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Author: Robert Thomas Archambeau Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 268
Book Description
Archambeau examines the influence of poet Yvor Winters ono his final generation of students at Stanford, dividing them into laureates and heretics based on their reception of Winters' poetics.
Author: Robert Thomas Archambeau Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 268
Book Description
Archambeau examines the influence of poet Yvor Winters ono his final generation of students at Stanford, dividing them into laureates and heretics based on their reception of Winters' poetics.
Author: George Watson Publisher: Lutterworth Press ISBN: 0718841026 Category : Religion Languages : en Pages : 184
Book Description
In this enjoyably iconoclastic book, George Watson discusses some of the great heresies of the twentieth century, and the cultural heretics who espoused them, often with surprising results. Watson provides us with examples of 'true', original heretics, many of whom he has met and taught: from Sir Arthur Quiller-Couch, who asserted that his study of the remote past had made a radical of him, rather than any influence of modernism, to Douglas Adams, whom Watson knew as an undergraduate. Watson forces us toquestion various long-cherished political and intellectual assumptions in his witty and conversational style. Is snobbery really such a bad thing? Have we ignored the links between socialism and genocide? He touches entertainingly upon subjects as diverse as literary theory (experimental fiction is often the last resort of those who have nothing to say), and the unoriginal conformism of teenage Marxists (incapable of actually reading Marx, as he is too boring). This is a work which will delight any reader seeking a uniquely personal perspective on the culture, history, and personalities of the twentieth century.
Author: Donald K. Sharpes Publisher: Lexington Books ISBN: 9780739123188 Category : Biography & Autobiography Languages : en Pages : 370
Book Description
Sharpes paints profiles of individuals who stood up against oppressing forces and overwhelming odds. Offering numerous profiles of varying lengths, the selection ranges from such well-known twentieth-century figures as Gandhi, to little-known and neglected historical figures, such as John Leo.
Author: William Wootten Publisher: Liverpool University Press ISBN: 1781387605 Category : Biography & Autobiography Languages : en Pages : 256
Book Description
This book is the biography of a taste in poetry and its consequences. During the 1950s and 1960s, a generation of poets appeared who would eschew the restrained manner of Movement poets such as Philip Larkin, a generation who would, in the words of the introduction to A. Alvarez’s classic anthology The New Poetry, take poetry ‘Beyond the Gentility Principle’. This was the generation of Thom Gunn, Geoffrey Hill, Ted Hughes, Sylvia Plath and Peter Porter. William Wootten explores what these five poets shared in common, their connections, critical reception, rivalries and differences, and locates what was new and valuable in their work. The Alvarez Generation is an important re-evaluation of a time when contemporary poetry and its criticism had a cultural weight it has now lost and when a ‘new seriousness’ was to become closely linked to questions of violence, psychic unbalance and, most controversially of all, suicide. A new Afterword contains important biographical information on Sylvia Plath and reflects on its implications both for the discussions contained in the book and for the study of Plath’s work more generally.
Author: William Dritschilo Publisher: Yale University Press ISBN: 0300150547 Category : Science Languages : en Pages : 412
Book Description
This book is the first devoted to modern biology's innovators and iconoclasts: men and women who challenged prevailing notions in their fields. Some of these scientists were Nobel Prize winners, some were considered cranks or gadflies, some were in fact wrong. The stories of these stubborn dissenters are individually fascinating. Taken together, they provide unparalleled insights into the role of dissent and controversy in science and especially the growth of biological thought over the past century. Each of the book's nineteen specially commissioned chapters offers a detailed portrait of the intellectual rebellion of a particular scientist working in a major area of biology--genetics, evolution, embryology, ecology, biochemistry, neurobiology, and virology as well as others. An introduction by the volume's editors and an epilogue by R. C. Lewontin draw connections among the case studies and illuminate the nonconforming scientist's crucial function of disturbing the comfort of those in the majority. By focusing on the dynamics and impact of dissent rather than on winners who are credited with scientific advances, the book presents a refreshingly original perspective on the history of the life sciences. Scientists featured in this volume: Alfred Russel Wallace Hans DrieschWilhelm JohannsenRaymond Arthur DartC. D. DarlingtonRichard GoldschmidtBarbara McClintockOswald T. AveryRoger SperryLeon CroizatVero Copner Wynne-EdwardsPeter MitchellHoward TeminMotoo KimuraWilliam D. HamiltonCarl WoeseStephen Jay GouldThelma RowellDaniel S. Simberloff
Author: Amy Paeth Publisher: Columbia University Press ISBN: 0231550790 Category : Literary Criticism Languages : en Pages : 205
Book Description
The American Poet Laureate shows how the state has been the silent center of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation’s Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Amy Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organizations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost’s “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War.
