Author: Danny Gregory
Publisher: Simon and Schuster
ISBN: 144032025X
Category : Art
Languages : en
Pages : 272

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Book Description
Collects excerpts from the personal travel journal sketchbooks of forty-three artists, illustrators, and designers.

Author: Loys Delteil
Publisher:
ISBN:
Category : Engravers
Languages : en
Pages : 418

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Author: Emmanuel Bénézit
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1200

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Book Description

Author: Emmanuel Bénézit
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1238

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Book Description

Author: Arlene Leis
Publisher: Taylor & Francis
ISBN: 1000175189
Category : Art
Languages : en
Pages : 221

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Book Description
Through both longer essays and shorter case studies, this book examines the relationship of European women from various countries and backgrounds to collecting, in order to explore the social practices and material and visual cultures of collecting in eighteenth-century Europe. It recovers their lives and examines their interests, their methodologies, and their collections and objects—some of which have rarely been studied before. The book also considers women’s role as producers, that is, creators of objects that were collected. Detailed examination of the artefacts—both visually, and in relation to their historical contexts—exposes new ways of thinking about collecting in relation to the arts and sciences in eighteenth-century Europe. The book is interdisciplinary in its makeup and brings together scholars from a wide range of fields. It will be of interest to those working in art history, material and visual culture, history of collecting, history of science, literary studies, women’s studies, gender studies, and art conservation.

Author: Dirk Gelder
Publisher: Springer Science & Business Media
ISBN: 9400934734
Category : Art
Languages : en
Pages : 208

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Book Description
Rai lu et relu {laquo}Rodolphe Bresdim. C'est un beau livre, obscurs-Ia question des reports sur pierre des eaux et qui aura grand sucd~s. On ne Ie refera plus; on sera fortes, celle de la metamorphose de plusieurs cuivres, oblige de toujours s'y referer. C'est serieux, precis, in celle de la premiere litho de l'artiste, catalogue 82 telligent. (Neumann n6, complete par une piece de l'ancienne Un des grands interets du livre est une chronologie collection Bonger). II etait bien place pour Ie faire, serieuse, et tres sou vent nouvelle, des gravures et etant lui-meme graveur. lith os (l'auteur a eu raison de ne pas les separer dans II tient a ce qu'on n'oublie pas que, comme son son catalogue). Van Gelder croit-et sans doute les frere aine, l'historien de l'art J.G. van Gelder, il a eu lecteurs avec lui-avoir resolu les problemes si deli pour modele son pere, grand historien, fondateur du cats du classement anterieur a 1854; apres 1854, les hesi Musee municipal de La Haye. tations etaient moins nombreuses, mais Van Gelder On a donc ici, redisons-le, un beau travail, serieux, montre qu'on ne peut se fier completement aux indi honnete, representant plus de dix ans de la vie de son cations confuses de Bresdin lui-meme. auteur, intelligent et particulierement bien informe.

Author: Elayne Wareing Fitzpatrick
Publisher: Xlibris Corporation
ISBN: 1462828884
Category : Biography & Autobiography
Languages : en
Pages : 407

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Book Description
TRAVELING BACKWARD is a highly original philosophic romp beyond the youth of old age with a quixotic ‘journalist turned mom turned academic turned peasant.’ It’s a kind of light-hearted guide to the wisdom of the ages—from Socrates to existentialism and beyond—gleaned during a struggle to recover the images that fi rst touched her heart and to answer two questions: Who am I really? Where does the world come from? It’s a colorful, occasionally poignant, journey that could help you look at life through the reverent eyes of a child again. GLIMPSES OF ‘TRAVELING BACKWARD’ : “You two remind me of Peter Pan. Trouble is, I’m not sure which one of you is Peter Pan. Well, I was taken aback. But my mate took action. Muttering something negative about fairy stories, he headed for the door and disappeared down the hall. I started to follow him but changed my mind. Instead, I headed for the public library to reread Peter Pan. Had I missed something?” (Elayne Wareing Fitzpatrick) “Human life – indeed all life – is poetry. It’s we who live it, unconsciously, day by day. . . Yet in its inviolable wholeness it lives us, it composes us. . . We are works of art, but we are not the artist. . . Dare everything, need nothing.” (Lou Andreas—Salome) “I relate to [Andreas—Salome’s] passionate struggle for truth, to her ultimate reverence for all life, and to her desire to enjoy intellectual friendships with a variety of men, free of sexual overtones.” (Fitzpatrick) “I was discovering that, deep down, I didn’t really ‘take’ to popular culture, crowds, and bustling cities, regardless of my curiosity, regardless of my journalist’s delight in writing about all of it.” (Fitzpatrick) “If you can’t change the world, change worlds.” (St. Francis of Assisi) “If I were ever to choose a place away from my country, it would surely be a Greek island, outside Athens. . . In Greece, I feel completely at home. Maybe that’s because, as the poet Shelley said, ‘We’re all Greeks. Our laws, our literature, our religion, our arts have their roots in Greece.” (Fitzpatrick) “Back straight and head held high, he would place his left arm on my right shoulder, snap his fingers and lead me in the graceful, deliberate movements of the Zorba dance, accompanied by a recording of Mozart’s 40th played on the bouzouki. This against a backdrop of tinkling goat bells and singing monks gathered in a distant church.” (Fitzpatrick) “Many of the highs and lows in my life. . . have resulted from conflict born of the struggle between my own strong loving, nesting needs and my equally strong needs for freedom to think, to adventure, to discover, to express myself.” (Fitzpatrick) “All parts of this one organic whole – this one God – are different expressions of the same energy, and they are all in communication with each other, influencing each other, therefore parts of one organic whole.” (Robinson Jeffers) “How did matter happen that makes the stars and cool planets and living beings? And how did the space happen that contains the stars and planets?. . . Much is still very hypothetical. Much is still unknown. Much, we will never know. . . Life is struggle, pain and suffering. But it is also extraordinarily glorious creativity.” (Dr. Kai Woehler) “Like Socrates, I’ve experienced an inner voice that usually let’s me know when I’m about to go off-track, and I’ve come to believe, with Kant, in a moral law within.” (Fitzpatrick) “Nature’ – wonderful and awe-inspiring as it is – can’t participate in a verbal dialogue, can’t exchange and explore ideas with the human mind. We can relate to the animals, the birds, the insects, the fish, and the flora with our most primitive instincts and feel joy, spiritual ecstasy in so recognizing our kinship. Yet nothing in Nature can compare with the human need for a warm

Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 192

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Author: Mihoko Ueno
Publisher: Rowman & Littlefield
ISBN: 0811769577
Category : Crafts & Hobbies
Languages : en
Pages : 129

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Book Description
Create whimsical fairies, mermaids, and other enchanting storybook characters with wool and needle-felting tools. Step-by-step photos illustrate the felting basics for both human and animal characters and how to add features such as eyes, noses, and hair. Then learn how to make the special details that set these dolls apart: unique hairstyles, clothing and accessories; tiny leather boots; knit scarves; metal spectacles; woolen clothes; and more. Once you learn the techniques, you can bring your own characters to life in wool!

Author: Emmanuel Bénézit
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 948

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Book Description