Author: Thomas Colley GRATTANPublisher:
ISBN:
Category :
Languages : en
Pages : 320
Book Description
Legends of the Rhine ... To which is Added: Lays and Legends of the Rhine by I. R. Planché
Author: Thomas Colley GRATTANPublisher:
ISBN:
Category :
Languages : en
Pages : 320
Book Description
Lays and Legends of the English Lake Country
Author: John Pagen WhitePublisher:
ISBN:
Category : Poetry
Languages : en
Pages : 368
Book Description
Lays, Legends, and Lyrics
Author: William Jackson BosomworthPublisher:
ISBN:
Category :
Languages : en
Pages : 216
Book Description
Catalogue of the Library of the Peabody Institute of the City of Baltimore ...
Author: Johns Hopkins University. Peabody Institute. LibraryPublisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 856
Book Description
Legends, Lay and Lyrics
Author: John Christopher FitzacharyPublisher:
ISBN:
Category :
Languages : en
Pages : 292
Book Description
Bulletin
Author: Boston Public LibraryPublisher:
ISBN:
Category : Boston (Mass.)
Languages : en
Pages : 430
Book Description
Quarterly accession lists; beginning with Apr. 1893, the bulletin is limited to "subject lists, special bibliographies, and reprints or facsimiles of original documents, prints and manuscripts in the Library," the accessions being recorded in a separate classified list, Jan.-Apr. 1893, a weekly bulletin Apr. 1893-Apr. 1894, as well as a classified list of later accessions in the last number published of the bulletin itself (Jan. 1896)
Greek Folk-songs from the Ottoman Provinces of Northern Hellas. Literal and Metrical Translations by Lucy M. J. Garnett
Author: Lucy Mary Jane GarnettPublisher:
ISBN:
Category : Folk-songs, Greek
Languages : en
Pages : 348
Book Description
The Cambrian
Author: Lays of the saintly; or, The new Golden legend
Author: Walter ParkePirating Fictions
Author: Monica F. CohenPublisher: University of Virginia Press
ISBN: 0813940702
Category : Literary Criticism
Languages : en
Pages : 363
Book Description
Two distinctly different meanings of piracy are ingeniously intertwined in Monica Cohen's lively new book, which shows how popular depictions of the pirate held sway on the page and the stage even as their creators were preoccupied with the ravages of literary appropriation. The golden age of piracy captured the nineteenth-century imagination, animating such best-selling novels as Treasure Island and inspiring theatrical hits from The Pirates of Penzance to Peter Pan. But the prevalence of unauthorized reprinting and dramatic adaptation meant that authors lost immense profits from the most lucrative markets. Infuriated, novelists and playwrights denounced such literary piracy in essays, speeches, and testimonies. Their fiction, however, tells a different story. Using landmarks in copyright history as a backdrop, Pirating Fictions argues that popular nineteenth-century pirate fiction mischievously resists the creation of intellectual property in copyright legislation and law. Drawing on classic pirate stories by such writers as Walter Scott, James Fenimore Cooper, Robert Louis Stevenson, and J. M. Barrie, this wide-ranging account demonstrates, in raucous tales and telling asides, how literary appropriation was celebrated at the very moment when the forces of possessive individualism began to enshrine the language of personal ownership in Anglo-American views of creative work.