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Author: Henry Nettleship Publisher: Cambridge University Press ISBN: 1108012450 Category : Foreign Language Study Languages : en Pages : 402
Book Description
The celebrated classical scholar and lexicographer Henry Nettleship (1839-1893) published this volume in 1885 while he was Professor of Latin at Corpus Christi College, Oxford. The volume is a revised collection of his published articles up to 1884 on the topic of Latin literature, along with a number of his unpublished lectures given in Oxford between 1884 and 1878. The volume includes an essay on the German philologist Moritz Haupt (1808-1874); early Italian civilization and literature; the Latin authors Cicero, Catullus, Virgil, and Horace; the Latin grammarians Nonius Marcellus, Verrius Flaccus and Aulus Gellius; and reviews of text-critical editions of Latin works such as Georg Thilo's edition of Servius Maurus Honoratus' complete works (1878-1902). This collection of essays and lectures is a valuable source for the theories and ideas of a nineteenth-century Latinist who continues to influence Latin scholarship.
Author: Henry Nettleship Publisher: Cambridge University Press ISBN: 1108012450 Category : Foreign Language Study Languages : en Pages : 402
Book Description
The celebrated classical scholar and lexicographer Henry Nettleship (1839-1893) published this volume in 1885 while he was Professor of Latin at Corpus Christi College, Oxford. The volume is a revised collection of his published articles up to 1884 on the topic of Latin literature, along with a number of his unpublished lectures given in Oxford between 1884 and 1878. The volume includes an essay on the German philologist Moritz Haupt (1808-1874); early Italian civilization and literature; the Latin authors Cicero, Catullus, Virgil, and Horace; the Latin grammarians Nonius Marcellus, Verrius Flaccus and Aulus Gellius; and reviews of text-critical editions of Latin works such as Georg Thilo's edition of Servius Maurus Honoratus' complete works (1878-1902). This collection of essays and lectures is a valuable source for the theories and ideas of a nineteenth-century Latinist who continues to influence Latin scholarship.
Author: Publisher: ISBN: Category : Bibliography Languages : en Pages : 1810
Book Description
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Author: Charles Martindale Publisher: Oxford University Press ISBN: 0191091340 Category : Literary Collections Languages : en Pages : 397
Book Description
Pater the Classicist is the first book to address in detail Walter Pater's important contribution to the study of classical antiquity. Widely considered our greatest aesthetic critic and now best known as a precursor to modernist writers and post-modernist thinkers of the twentieth century, Pater was also a classicist by profession who taught at the University of Oxford. He wrote extensively about Greek art and philosophy, but also authored an influential historical novel set in ancient Rome, Marius the Epicurean, and a variety of short stories depicting the survival of classical culture in later ages. These superficially diverging interests actually went closely hand-in-hand: it can plausibly be asserted that it is the classical tradition in its broadest sense, including the question of how to understand its workings and temporalities, which forms Pater's principal subject as a writer. Although he initially approached antiquity obliquely, through the Italian Renaissance, for example, or the poetry of William Morris, later in his career he wrote more, and more directly, about the ancient world, and particularly about Greece, his first love. The essays in this collection cover all his major works and reveal a many-sided and inspirational figure, whose achievements helped to reinvigorate the classical studies that were the basis of the English educational system of the nineteenth century, and whose conception of Classics as cross-disciplinary and outward-looking can be a model to scholars and students today. They discuss his classicism generally, his fiction set in classical antiquity, his writings on Greek art and culture, and those on ancient philosophy, and in doing so they also illuminate Pater's position within his Victorian context, among figures such as J. A. Symonds, Henry Nettleship, Vernon Lee, and Jane Harrison, as well as his place in the study and reception of Classics today.
Author: Publisher: Bloomsbury Publishing ISBN: 1472537815 Category : Foreign Language Study Languages : en Pages : 286
Book Description
Oxford, the home of lost causes, the epitome of the world of medieval and renaissance learning in Britain, has always fascinated at a variety of levels: social, institutional, cultural. Its rival, Cambridge, was long dominated by mathematics, while Oxford's leading study was Classics. In this pioneering book, 16 leading authorities explore a variety of aspects of Oxford Classics in the last two hundred years: curriculum, teaching and learning, scholarly style, publishing, gender and social exclusion and the impact of German scholarship. Greats (Literae Humaniores) is the most celebrated classical course in the world: here its early days in the mid-19th century and its reform in the late 20th are discussed, in the latter case by those intimately involved with the reforms. An opening chapter sets the scene by comparing Oxford with Cambridge Classics, and several old favourites are revisited, including such familiar Oxford products as Liddell and Scott's "Greek-English Lexicon", the "Oxford Classical Texts", and Zimmern's "Greek Commonwealth". The book as a whole offers a pioneering, wide-ranging survey of Classics in Oxford.
Author: Giancarlo Frosio Publisher: Edward Elgar Publishing ISBN: 1788114183 Category : Copyright Languages : en Pages : 480
Book Description
Reconciling Copyright with Cumulative Creativity: The Third Paradigm examines the long history of creativity, from cave art to digital remix, in order to demonstrate a consistent disparity between the traditional cumulative mechanics of creativity and modern copyright policies. Giancarlo Frosio calls for the return of creativity to an inclusive process, so that the first (pre-modern imitative and collaborative model) and second (post-Romantic copyright model) creative paradigms can be reconciled into an emerging third paradigm which would be seen as a networked peer and user-based collaborative model.
Author: Henry Nettleship
Author: Henry Nettleship
Author: Henry Nettleship
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Author: Charles Martindale
Author: Henry Nettleship
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Author: Giancarlo Frosio
Author: Frank M. Turner