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Author: Anthony M. Amore Publisher: Simon and Schuster ISBN: 1643135309 Category : True Crime Languages : en Pages : 256
Book Description
The extraordinary life and crimes of heiress-turned-revolutionary Rose Dugdale, who in 1974 became the only woman to pull off a major art heist. In the world of crime, there exists an unusual commonality between those who steal art and those who repeatedly kill: they are almost exclusively male. But, as with all things, there is always an outlier—someone who bucks the trend, defying the reliable profiles and leaving investigators and researchers scratching their heads. In the history of major art heists, that outlier is Rose Dugdale. Dugdale’s life is singularly notorious. Born into extreme wealth, she abandoned her life as an Oxford-trained PhD and heiress to join the cause of Irish Republicanism. While on the surface she appears to be the British version of Patricia Hearst, she is anything but. Dugdale ran head-first towards the action, spearheading the first aerial terrorist attack in British history and pulling off the biggest art theft of her time. In 1974, she led a gang into the opulent Russborough House in Ireland and made off with millions in prized paintings, including works by Goya, Gainsborough, and Rubens, as well as Lady Writing a Letter with her Maid by the mysterious master Johannes Vermeer. Dugdale thus became—to this day—the only woman to pull off a major art heist. And as Anthony Amore explores in The Woman Who Stole Vermeer, it’s likely that this was not her only such heist. The Woman Who Stole Vermeer is Rose Dugdale’s story, from her idyllic upbringing in Devonshire and her presentation to Elizabeth II as a debutante to her university years and her eventual radical lifestyle. Her life of crime and activism is at turns unbelievable and awe-inspiring, and sure to engross readers.
Author: Anthony M. Amore Publisher: Simon and Schuster ISBN: 1643135309 Category : True Crime Languages : en Pages : 256
Book Description
The extraordinary life and crimes of heiress-turned-revolutionary Rose Dugdale, who in 1974 became the only woman to pull off a major art heist. In the world of crime, there exists an unusual commonality between those who steal art and those who repeatedly kill: they are almost exclusively male. But, as with all things, there is always an outlier—someone who bucks the trend, defying the reliable profiles and leaving investigators and researchers scratching their heads. In the history of major art heists, that outlier is Rose Dugdale. Dugdale’s life is singularly notorious. Born into extreme wealth, she abandoned her life as an Oxford-trained PhD and heiress to join the cause of Irish Republicanism. While on the surface she appears to be the British version of Patricia Hearst, she is anything but. Dugdale ran head-first towards the action, spearheading the first aerial terrorist attack in British history and pulling off the biggest art theft of her time. In 1974, she led a gang into the opulent Russborough House in Ireland and made off with millions in prized paintings, including works by Goya, Gainsborough, and Rubens, as well as Lady Writing a Letter with her Maid by the mysterious master Johannes Vermeer. Dugdale thus became—to this day—the only woman to pull off a major art heist. And as Anthony Amore explores in The Woman Who Stole Vermeer, it’s likely that this was not her only such heist. The Woman Who Stole Vermeer is Rose Dugdale’s story, from her idyllic upbringing in Devonshire and her presentation to Elizabeth II as a debutante to her university years and her eventual radical lifestyle. Her life of crime and activism is at turns unbelievable and awe-inspiring, and sure to engross readers.
Author: Shyon Baumann Publisher: Princeton University Press ISBN: 0691187282 Category : Performing Arts Languages : en Pages : 242
Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Author: Dan F. Sater Publisher: Designs Direct Publishing ISBN: 9781932553130 Category : Architecture Languages : en Pages : 256
Book Description
Experience the craft of Dan Sater, a true master of residential home design, as you turn the pages of this stunningly beautiful book. Here you will find 32 of Dan's finest and largest luxury estate homes?most never before published?from authentically detailed and richly appointed Tuscan and Spanish masterpieces to breezy, refreshing Florida-style seaside treasures. Read a candid introduction of each project from Dan and then go on a breathtaking pictorial and narrative tour of each home. See a birds-eye view of the property on the colorful site plan and ?walk through? the house using the detailed floor plan. Glimpse some of Dan's most creative past and future projects in the ?Concepts? chapter and consult the ?Resource List? at the back for valuable information on builders, landscapers, pool contractors, interior designers, lighting engineers and photographers who have been part of the ?Sater Team.? For those who are designing, building, furnishing or just dreaming about a state-of-the-art luxury home, this inspiring book will be a fantastic wish come true. Take advantage of the rare opportunity to peek over the shoulder of one of America's acclaimed residential designers and enter some of the most enchanting and stimulating homes ever built!
Author: United States. Environmental Protection Agency. Water Quality Office Publisher: ISBN: Category : Government publications Languages : en Pages : 36
Author: Steve Craig Publisher: SAGE ISBN: 0803941633 Category : Social Science Languages : en Pages : 285
Book Description
Although studies of men and masculinity have gained momentum, little has been published that focuses on the media and their relationship to men as men. Men, Masculinity and the Media addresses this shortcoming. Scholars from across the social sciences investigate past media research on men and masculinity. They also examine how the media serve to construct masculinities, how men and their relationships have been depicted and how men respond to media images. From comic books and rock music to film and television, this groundbreaking volume scrutinizes the interrelationship among men, the media and masculinity.
Author: Anthony M. Amore
Author: Anthony M. Amore
Author: Sahadeva Dasa
Author: Shyon Baumann
Author: United States. Federal Water Quality Administration
Author: Dan F. Sater
Author: United States. Environmental Protection Agency. Water Quality Office
Author: Steve Craig
Author: United States. National Air Pollution Control Administration
Author: Random House (Firme)
Author: United States. National Air Pollution Control Administration