Author: Publisher:
ISBN:
Category : Architecture, Gothic
Languages : de
Pages : 228
Book Description
L'art et les révolutions: Changements et continuité dans la création artistique des révolutions politiques
Author: Publisher:
ISBN:
Category : Architecture, Gothic
Languages : de
Pages : 228
Book Description
Changements et continuité dans la création artistique des révolutions politiques
Author: L' Art Et Les Révolutions
Author: Changements Et Continuité Dans la Création Artistique Des Révolutions Politiques
Author: Aby Warburg 150
Author: David FreedbergPublisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110725770
Category : Art
Languages : en
Pages : 444
Book Description
Aby Warburg is regarded as one of the great pioneers of modern cultural studies. This book brings together texts by many of the most renowned researchers in the field who have been influenced by his work. They address his extraordinary impact on the understanding of cultural transmission and the influence of images and texts across time and space. What emerges is the continuing significance of Warburg for our own times. No one concerned with the many forms of the survival of the past in the present and the infinitely complex relationships between images and society will want to miss this book. Published in cooperation with the Warburg Institute, London and with the assistance of a grant from the Italian Academy for Advanced Studies in America at Columbia University, New York. Look inside
The Revolution Takes Form
Author: Jordan Marc RosePublisher: Penn State Press
ISBN: 0271096489
Category : Art
Languages : en
Pages : 185
Book Description
During the French Revolution of 1830, insurgents raised some four thousand barricades. Afterward, lithographs of the street fighting flowed from the presses, creating the barricade’s first imagery. This book documents the changing political valence of the revolutionary ideals associated with the barricade in France from 1830 to 1852. The Revolution Takes Form coordinates the political reality of the barricade with the divergent ways in which its image gave shape to the period’s conceptions of class, revolution, and urban space. Engaging the instability of the barricade, art historian Jordan Marc Rose focuses on five politically charged works of art: Eugène Delacroix’s La Liberté guidant le peuple, Honoré Daumier’s Rue Transnonain, le 15 avril 1834 and L’Émeute, Auguste Préault’s Tuerie, and Ernest Meissonier’s Souvenir de guerre civile. The history of these artworks illuminates how such revolutionary insurrections were characterized—along with the conceptions of “the people” they mobilized. Foregrounding a trajectory of disillusionment, growing class tensions, and ultimately open conflict between bourgeois liberals and the proletariat, Rose both explains why the barricade became a compelling subject for pictorial reflection and accounts for its emergence as the period’s most poignant and meaningful symbol of revolution. Original and convincing, this book will appeal to students and scholars of art history and, in particular, of the history of the French Revolution.
L'art et les révolutions
Author: The Gamin de Paris in Nineteenth-Century Visual Culture
Author: Marilyn R. BrownPublisher: Taylor & Francis
ISBN: 1315315955
Category : Art
Languages : en
Pages : 152
Book Description
The revolutionary boy at the barricades was memorably envisioned in Eugène Delacroix’s painting Liberty Leading the People (1830) and Victor Hugo’s novel Les Misérables (1862). Over the course of the nineteenth century, images of the Paris urchin entered the collective social imaginary as cultural and psychic sites of memory, whether in avant-garde or more conventional visual culture. Visual and literary paradigms of the mythical gamin de Paris were born of recurring political revolutions (1830, 1832, 1848, 1871) and of masculine, bourgeois identity constructions that responded to continuing struggles over visions and fantasies of nationhood. With the destabilization of traditional, patriarchal family models, the diminishing of the father’s symbolic role, and the intensification of the brotherly urchin’s psychosexual relationship with the allegorical motherland, what had initially been socially marginal eventually became symbolically central in classed and gendered inventions and repeated re-inventions of "fraternity," "people," and "nation." Within a fundamentally split conception of "the people," the bohemian boy insurrectionary, an embodiment of freedom, was transformed by ongoing discourses of power and reform, of victimization and agency, into a capitalist entrepreneur, schoolboy, colonizer, and budding military defender of the fatherland. A contested figure of the city became a contradictory emblem of the nation.
L ' art et les rèvolutions
Author: Fascist Visions
Author: Matthew AffronPublisher: Princeton University Press
ISBN: 0691241961
Category : Art
Languages : en
Pages : 296
Book Description
Bringing together studies by art historians, historians, and political scientists, Fascist Visions explores the themes and paradigms that pervaded protofascist and fascist aesthetic discourse, cultural policy, and artistic production in France and Italy. Whether traditionalist or innovative in idiom, art functioned as the expression of fascism's ideological polarities: nihilism and idealism, modernism and antimodernism, revolution and reaction. This volume charts the unfolding of fascist aesthetics from its genesis in nationalist and antimaterialist ideologies before World War I to its full development during the interwar period and World War II. It also highlights the shared motivations of advocates of fascist aesthetics, including artists, art critics, political activists, and government officials, outside of Germany. The eight essays in this book investigate the intersection of fascist ideology and aesthetics through a wide range of historical examples. Topics include: theories of cultural regeneration in Italy from the Risorgimento to fascism; the impact of fascism upon the work of such artists and art critics as Ardengo Soffici, Mario Sironi, Valentine de Saint-Point, and Waldemar George; the theories of modernist urbanism developed by Georges Valois's Faisceau; and official sponsorship of painting and the decorative arts in Mussolini's Italy and in Vichy France. The contributors to this volume include Walter Adamson, Matthew Affron, Mark Antliff, Emily Braun, Michèle Cone, Emilio Gentile, Nancy Locke, and Marla Stone.