Author: Charles Nisard
Publisher:
ISBN:
Category : Almanacs
Languages : en
Pages : 514
Book Description
Histoire Des Livres Populaires, Ou, de la Littérature Du Colportage, Depuis L'origine de L'imprimerie Jusqu'à L'établissement de la Commission D'examen Des Livres Du Colportage--30 Novembre 1852
Chrétien de Troyes
Author: Douglas Kelly
Publisher: Tamesis Books
ISBN: 9781855660830
Category : Biography & Autobiography
Languages : en
Pages : 600
Book Description
The supplement to the 1976 original bibliography reflects the expanding scope of modern Chrétien studies, including items from around the world, with the assistance of an international team of scholars. The Supplement builds on and completes the Chrétien de Troyes Bibliography first published in 1976. Together the two volumes constitute the fullest and most complete bibliographical source now available on this major medieval author. Chrétien de Troyes bequeathed a corpus of highly original and widely influential Arthurian romances. Indeed, his direct or indirect influence continued throughout the middle ages and beyond into modern times. The Bibliographypermits students of medieval romance to quickly identify the areas in which Chrétien scholarship has been active. Items are listed under twenty-two topics, with numerous sub-sections under each topic, and cross-references for items that treat more than one of the topics. The broad geographic and linguistic scope of modern Chrétien studies is evident in items not only from western Europe and North America, but also from the growing body of medieval scholarship in eastern Europe, Asia, Africa, South America, and Australasia. To ensure accuracy and completeness, the editor has been assisted by scholars competent in the many languages in which Chrétien studies are now published, most notably in Japanese, Welsh, Rumanian, Hungarian and Polish, as well as by other scholars and librarians who generously provided assistance and information in finding items difficult to access.
Publisher: Tamesis Books
ISBN: 9781855660830
Category : Biography & Autobiography
Languages : en
Pages : 600
Book Description
The supplement to the 1976 original bibliography reflects the expanding scope of modern Chrétien studies, including items from around the world, with the assistance of an international team of scholars. The Supplement builds on and completes the Chrétien de Troyes Bibliography first published in 1976. Together the two volumes constitute the fullest and most complete bibliographical source now available on this major medieval author. Chrétien de Troyes bequeathed a corpus of highly original and widely influential Arthurian romances. Indeed, his direct or indirect influence continued throughout the middle ages and beyond into modern times. The Bibliographypermits students of medieval romance to quickly identify the areas in which Chrétien scholarship has been active. Items are listed under twenty-two topics, with numerous sub-sections under each topic, and cross-references for items that treat more than one of the topics. The broad geographic and linguistic scope of modern Chrétien studies is evident in items not only from western Europe and North America, but also from the growing body of medieval scholarship in eastern Europe, Asia, Africa, South America, and Australasia. To ensure accuracy and completeness, the editor has been assisted by scholars competent in the many languages in which Chrétien studies are now published, most notably in Japanese, Welsh, Rumanian, Hungarian and Polish, as well as by other scholars and librarians who generously provided assistance and information in finding items difficult to access.
The Documentary Imagination in Twentieth-Century French Literature
Author: Alison James
Publisher: Oxford University Press
ISBN: 0192603493
Category : Literary Criticism
Languages : en
Pages : 403
Book Description
The Documentary Imagination in Twentieth-Century French Literature identifies a documentary impulse in French literature that emerges at the end of the nineteenth century and culminates in a proliferation of factual writings in the twenty-first. Focusing on the period bookended by these two moments, it highlights the enduring concern with factual reference in texts that engage either with current events or the historical archive. Specifically, it considers a set of ideas and practices centered on the conceptualization and use of documents. In doing so, it contests the widespread narrative that twentieth-century French literature abandons the realist enterprise, and argues that writers instead renegotiate the realist legacy outside, or at the margins of, the fictional space of the novel. Analyzing works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, the book defines a specific documentary mode of literary representation that records, assembles, and investigates material traces of reality. The document is a textual, visual, or material piece of evidence repurposed through its visual insertion, textual transcription, or description within a literary work. It is a fact, but it also becomes a figure, standing for literature's confrontation with the real. The documentary imagination involves a fantasy of direct access to a reality that speaks for itself. At the same time, it gives rise to concrete textual practices that open up new directions for literature, by interrogating the construction and interpretation of facts.
