Author:
Publisher: Penguin
ISBN: 9781592572106
Category : Music
Languages : en
Pages : 268
Book Description
Describes how to improvise melodies over any chord progression, covering such topics as the chord theory, phrasing, melodies, scales, soloing, articulations, and rhythms.
Complete Idiot's Guide to Solos and Improvisation
Author:
Publisher: Penguin
ISBN: 9781592572106
Category : Music
Languages : en
Pages : 268
Book Description
Describes how to improvise melodies over any chord progression, covering such topics as the chord theory, phrasing, melodies, scales, soloing, articulations, and rhythms.
Publisher: Penguin
ISBN: 9781592572106
Category : Music
Languages : en
Pages : 268
Book Description
Describes how to improvise melodies over any chord progression, covering such topics as the chord theory, phrasing, melodies, scales, soloing, articulations, and rhythms.
Bass Guitar For Dummies
Author: Patrick Pfeiffer
Publisher: John Wiley & Sons
ISBN: 047060381X
Category : Music
Languages : en
Pages : 363
Book Description
Updated with the latest bass guitar technology, accessories, and more The bass is the heart of music. So leave center stage to the other musicians-you have more important work to do. You can find everything you need to dominate bass in Bass Guitar For Dummies, 2nd Edition. You'll get expert advice on the basics, like deciding what kind of bass to pick up and which accessories are necessary and which are just nice to have. Plus, you'll get step-by-step instructions for getting started, from how to hold and position your bass to reading notation and understanding chords, scales, and octaves to playing solos and fills. New coverage of slaps, double stops, de-tuning, and fretless techniques New musical exercises as well as updates to charts, illustrations, photos, and resources Whether you're a beginner picking up a bass for the first time or an experienced player looking to improve your skills, Bass Guitar For Dummies, 2nd Edition is an easy-to-follow reference that gives you just enough music theory to get you going on your way fast!
Publisher: John Wiley & Sons
ISBN: 047060381X
Category : Music
Languages : en
Pages : 363
Book Description
Updated with the latest bass guitar technology, accessories, and more The bass is the heart of music. So leave center stage to the other musicians-you have more important work to do. You can find everything you need to dominate bass in Bass Guitar For Dummies, 2nd Edition. You'll get expert advice on the basics, like deciding what kind of bass to pick up and which accessories are necessary and which are just nice to have. Plus, you'll get step-by-step instructions for getting started, from how to hold and position your bass to reading notation and understanding chords, scales, and octaves to playing solos and fills. New coverage of slaps, double stops, de-tuning, and fretless techniques New musical exercises as well as updates to charts, illustrations, photos, and resources Whether you're a beginner picking up a bass for the first time or an experienced player looking to improve your skills, Bass Guitar For Dummies, 2nd Edition is an easy-to-follow reference that gives you just enough music theory to get you going on your way fast!
AP Music Theory
Author: Nancy Fuller Scoggin
Publisher: Barrons Educational Series
ISBN: 1506264093
Category : Study Aids
Languages : en
Pages : 757
Book Description
The College Board has announced that there are May 2021 test dates available are May 3-7 and May 10-14, 2021. In-depth preparation for the AP Music Theory exam features: Two full-length practice tests (including aural and non-aural sections and free-response) All questions answered and explained Helpful strategies for test-taking success, including all seven free-response questions In-depth review chapters covering course content, including music fundamentals, harmonic organization, harmonic progression, melodic composition and dictation, harmonic dictation, visual score analysis, and much more The downloadable audio provides aural skill development prompts for both practice tests' aural sections, as well as material that complements exercises and examples in the subject review chapters.
Publisher: Barrons Educational Series
ISBN: 1506264093
Category : Study Aids
Languages : en
Pages : 757
Book Description
The College Board has announced that there are May 2021 test dates available are May 3-7 and May 10-14, 2021. In-depth preparation for the AP Music Theory exam features: Two full-length practice tests (including aural and non-aural sections and free-response) All questions answered and explained Helpful strategies for test-taking success, including all seven free-response questions In-depth review chapters covering course content, including music fundamentals, harmonic organization, harmonic progression, melodic composition and dictation, harmonic dictation, visual score analysis, and much more The downloadable audio provides aural skill development prompts for both practice tests' aural sections, as well as material that complements exercises and examples in the subject review chapters.
AP Music Theory Premium, Fifth Edition: 2 Practice Tests + Comprehensive Review + Online Audio
Author: Nancy Fuller Scoggin
Publisher: Simon and Schuster
ISBN: 1506288030
Category : Music
Languages : en
Pages : 757
Book Description
For moe than 80 years, BARRON's has been helping students achieve their goals. Prep for the AP® Music Theory exam with trusted review from our experts.
Publisher: Simon and Schuster
ISBN: 1506288030
Category : Music
Languages : en
Pages : 757
Book Description
For moe than 80 years, BARRON's has been helping students achieve their goals. Prep for the AP® Music Theory exam with trusted review from our experts.
