Classical Chinese Literature: From antiquity to the Tang dynasty PDF Download

Author: John Minford
Publisher: Columbia University Press
ISBN: 9780231096775
Category : Education
Languages : en
Pages : 1252

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Book Description
Contains English translations of Chinese writings drawn from throughout a period of four hundred years, including poems, drama, fiction, songs, biographies, and early works of philosophy and history; arranged chronologically and by genre, with introductory quotes and comments.

Author:
Publisher: Odile Jacob
ISBN: 2738185940
Category :
Languages : en
Pages : 321

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Author: Jun Xu
Publisher: Springer Nature
ISBN: 981976386X
Category :
Languages : en
Pages : 279

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Author: Tak-hung Leo Chan
Publisher: Rodopi
ISBN: 9789042008151
Category : Chinese language
Languages : en
Pages : 374

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Book Description
This is the first anthology of its kind in English that deals in depth with the translation of Chinese texts, literary and philosophical, into a host of Western and Asian languages: English, French, German, Dutch, Italian, Spanish, Swedish, Hebrew, Slovak and Korean. After an introduction by the editor, in which multiple translations are compared to the many lives lived by the original in its new incarnations, 13 articles are presented in 3 sections.

Author: Derrick de Kerckhove
Publisher: Springer Science & Business Media
ISBN: 3662010933
Category : Psychology
Languages : en
Pages : 466

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Book Description
This book is a consequence of the suggestion that a major key to ward understanding cognition in any advanced culture is to be found in the relationships between processing orthographies, lan guage, and thought. In this book, the contributors attempt to take only the first step, namely to ascertain that there are reliable con stancies among the interactions between a given type of writing and specific brain processes. And, among the possible brain processes that could be investigated, only one apparently simple issue is being explored: namely, whether the lateralization of reading and writing to the right in fully phonemic alphabets is the result of formalized but essentially random occurrences, or whether some physiological determinants are at play. The original project was much more complicated. It began with Derrick de Kerckhove's attempt to establish a connection between the rise of the alphabetic culture in Athens and the development of a theatrical tradition in that city from around the end of the 6th century B. c. to the Roman conquest. The underlying assumption, first proposed in a conversation with Marshall McLuhan, was that the Greek alphabet was responsible for a fundamental change in the psychology of the Athenians and that the creation of the great tragedies of Greek theatre was a kind of cultural response to a con dition of deep psychological crisis.

Author: Kate Rose
Publisher: Cambridge Scholars Publishing
ISBN: 1443892025
Category : History
Languages : en
Pages : 260

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Book Description
What is Comparative Sinology? China from Where We Stand brings together powerful, diverse voices to define the boundaries and possibilities of this new field, providing a range of perspectives – insider, outsider and in-between – with China at the center. This exemplifies a new China: progressive, outward-looking, yet reflective. Comparative Sinology studies how China has been studied. In today’s global world of hybrid, hyphenated identities, such studies cannot be confined to how non-Chinese study China. What does it mean to be Chinese? Where does it start? Where does it end? Like the related disciplines of China Studies and National Studies, Comparative Sinology is interdisciplinary. Though the four parts of this book represent Philosophy, Literature, History, and Culture, all articles could fit in at least two of these categories. This book redefines the boundaries of traditional academic study, including the subject position, as it is essential, when trying to understand China and its place in the world today, to look at the place of each one of us. Personal connections may be explicit or implicit; but every author here is passionate and personally connected to the work that he or she does, and to China’s future. The practical and intellectual possibilities of this discipline are vast and varied, and this book offers a potential springboard for such ideas.

Author: Nina Parish
Publisher: Rodopi
ISBN: 9042022701
Category : Literary Criticism
Languages : en
Pages : 348

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Book Description
Henri Michaux is both a recognised poet and visual artist, arguably one of the greatest 'double artists' of the twentieth century. This book presents the first detailed examination of a particular interdisciplinary aspect of his production, namely, the innovative experimentation with signs contained in four works: Mouvements, Par la voie des rythmes, Saisir and Par des traits. Questions arise concerning their literary and visual status as, in their attempt to render interior rhythm and dynamism, they occupy an interstitial space between writing and drawing, between the book and the canvas, between the Western alphabet and Chinese characters. This study addresses these questions by analysing the conception, production and reception of Michaux's signs and the literary and artistic contexts in which they were produced.

Author: Chris Andrews
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228012430
Category : Literary Criticism
Languages : en
Pages : 376

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Book Description
The Oulipo (Ouvroir de littérature potentielle, or Workshop for Potential Literature) is a literary think tank that brings together writers and mathematicians. Since 1960, its worldwide influence has refreshed ways of making and thinking about literature. How to Do Things with Forms assesses the work of the group, explores where it came from, and envisages its future. Redefining the Oulipo’s key concept of the constraint in a clear and rigorous way, Chris Andrews weighs the roles of craft and imitation in the group’s practice. He highlights the importance of translation for the Oulipo’s writers, explaining how their new forms convey meanings and how these famously playful authors are also moved by serious concerns. Offering fresh interpretations of emblematic Oulipian works such as Georges Perec’s Life: A User’s Manual, Andrews also examines lesser-known texts by Jacques Roubaud, Anne F. Garréta, and Michelle Grangaud. How to Do Things with Forms addresses questions of interest to anyone involved in the making of literature, illuminating how writers decide when to stop revising, the risks and benefits of a project mentality in creative writing, and ways of holding a reader’s interest for as long as possible.

Author: Gloria Bien
Publisher: University of Delaware
ISBN: 1611493900
Category : Literary Criticism
Languages : en
Pages : 305

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Book Description
Baudelaire's work entered China in the twentieth century amidst political and social upheavals accompanied by a "literary revolution" that called for classical models and modes of expression to be replaced by vernacular language and contemporary content. Chinese writers welcomed their meeting with the West and openly embraced Western literature as providing models in developing their "new" literature. Baudelaire's reception in China provides a representative study of this "meeting of East and west." His work, which has been declared to stand between tradition and modernity, also lies at the intersection between classical and modern literature in China. Many of the best known and most highly regarded writers in twentieth-century China were drawn to Baudelaire's work, and some addressed it directly in their own writings. Bien draws upon H.R. Jauss's theory of the shifting and expanding horizons of expectation in the reading and interpretation of a literary work, and upon James J.Y. Lin's notion of "worlds" received and created by both author and reader, to show how poetic lines, images, and ideas, as well as Chinese critics' comments, eventually weave into a rich picture of Baudelaire's reception in China.

Author: Eugene Eoyang
Publisher: Bloomsbury Publishing USA
ISBN: 1441174842
Category : Literary Criticism
Languages : en
Pages : 257

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Book Description
The Promise and Premise of Creativity considers literature in the larger context of globalization and "the clash of cultures." Refuting the view that the study of literature is "useless," Eoyang argues that it expands three distinct intellectual skills: creative imagination, vicarious sympathy, and capacious intuition. With the advent of the personal computer and the blurring of cultural and economic boundaries, it is the ability to imagine, to intuit, and to invent that will mark the educated student, and allow her to survive the rapid pace of change. As never before, the ability to empathize with other peoples, to understand cultures very different from one's own, is vital to success in a globalized world. In this, the very "uselessness" of literature may inure the mind to think creatively. Engaging with both the theory and practice of literature, its past and its potential future, Eoyang claims that our sense of the world at large, of the salient similarities and differences between cultures, would be critically diminished without comparative literature.