Publisher: Oxford University Press
ISBN: 0192603493
Category : Literary Criticism
Languages : en
Pages : 403
Book Description
The Documentary Imagination in Twentieth-Century French Literature identifies a documentary impulse in French literature that emerges at the end of the nineteenth century and culminates in a proliferation of factual writings in the twenty-first. Focusing on the period bookended by these two moments, it highlights the enduring concern with factual reference in texts that engage either with current events or the historical archive. Specifically, it considers a set of ideas and practices centered on the conceptualization and use of documents. In doing so, it contests the widespread narrative that twentieth-century French literature abandons the realist enterprise, and argues that writers instead renegotiate the realist legacy outside, or at the margins of, the fictional space of the novel. Analyzing works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, the book defines a specific documentary mode of literary representation that records, assembles, and investigates material traces of reality. The document is a textual, visual, or material piece of evidence repurposed through its visual insertion, textual transcription, or description within a literary work. It is a fact, but it also becomes a figure, standing for literature's confrontation with the real. The documentary imagination involves a fantasy of direct access to a reality that speaks for itself. At the same time, it gives rise to concrete textual practices that open up new directions for literature, by interrogating the construction and interpretation of facts.
French XX Bibliography
Author: William J. Thompson
Publisher: Associated University Presse
ISBN: 9781575911045
Category : Literary Criticism
Languages : en
Pages : 412
Book Description
Provides a listing available of books, articles, and book reviews concerned with French literature since 1885. This work is a reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema.
Publisher: Associated University Presse
ISBN: 9781575911045
Category : Literary Criticism
Languages : en
Pages : 412
Book Description
Provides a listing available of books, articles, and book reviews concerned with French literature since 1885. This work is a reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema.
The Conscience of Humankind
Author:
Publisher: BRILL
ISBN: 9004484086
Category : Literary Criticism
Languages : en
Pages : 431
Book Description
The traumatic experiences of persecution and genocide have changed traditional views of literature. The discussion of historical truth versus aesthetic autonomy takes an unexpected turn when confronted with the experiences of the victims of the Holocaust, the Gulag Archipelago, the Cultural Revolution, Apartheid and other crimes against humanity. The question is whether - and, if so, to what extent - literary imagination may depart from historical truth. In general, the first reactions to traumatic historical experiences are autobiographical statements, written by witnesses of the events. However, the second and third generations, the sons and daughters of the victims as well as of the victimizers, tend to free themselves from this generic restriction and claim their own way of remembering the history of their parents and grandparents. They explore their own limits of representation, and feel free to use a variety of genres; they turn to either realist or postmodernist, ironic or grotesque modes of writing.
Publisher: BRILL
ISBN: 9004484086
Category : Literary Criticism
Languages : en
Pages : 431
Book Description
The traumatic experiences of persecution and genocide have changed traditional views of literature. The discussion of historical truth versus aesthetic autonomy takes an unexpected turn when confronted with the experiences of the victims of the Holocaust, the Gulag Archipelago, the Cultural Revolution, Apartheid and other crimes against humanity. The question is whether - and, if so, to what extent - literary imagination may depart from historical truth. In general, the first reactions to traumatic historical experiences are autobiographical statements, written by witnesses of the events. However, the second and third generations, the sons and daughters of the victims as well as of the victimizers, tend to free themselves from this generic restriction and claim their own way of remembering the history of their parents and grandparents. They explore their own limits of representation, and feel free to use a variety of genres; they turn to either realist or postmodernist, ironic or grotesque modes of writing.
The Unspeakable
Author: Amy L. Hubbell
Publisher: Cambridge Scholars Publishing
ISBN: 1443853321
Category : Literary Collections
Languages : en
Pages : 375
Book Description
The Unspeakable: Representations of Trauma in Francophone Literature and Art is situated at the crossroads of language, culture and genre; it contends that suffering transcends time, space and cultural specificity. Even when extreme trauma is silenced, it often still emerges in surprising and painful ways. This volume draws together examples from throughout the Francophone world, including countries such as Algeria, Morocco, Lebanon, Rwanda, Cameroon, Congo, Côte d’Ivoire, Haiti, New Caledonia, Quebec and France, and across genres such as autobiography, poetry, theater, film, fiction and visual art to provide a cohesive analysis of the representation of trauma. In addition to the survivors’ expression of trauma, the witnesses and receivers are also taken into account. By gathering studies that explore diverse bodily and psychological traumas through tropes such as repetition, silence and working-through, it tackles ethical responsibility and interrogates how expressive forms evoke a terrible reality through the use of imagination. The aim of this volume is not to question if suffering is representable, but rather to examine to what extent art surpasses its own limitations and goes straight to its essence. The Unspeakable hopes to provide models for the cultural translation of trauma, because, when represented and released from silence and isolation, trauma can give way to the arduous process of healing.
