico City, he painted great murals representing all that he had seen. He provided the Mexican people with a visual history of who they were and, most important, who they are. Award-winning author and illustrator Duncan Tonatiuh, who has also been inspired by the art and culture of his native Mexico, asks, if Diego was still painting today, what history would he tell through his artwork? What stories would he bring to life? Drawing inspiration from Rivera to create his own original work, Tonatiuh helps young readers to understand the importance of Diego Rivera’s artwork and to realize that they too can tell stories through art.

Author: Ernesto Novato
Publisher:
ISBN: 9781081689551
Category :
Languages : en
Pages : 54

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*Includes pictures *Includes a bibliography for further reading Gilgamesh, Hercules, Aeneas, and Lancelot are instantly recognized as mythological heroes in the West, evoking visions of Persian monsters, ghastly labors, and the founding and glorification of cities, but the names of Mesoamerican gods remain as mysterious as their spelling. Even those who have come across their names when learning about the history of Mesoamerica - particularly the Aztec and various gods' roles in the Spanish conquest of their empire - are often unaware that the Mesoamerican deities have tales that equal any of those in the repertoire of the mythological figures mentioned above. As archaeologists quickly learned, there are numerous temples dedicated to gods all across Mesoamerica, from the Olmec and Toltec to the Aztec and Maya. Furthermore, thousands of people still gather in the ruins of Mesoamerican cities, even as researchers learn more about the civilizations that continue to fascinate modern societies. To the Aztec, Huitzilopochtli wore a blue-green hummingbird helmet and was draped in pure white heron feathers. He carried a smoking mirror, an obsidian mirror, a shield, darts, and the serpent Xiuhcoatl that carried with it the fury and might of the sun. Everything about him - from his clothes to his weapons - emanated and defined royalty. His name meant Hummingbird of the South or Hummingbird of the Left (meaning the "Southern Part of the World") in the native language of the Aztec, Nahuatl. In his kingly role he was not only irrevocably intertwined with war and conquest but also with trade, the things most important to the great Aztec Empire. He was as bloodthirsty as he was just, and he was the pillar of Aztec society from its mythical beginnings to its tragic end. The wonderful thing about Huitzilopochtli is that his position in the Aztec pantheon of gods is difficult to define, far more than it would be to define the roles of Zeus, Jupiter, or Odin. Huitzilopochtli was the patron god of the Aztec, but modern scholars tend to think of his importance in terms of scaled growth from (possibly) a mortal man of great acclaim to the god whose temple was at the heart of the Aztec empire. His myth not only formed the basis of some of the more honored and bloody rituals performed by the Aztec, but actually influenced the modern-day Mexican coat of arms that can be found on the national flag. Huitzilopochtli: The History of the Aztec God of War and Human Sacrifice examines the origins of the deity and his place in the pantheon of gods. Along with pictures of important people, places, and events, you will learn about Huitzilopochtli like never before.

Author: David Carrasco
Publisher:
ISBN: 9780870816376
Category : Indians of Mexico
Languages : en
Pages : 0

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For more than a millennium the great Mesoamerican city of Teotihuacan (c. 150 B.C.E. - 750 C.E.) has been imagined and reimagined by a host of subsequent cultures, including our own. Mesoamerica's Classic Heritage engages the subject of the unity and diversity of pre-Hispanic Mesoamerica by focusing on the classic heritage of this ancient city. This new volume is the product of several years of research by members of Princeton University's Moses Mesoamerican Archive and Research Project and Mexico's Proyecto Teotihuacán. Offering a variety of disciplinary perspectives - including the history of religions, anthropology, archaeology, and art history - and a wealth of new data, Mesoamerica's Classic Heritage examines Teotihuacan's rippling influence across Mesoamerican time and space, including important patterns of continuity and change, and its relationships, both historical and symbolic, with Tenochtitlan, Cholula, and various Maya communities. The contributors to Mesoamerica's Classic Heritage offer a wide range of individual interpretations, but they agree that Teotihuacan, more than any other pre-Hispanic center, was a paradigmatic source that formed the art and architecture, cosmology and ritual life, and conceptions of urbanism and political authority for significant parts of the Mesoamerican world. This great city achieved the prestige of being the site of the creation of the cosmos and of effective social and political space in Mesoamerica through its capacity to symbolize, perform, and export its imperial authority. These essays reveal the different ways in which Teotihuacan's classic heritage both fed and fed on the dynamic interactivity of the entire area. Whether or not a paradigm shift in Mesoamerican studies is taking place, certainly a new contextual understanding of Teotihuacan and the diversities and unities of Mesoamerica is emerging in these pages.