Author: Stephanie Burt Publisher: Harvard University Press ISBN: 0674972872 Category : Literary Criticism Languages : en Pages : 430
Book Description
Contemporary American poetry has plenty to offer new readers, and plenty more for those who already follow it. Yet its difficulty—and sheer variety—leaves many readers puzzled or overwhelmed. The critic, scholar, and poet Stephanie Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, Burt canvasses American poetry of the past four decades, from the headline-making urgency of Claudia Rankine’s Citizen to the stark pathos of Louise Glück, the limitless energy of Juan Felipe Herrera, and the erotic provocations of D. A. Powell. The Poem Is You: Sixty Contemporary American Poems and How to Read Them is a guide to the diverse magnificences of American poetry today. It presents a wide range of poems selected by Burt for this volume, each accompanied by an original essay explaining how a given poem works, why it matters, and how the poem speaks to other parts of art and culture. Included here are some classroom classics (by Ashbery, Komunyakaa, Hass), less famous poems by very famous poets (Glück, Kay Ryan), and poems by prizewinning poets near the start of their careers (such as Brandon Som), and by others who are not—or not yet—well known. The Poem Is You will appeal to poets, teachers, and students, but it is intended especially for readers who want to learn more about contemporary American poetry but who have not known where or how to start. It describes what American poets have fashioned for one another, and what they can give us today.
Author: Göran Printz-Påhlson Publisher: Open Book Publishers ISBN: 1906924562 Category : Poetry Languages : en Pages : 257
Book Description
This collection brings together for the first time select works in English by the major Swedish modernist poet and critic Goran Printz-Pahlson. It was Printz-Pahlson who introduced poetic modernism to Scandinavia, and his essays and poems delve deeply into English, American, and continental modernist traditions. As well as "Letters of Blood," the collection includes the full text of "The Words of the Tribe," a major statement on modern poetics, in which Printz-Pahlson explores the significance of primitivism in Romanticism and Modernism, and the nature of metaphor and literary materialism. The collection also includes essays on style, irony, realism, and the relationship between historical drama and historical fiction, as well as studies of American poetry. Printz-Pahlson's poetry in English continues to explore these themes by different, often surprisingly innovative, means. Minor edits to this book have been made in May 2016.
Author: John Fraser Publisher: eBookIt.com ISBN: 1456624954 Category : Literary Criticism Languages : en Pages : 379
Book Description
Pushing Back pushes back against GBTs (Great Big Theories) that confine literary discourse, especially poems, to zones where realworld truth-testing and value-judgments are told, "Keep Out; This Means You." Fraser steers between the Scylla of transcendent insights obtained courtesy of Metaphor, Image, and Symbol, Inc., and the Charybdis of literary language sucking its own pretensions down into the Void. A disrespecter of fixed categories and dichotomies himself, he shows by a variety of means how a functional looseness and local precisions, grounded in realworld experiences and the speaking voice, are a defence against implosion and collapse.. In an opening set of four articles, he looks, with an abundance of examples, at the workings of so-called ordinary language and the satisfiable hunger for plenitude, communality, and emotional substance. After which, the topics that he touches on include Mallarmé, Hopkins, Woolf ( kinesthetic richness), Stanley Fish and Northrop Frye (ungood), Yvor Winters and F.R. Leavis (good), Symbolism and Genius (proceed with caution), Descartes and Swift (Enlightenment energies), and Gérard de Nerval (psychological brilliance, and "classical" clarity, as celebrated at a Martian conference). In the last part of the book, going on from points in the Introduction, Fraser conducts a guerrilla campaign against old-world nihilism, whoopy-doopy Silicon futurism, and simplistic ideas of Truth, and reaffirms the importance of political engagement. Shakespeare, Borges, Pound, Fenollosa, the Glub, and sub-Saharan African art are among the guest appearances. Plus a few recollections about his dealings with theory as graduate-student 'zine editor and, years later, seminar-giver. 251 words
Author: David Orr Publisher: Penguin ISBN: 0143128191 Category : Literary Criticism Languages : en Pages : 402
Book Description
A collection of reviews and essays by David Orr, the New York Times poetry columnist and one of the most respected critics in America today, his best work of the past fifteen years in one place Poetry is never more vital, meaningful, or accessible than in the hands of David Orr. In the pieces collected here, most of them written originally for the New York Times, Orr is at his rigorous, conversational, and edifying best. Whether he is considering the careers of contemporary masters, such as Louise Glück or Frederick Seidel, sizing up younger American poets, like Matthea Harvey and Matthew Zapruder, or even turning his attention to celebrities and public figures, namely Oprah Winfrey and Stephen Fry, when they choose to wade into the hotly contested waters of the poetry world, Orr is never any less than fully persuasive in arguing what makes a poem or poet great—or not. After all, as Orr points out in his introduction, “Poetry is a lot like America, in the sense that liking all of it means that you probably shouldn’t be trusted with money, or scissors.” Orr’s prose is devoted to common sense and clarity, and, in every case, he brings to bear an impeccable ear, an openhandedness of spirit, and a deep wealth of technical knowledge—to say nothing of his shrewd sense of humor. As pleasurable as it is informative, Orr’s journalism represents a high watermark in the public discussion of literature. You, Too, Could Write a Poem is at heart a love note to poetry itself.
Author: Robert Thomas Archambeau
Author: Robert Thomas Archambeau
Author: George Watson
Author: Donald K. Sharpes
Author: William Wootten
Author: William Dritschilo
Author: Amy Paeth
Author: Stephanie Burt
Author: Göran Printz-Påhlson
Author: John Fraser
Author: David Orr