Publisher: Cambridge Scholars Publishing
ISBN: 1443853321
Category : Literary Collections
Languages : en
Pages : 375
Book Description
The Unspeakable: Representations of Trauma in Francophone Literature and Art is situated at the crossroads of language, culture and genre; it contends that suffering transcends time, space and cultural specificity. Even when extreme trauma is silenced, it often still emerges in surprising and painful ways. This volume draws together examples from throughout the Francophone world, including countries such as Algeria, Morocco, Lebanon, Rwanda, Cameroon, Congo, Côte d’Ivoire, Haiti, New Caledonia, Quebec and France, and across genres such as autobiography, poetry, theater, film, fiction and visual art to provide a cohesive analysis of the representation of trauma. In addition to the survivors’ expression of trauma, the witnesses and receivers are also taken into account. By gathering studies that explore diverse bodily and psychological traumas through tropes such as repetition, silence and working-through, it tackles ethical responsibility and interrogates how expressive forms evoke a terrible reality through the use of imagination. The aim of this volume is not to question if suffering is representable, but rather to examine to what extent art surpasses its own limitations and goes straight to its essence. The Unspeakable hopes to provide models for the cultural translation of trauma, because, when represented and released from silence and isolation, trauma can give way to the arduous process of healing.
De la litterature des Nègres
Author: Henri Grégoire
Publisher: Corinthian Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
Publisher: Corinthian Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
Mémoires Et Comptes Rendus de la Société Royale Du Canada
Author: Royal Society of Canada
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 890
Book Description
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 890
Book Description
Transactions of the Astronomical and Physical Society of Toronto
Author: Royal Astronomical Society of Canada
Publisher:
ISBN:
Category : Astronomy
Languages : en
Pages : 918
Book Description
Publisher:
ISBN:
Category : Astronomy
Languages : en
Pages : 918
Book Description
After the Ottomans
Author: Hans-Lukas Kieser
Publisher: Bloomsbury Publishing
ISBN: 0755649702
Category : Political Science
Languages : en
Pages : 305
Book Description
This book deals with the lasting impact and the formative legacy of removal, dispossession and the politics of genocide in the last decade of the Ottoman Empire. For understanding contemporary Turkey and the neighboring region, it is important to revisit the massive transformation of the late-Ottoman world caused by persistent warfare between 1912 and 1922. This fourth volume of a series focusing on the Ottoman Cataclysm looks at the century-long consequences and persistent implications of the Armenian genocide. It deals with the actions and words of the Armenians as they grappled with total destruction and tried to emerge from under it. Eleven scholars of history, anthropology, literature and political science explore the Ottoman Armenians not only as the major victims of the First World War and the post-war treaties, but also as agents striving for survival, writing history, transmitting the memory and searching for justice.
Publisher: Bloomsbury Publishing
ISBN: 0755649702
Category : Political Science
Languages : en
Pages : 305
Book Description
This book deals with the lasting impact and the formative legacy of removal, dispossession and the politics of genocide in the last decade of the Ottoman Empire. For understanding contemporary Turkey and the neighboring region, it is important to revisit the massive transformation of the late-Ottoman world caused by persistent warfare between 1912 and 1922. This fourth volume of a series focusing on the Ottoman Cataclysm looks at the century-long consequences and persistent implications of the Armenian genocide. It deals with the actions and words of the Armenians as they grappled with total destruction and tried to emerge from under it. Eleven scholars of history, anthropology, literature and political science explore the Ottoman Armenians not only as the major victims of the First World War and the post-war treaties, but also as agents striving for survival, writing history, transmitting the memory and searching for justice.