Le Guide Musical PDF Download

Author:
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ISBN:
Category :
Languages : en
Pages : 446

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Author: Laurent Pernot
Publisher: CUA Press
ISBN: 0813214076
Category : Language Arts & Disciplines
Languages : en
Pages : 287

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Originally published as La Rhétorique dans l'Antiquité (2000), this new English edition provides students with a valuable introduction to understanding the classical art of rhetoric and its place in ancient society and politics

Author:
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Category : Classical philology
Languages : en
Pages : 414

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Author: CORDONNIER Sarah
Publisher: Lavoisier
ISBN: 2746288176
Category :
Languages : en
Pages : 370

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Cet ouvrage propose de décrypter le rôle des sciences humaines dans l’art contemporain au fil de son développement et de son institutionnalisation en France. Cette approche communicationnelle s’intéresse aussi bien aux pratiques qu’aux discours, aux dispositifs (comme l’exposition) qu’aux représentations (en particulier des sciences). Comment observer les sciences humaines dans le champ artistique, alors que leur réception, leurs réappropriations, ne sont pas visibles de manière immédiate ? Comment rendre compte d’un usage collectif de ces savoirs et, donc, les situer dans des règles et normes partagées par les acteurs de l’art contemporain ? Comment repérer et analyser les manières différenciées d’y recourir dans ce cadre commun ? Par l’observation et l’examen détaillé des centres d’art et des expositions d’art contemporain, Les sciences humaines dans le centre d’art vise à éclairer la circulation sociale des savoirs et les manières de l’étudier.

Author: Abraham John Valpy
Publisher: Cambridge University Press
ISBN: 1108057977
Category : Art
Languages : en
Pages : 407

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This forty-volume collection comprises all the issues of an early and influential classical periodical, first published between 1810 and 1829.

Author: Gustave Rudler
Publisher:
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Category : France
Languages : fr
Pages : 620

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Author:
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Category : Encyclopedias and dictionaries, French
Languages : fr
Pages :

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Author: Gustave Rudler
Publisher:
ISBN:
Category : France
Languages : fr
Pages : 330

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Publisher: Odile Jacob
ISBN: 2738183190
Category :
Languages : en
Pages : 254

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Author: Roger Pearson
Publisher: Oxford University Press
ISBN: 0191069418
Category : Literary Criticism
Languages : en
Pages : 624

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Book Description
What is the public value of poetry? How do poets envisage their own role and function within society? How do we? Do poets seek to shape public opinion and behaviour? Should they? Or do they offer alternatives—perhaps sacred alternatives—to political and religious ideologies? Are they what Shelley in 1821 called 'the unacknowledged legislators of the World'? And what might that mean? During the decades immediately preceding the Revolution of 1789 the status of contemporary poetry in France was at its lowest ebb. At the same time the perceived power of the writer to influence public events reached a high-water mark with Voltaire's triumphant return to Paris in 1778. In the course of the next century French poetry enjoyed an extraordinary renaissance and flowering, perhaps its greatest. But what of the poet's public influence? In 1881 the people of Paris processed for six hours past the home of Victor Hugo on the occasion of his 79th birthday, and in 1885 an estimated two million people witnessed his state funeral. But who or what were they acknowledging? Poetry or republicanism? Or perhaps their own power? For with each Revolution that passed—1789, 1830, 1848—French poets themselves felt increasingly marginalised. This study addresses the first part of this story and focuses on the role and function of the poet during the so-called Romantic Period. Beginning with an account of the literary climate in pre-revolutionary France it then maps the changes in that climate wrought by the events of the 1789 Revolution. It describes the new politico-literary agendas set by Chateaubriand and others on the monarchist Right, and by Staël and others on the liberal Left. Against this background it then analyses in detail the poetic output and public exploits of the three major French poets of the period: Lamartine, Hugo, and Vigny. The Romantic figure of the poet as prophet and magus is habitually dismissed as a cliché. But by focusing on the role of the poet as lawgiver this book reveals the rich and complex terms in which the public function of poetry was debated in post-revolutionary France - and how amidst the centenary celebrations of 1889, as Romanticism gave way to Symbolism, the poet as lawgiver continued to play a central part in that debate.