Author: Baroness Emily Sellwood Tennyson Tennyson Publisher: University of Virginia Press ISBN: Category : Biography & Autobiography Languages : en Pages : 426
Book Description
After the death of the poet laureate in 1892, Lady Tennyson spent most of her time assisting her son Hallam (second Baron Tennyson) with his prodigious task of preparing the Tennyson Memoir. Together she and Hallam collected, sorted, and assembled an extraordinary mass of materials related in various ways to Tennyson's life and works. Lady Tennyson gathered and inspected all extant letters to the poet, and she worked at recovering every available letter written by Tennyson, as well as the many letters she herself had written during forty-two years of married life. And, in addition to selecting and arranging hundreds of letters and other items for her son's convenience, Lady Tennyson prepared her own final Journal. From immediately after her marriage in June 1850 until shortly before her nearly fatal collapse in the autumn of 1874, Emily Tennyson kept a running account of life in the Tennyson home. Though she by no means made an entry for every day during that period of twenty-four years, certainly there are no sizable gaps, and she was particularly scrupulous in noting every occurrence of the slightest moment involving her husband. The epitome Journal put together after the poet's death is the product of a laborious combining of the several initial journals to form a more convenient and usable whole. Since Emily compiled her final Journal soley as a source of information for Hallam, one would suppose that she deleted certain items of highly personal material preserved in her antecedent diaries. Nonetheless, her Journal, as we have it, is a treasure trove of information about the Tennysons' daily life, and it enables us to see both the laureate and the entire Tennyson family circle more clearly than ever before. -- Introduction.
Author: Kathryn Ledbetter Publisher: Routledge ISBN: 1317046242 Category : Literary Criticism Languages : en Pages : 244
Book Description
This is the first book-length study of Tennyson's record of publication in Victorian periodicals. Despite Tennyson's supposed hostility to periodicals, Ledbetter shows that he made a career-long habit of contributing to them and in the process revealed not only his willingness to promote his career but also his status as a highly valued commodity. Tennyson published more than sixty poems in serial publications, from his debut as a Cambridge prize-winning poet with "Timbuctoo" in the Cambridge Chronicle and Journal to his last public composition as Poet Laureate with "The Death of the Duke of Clarence and Avondale" in The Nineteenth Century. In addition, poems such as "The Charge of the Light Brigade" were shaped by his reading of newspapers. Ledbetter explores the ironies and tensions created by Tennyson's attitudes toward publishing in Victorian periodicals and the undeniable benefits to his career. She situates the poet in an interdependent commodity relationship with periodicals, viewing his individual poems as textual modules embedded in a page of meaning inscribed by the periodical's history, the poet's relationship with the periodical's readers, an image sharing the page whether or not related to the poem, and cultural contexts that create new meanings for Tennyson's work. Her book enriches not only our understanding of Tennyson's relationship to periodical culture but the textual implications of a poem's relationship with other texts on a periodical page and the meanings available to specific groups of readers targeted by individual periodicals.
Author: Seamus Perry Publisher: Northcote House Pub Limited ISBN: 0746311079 Category : Literary Criticism Languages : en Pages : 209
Book Description
W.H. Auden said of Tennyson that 'he had the finest ear, perhaps, of any English poet'. Many readers have relished his opulent word-music, but less simply admiring critics have sometimes regarded that marvellous verbal gift with something like suspicion - as though it were merely a matter of beautifully empty words, or worse, a distracting screen used to pass off disreputable Victorian values. In this study, Seamus Perry returns to the extraordinary language of Tennyson's verse, and finds in the intricacies of his greatest poetry, not an evasion of responsibilities, but rather the memorably intricate expression of hesitancies and honest doubts - including doubts, not least, about the charms and obligations of his own art. Covering the great range of the poet's long career, Perry describes the rich life of Tennyson's lyrical imagination, exploring in turn its complex and paradoxical fascinations with recurrence, progress, narrative, and loss.
Author: D.B. Ruderman Publisher: Routledge ISBN: 1317276485 Category : Literary Criticism Languages : en Pages : 294
Book Description
This book radically refigures the conceptual and formal significance of childhood in nineteenth-century English poetry. By theorizing infancy as a poetics as well as a space of continual beginning, Ruderman shows how it allowed poets access to inchoate, uncanny, and mutable forms of subjectivity and art. While recent historicist studies have documented the "freshness of experience" childhood confers on 19th-century poetry and culture, this book draws on new formalist and psychoanalytic perspectives to rethink familiar concepts such as immortality, the sublime, and the death drive as well as forms and genres such as the pastoral, the ode, and the ballad. Ruderman establishes that infancy emerges as a unique structure of feeling simultaneously with new theories of lyric poetry at the end of the eighteenth century. He then explores the intertwining of poetic experimentation and infancy in Wordsworth, Anna Barbauld, Blake, Coleridge, Erasmus Darwin, Sara Coleridge, Shelley, Matthew Arnold, Tennyson, and Augusta Webster. Each chapter addresses and analyzes a specific moment in a writers’ work, moments of tenderness or mourning, birth or death, physical or mental illness, when infancy is analogized, eulogized, or theorized. Moving between canonical and archival materials, and combining textual and inter-textual reading, metrical and prosodic analysis, and post-Freudian psychoanalytic theory, the book shows how poetic engagements with infancy anticipate psychoanalytic and phenomenological (i.e. modern) ways of being in the world. Ultimately, Ruderman suggests that it is not so much that we return to infancy as that infancy returns (obsessively, compulsively) in us. This book shows how by tracking changing attitudes towards the idea of infancy, one might also map the emotional, political, and aesthetic terrain of nineteenth-century culture. It will be of interest to scholars in the areas of British romanticism and Victorianism, as well as 19th-century American literature and culture, histories of childhood, and representations of the child from art historical, cultural studies, and literary perspectives. "D. B. Ruderman’s The Idea of Infancy in Nineteenth-Century British Poetry: Romanticism, Subjectivity, Form is an interesting contribution to this field, and it manages to bring a new perspective to our understanding of Romantic-era and Victorian representations of infancy and childhood. ...a supremely exciting book that will be a key work for generations of readers of nineteenth-century poetry." Isobel Armstrong, Birkbeck, University of London Victorian Studies (59.4)
Author: Baroness Emily Sellwood Tennyson Tennyson
Author: Kathryn Ledbetter
Author: 
Author: Alfred Tennyson Baron Tennyson
Author: Seamus Perry
Author: Alfred Tennyson Baron Tennyson
Author: D.B. Ruderman
Author: Christopher Ricks
Author: 
Author: Charles Canniff James