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Author: Richard J. A. Talbert Publisher: BRILL ISBN: 9004166637 Category : History Languages : en Pages : 341
Book Description
There was no sharp break between classical and medieval map making. Contributions by thirteen scholars offer fresh insight that demonstrates continuity and adaptation over the long term. This work reflects current thinking in the history of cartography and opens new directions for the future.
Author: Charles Insley Publisher: Oxbow Books Limited ISBN: 1785705008 Category : Social Science Languages : en Pages : 144
Book Description
The five authoritive papers presented here are the product of long careers of research into Anglo-Saxon culture. In detail the subject areas and approaches are very different, yet all are cross-disciplinary and the same texts and artefacts weave through several of them. Literary text is used to interpret both history and art; ecclesiastical-historical circumstances explain the adaptation of usage of a literary text; wealth and religious learning, combined with old and foreign artistic motifs are blended into the making of new books with multiple functions; religio-socio-economic circumstances are the background to changes in burial ritual. The common element is transformation, the Anglo-Saxon ability to rework older material for new times and the necessary adaptation to new circumstances. The papers originated as five recent Toller Memorial Lectures hosted by the Manchester Centre for Anglo-Saxon Studies (MANCASS).
Author: Éamonn Ó Carragáin Publisher: University of Toronto Press ISBN: 9780802090089 Category : History Languages : en Pages : 492
Book Description
In bringing together these scattered witnesses to the sustained brilliance of Anglo-Saxon artistic achievement across several centuries, ?amonn ? Carrag?in has produced a study of great significance to Anglo-Saxon history.
Author: Jennifer O'Reilly Publisher: Routledge ISBN: 1000008711 Category : History Languages : en Pages : 427
Book Description
When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. This volume brings together nine studies of the Insular Gospel Books. One of them, on the iconography of the St Gall Gospels (Essay 9), was left completed, but unpublished, on the author’s death. It appears here for the first time. The remaining studies, published between 1987 and 2013, examine certain themes and motifs that inform the Gospel Books: their implicit Christology, their harmonisation of the four Gospel accounts, the depiction of Christ crucified, and the portrayal of St John the Evangelist. Two of the Books, the Durham Gospels and the Gospels of Mael Brigte, receive particular attention. (CS1079).
Author: Alexandra Bergholm Publisher: Cambridge Scholars Publishing ISBN: 1443808768 Category : Body, Mind & Spirit Languages : en Pages : 315
Book Description
This publication is the first interdisciplinary collection of articles focusing on religion and mythology in Celtic studies. The first part presents various current viewpoints within the field from scholars of history, art history and literary studies. In addition to more traditional approaches, the other two parts of the book illustrate the possibilities of applying new theories and methods from the discipline of Comparative Religion to the analysis of Celtic materials. They introduce previously unpublished results of the international research network “The Power of Words in Traditional European Cultures”, and the research project “Religion, Society, and Culture: Defining the Sacred in Early Irish Literature” funded by the Academy of Finland at University of Helsinki. The present collection serves as a significant contribution towards a better understanding of issues that have not been previously brought together in a single volume. As such it is of interest to scholars in Celtic studies as well as other related disciplines.
Author: Publisher: BRILL ISBN: 9004467513 Category : History Languages : en Pages : 413
Book Description
The book examines the lived experience of worship in early medieval England and Ireland, ranging from public experience of church and stone sculptures, to monastic life, to personal contemplation of, and meditation on, manuscript illuminations and other devotional objects.
Author: Ildar H. Garipzanov Publisher: Oxford University Press ISBN: 0198815018 Category : History Languages : en Pages : 404
Book Description
Graphic Signs Of Authority in Late Antiquity and the Early Middle Ages presents a cultural history of graphic signs and examines how they were employed to communicate secular and divine authority in the late antique Mediterranean and early medieval Europe. Visual materials such as the sign of the cross, christograms, monograms, and other such devices, are examined against the backdrop of the cultural, religious, and socio-political transition from the late Graeco-Roman world to that of medieval Europe. This monograph is a synthetic study of graphic visual evidence from a wide range of material media that have rarely been studied collectively, including various mass-produced items and unique objects of art, architectural monuments and epigraphic inscriptions, as well as manuscripts and charters. This study promises to provide a timely reference tool for historians, art historians, archaeologists, epigraphists, manuscript scholars, and numismatists.
Author: Richard Hodges Publisher: Oxbow Books ISBN: 1785708708 Category : Social Science Languages : en Pages : 860
Book Description
Maskwork is a new way of looking at the art of masks and mask-making: a unique combination of ethnography, design and practical advice. Jenny Foreman's book for teachers and practitioners of drama, art, design and technology grew out of a research bursary from the UK's National Society for Education in Art and Design. They received her report with great enthusiasm as "one of the very best projects . . . likely to make a valuable and useful contribution" to both specific and cross-discipline school and college courses as well as to adult performing groups. The first part explains the anthropology, nature, use and meaning of masks around the world, from prehistory to modern times. Richly illustrated with colour and black-and-white photographs, this section introduces the ethical implications of free use of masks which have ethnographical connections - an important aspect completely neglected elsewhere. The second part comprises eight theme workshops, including theory, background and instructions for mask-making, supplemented by photographs of assembly and use by groups of people from all age-ranges. Materials are inexpensive and easy to acquire, while line drawings aid step-by-step construction. A bibliography and reference section helps readers go on to even greater understanding and achievements.