The Craft of Musical Composition
Author: Paul Hindemith
Publisher: Schott Music
ISBN: 3795732158
Category : Music
Languages : en
Pages : 239
Book Description
Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician. Parts 1 and 2 of "Unterweisung im Tonsatz" were already translated into English during Hindemith's lifetime, when he was in exile in America during the Nazi era. The long-awaited translation of Part 3 with exercises for three-part composition completes the English edition "The Craft of Musical Composition".
Publisher: Schott Music
ISBN: 3795732158
Category : Music
Languages : en
Pages : 239
Book Description
Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician. Parts 1 and 2 of "Unterweisung im Tonsatz" were already translated into English during Hindemith's lifetime, when he was in exile in America during the Nazi era. The long-awaited translation of Part 3 with exercises for three-part composition completes the English edition "The Craft of Musical Composition".
Chromaticism
Author: Vladimir Barsky
Publisher: Routledge
ISBN: 1134366051
Category : Performing Arts
Languages : en
Pages : 230
Book Description
Musical practices in the 20th century pose new and complex problems in the study of the fundamental principles of pitch organization. The analysis of basic harmonic categories, one of which is chromaticism, acquires particular importance as a means of restoring time, which has gone out of joint and identifying the logical principles in the historical process of musical development. Vladimir Barsky, in his thoroughly researched and clearly written guide, traces the progress of the concept of chromaticism throughout Western musical history, and recreates an integrated logical and historical perspective in order to make a specific study of this key subject. He identifies the dynamics of the changing historical theories of chromaticism and relates these to musical practices, applying them to the analysis of current pitch systems. This book will be an invaluable tool for readers whose aim is to come nearer to comprehending the idioms of 20th century music.
Publisher: Routledge
ISBN: 1134366051
Category : Performing Arts
Languages : en
Pages : 230
Book Description
Musical practices in the 20th century pose new and complex problems in the study of the fundamental principles of pitch organization. The analysis of basic harmonic categories, one of which is chromaticism, acquires particular importance as a means of restoring time, which has gone out of joint and identifying the logical principles in the historical process of musical development. Vladimir Barsky, in his thoroughly researched and clearly written guide, traces the progress of the concept of chromaticism throughout Western musical history, and recreates an integrated logical and historical perspective in order to make a specific study of this key subject. He identifies the dynamics of the changing historical theories of chromaticism and relates these to musical practices, applying them to the analysis of current pitch systems. This book will be an invaluable tool for readers whose aim is to come nearer to comprehending the idioms of 20th century music.
Prosodic Typology
Author: Sun-Ah Jun
Publisher:
ISBN: 0199208743
Category : Arnhem Land (N.T.)
Languages : en
Pages : 475
Book Description
This book illustrates an approach to prosodic typology through descriptions of the intonation and the prosodic structure of thirteen typologically different languages based on the same theoretical framework, the 'autosegmental-metrical' model of intonational phonology, and the transcriptionsystem of prosody known as Tones and Break Indices (ToBI). It is the first book introducing the history and principles of this system and it covers European languages, Asian languages, an Australian aboriginal language, and an American Indian language. The book shows how languages and dialects aresimilar to or different from other languages or dialect varieties in terms of the prosodic structure, the intonational categories, and their realizations. This is the first book on intonation which is accompanied by a CD-ROM where sound files mentioned in each chapter are stored.
Publisher:
ISBN: 0199208743
Category : Arnhem Land (N.T.)
Languages : en
Pages : 475
Book Description
This book illustrates an approach to prosodic typology through descriptions of the intonation and the prosodic structure of thirteen typologically different languages based on the same theoretical framework, the 'autosegmental-metrical' model of intonational phonology, and the transcriptionsystem of prosody known as Tones and Break Indices (ToBI). It is the first book introducing the history and principles of this system and it covers European languages, Asian languages, an Australian aboriginal language, and an American Indian language. The book shows how languages and dialects aresimilar to or different from other languages or dialect varieties in terms of the prosodic structure, the intonational categories, and their realizations. This is the first book on intonation which is accompanied by a CD-ROM where sound files mentioned in each chapter are stored.
CAGEDrules! Volume 2
Author: Robert "Landy" Landinger
Publisher: BoD – Books on Demand
ISBN: 3757882636
Category : Music
Languages : en
Pages : 224
Book Description
How can you learn your guitar's fretboard without thinking so that you can play melodies, chords, and solos to always fit the style musically? Robert "Landy" Landinger, author of this book, was looking for a corresponding method since he first started playing the guitar. He focused on guitar greats like Jimi Hendrix and Django Reinhardt and discovered the CAGED system which relies exclusively on the basic chords. With this volume, there is finally a book for everyone to learn this ingenious system quickly and effortlessly and master the classic chords on the guitar. Whether you're a singer-songwriter or a folk, metal, jazz or blues guitarist, this book will give you the tools you need to become a CAGED specialist. Content: Minor, Diminished, Augmented Shapes Minor, Diminished, Augmented Arpeggios Minor Pentatonic Natural Minor Scale Harmonic Minor Scale Melodic Minor Scale Comparison of the Shapes Stepchords
Publisher: BoD – Books on Demand
ISBN: 3757882636
Category : Music
Languages : en
Pages : 224
Book Description
How can you learn your guitar's fretboard without thinking so that you can play melodies, chords, and solos to always fit the style musically? Robert "Landy" Landinger, author of this book, was looking for a corresponding method since he first started playing the guitar. He focused on guitar greats like Jimi Hendrix and Django Reinhardt and discovered the CAGED system which relies exclusively on the basic chords. With this volume, there is finally a book for everyone to learn this ingenious system quickly and effortlessly and master the classic chords on the guitar. Whether you're a singer-songwriter or a folk, metal, jazz or blues guitarist, this book will give you the tools you need to become a CAGED specialist. Content: Minor, Diminished, Augmented Shapes Minor, Diminished, Augmented Arpeggios Minor Pentatonic Natural Minor Scale Harmonic Minor Scale Melodic Minor Scale Comparison of the Shapes Stepchords
Music Psychology
Author: Ernst Kurth
Publisher: Routledge
ISBN: 1315307898
Category : Music
Languages : en
Pages : 296
Book Description
The first edition of Ernst Kurth’s Musikpsychologie appeared in 1931, and was regarded by contemporaneous psychologists as no less than the foundation for a new systematic approach to the perception and cognition of music. Time has hardly diminished Kurth’s standing as an original scholar with a distinctive point of view. Music theorists, both in Europe and North America, regard him as an important figure in the history of music theory. Daphne Tan and Christoph Neidhöfer’s first full translation provides English-speaking theorists the opportunity to delve deeper into his ideas. Indeed, Kurth’s concerns – listening habits and habituation, metaphorical language, the limits of memory, and the role of the body in music experience, to name a few – are shared by many in the field today, especially scholars who work at the intersections of music theory, psychology, linguistics, and related disciplines. And while Kurth’s approach lacks the scientific rigour of modern-day empirical musicology, Musikpsychologie nevertheless presents a source of testable hypotheses for those working in the area of music perception and cognition. This translation of Musikpsychologie also has the potential to inspire a new generation of composers, especially through the topics in the second section (energy, force, space, and matter) and, given the inherently interdisciplinary nature of this book and the number of philosophical and scientific sources Kurth incorporates, it will appeal to those interested in the history of science and particularly in the emergence of psychology as an academic discipline in the early 20th century.
Publisher: Routledge
ISBN: 1315307898
Category : Music
Languages : en
Pages : 296
Book Description
The first edition of Ernst Kurth’s Musikpsychologie appeared in 1931, and was regarded by contemporaneous psychologists as no less than the foundation for a new systematic approach to the perception and cognition of music. Time has hardly diminished Kurth’s standing as an original scholar with a distinctive point of view. Music theorists, both in Europe and North America, regard him as an important figure in the history of music theory. Daphne Tan and Christoph Neidhöfer’s first full translation provides English-speaking theorists the opportunity to delve deeper into his ideas. Indeed, Kurth’s concerns – listening habits and habituation, metaphorical language, the limits of memory, and the role of the body in music experience, to name a few – are shared by many in the field today, especially scholars who work at the intersections of music theory, psychology, linguistics, and related disciplines. And while Kurth’s approach lacks the scientific rigour of modern-day empirical musicology, Musikpsychologie nevertheless presents a source of testable hypotheses for those working in the area of music perception and cognition. This translation of Musikpsychologie also has the potential to inspire a new generation of composers, especially through the topics in the second section (energy, force, space, and matter) and, given the inherently interdisciplinary nature of this book and the number of philosophical and scientific sources Kurth incorporates, it will appeal to those interested in the history of science and particularly in the emergence of psychology as an academic discipline in the early 20th century.
The Perception of Music
Author: Robert Frances
Publisher: Psychology Press
ISBN: 1317767543
Category : Psychology
Languages : en
Pages : 390
Book Description
This translation of this classic text contains a balance of cultural and biological considerations. While arguing for the strong influence of exposure and of formal training on the way that music is perceived, Frances draws on the literature concerning the amusias to illustrate his points about the types of cognitive abstraction that are performed by the listener.
Publisher: Psychology Press
ISBN: 1317767543
Category : Psychology
Languages : en
Pages : 390
Book Description
This translation of this classic text contains a balance of cultural and biological considerations. While arguing for the strong influence of exposure and of formal training on the way that music is perceived, Frances draws on the literature concerning the amusias to illustrate his points about the types of cognitive abstraction that are performed by the listener.