Author: Masumi Iriye
Publisher:
ISBN:
Category : Animals
Languages : en
Pages : 602

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Book Description

Author: Mark Hengerer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110544792
Category : History
Languages : en
Pages : 442

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Book Description
Early modern princely courts were not only inhabited by humans, but also by a large number of animals. This coexistence of non-human living beings had crucial impacts on the spatial organization, the social composition and cultural life at these courts. The contributions enrich our knowledge on another aspect of court life and invite to reconsider our basic understandings of court, courtiers and court society.

Author: K. M. Kostyal
Publisher: National Geographic Books
ISBN: 1426206445
Category : Nature
Languages : en
Pages : 308

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Book Description
An illustrated companion to the seven-hour National Geographic Channel special miniseries of the same title. It includes 250 breathtaking photos and describes all of the epic animal dramas that will be featured in the series.

Author: Eric John Hosking
Publisher: HarperCollins
ISBN:
Category : Birds
Languages : en
Pages : 200

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Book Description

Author: Arianne Faber Kolb
Publisher: Getty Publications
ISBN: 0892367709
Category : Art
Languages : en
Pages : 106

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Book Description
Kolb has produced a thoroughly researched essay on this painting, which is in the Getty Museum. The study focuses on Brueghel's depiction of nature, especially his exacting representation of identifiable species of animals and birds, the names of which are listed. Brueghel's collaboration with other painters, his and other painters' re-use of the same theme and composition, and the history and practice of natural history collection and representation are central themes. The volume, which is printed in a horizontal format (it's 11x8") and heavily illustrated, is written for a general audience, though art historians will also find much of interest.

Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 398

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Book Description

Author: Adrian P. Tudor
Publisher: BRILL
ISBN: 9004488227
Category : Social Science
Languages : en
Pages : 612

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Book Description
Here is presented for the first time an extraordinary medieval text, the first Old French Vie des Pères. The Vie des Pères is in fact a collective text comprising three branches and, at its fullest, over seventy individually enclosed pious tales / miracles. The first Vie – the first forty-one or -two tales – dates from the first third of the thirteenth century. It is a vitally significant but hitherto neglected part of the Old French canon. Indeed, in his preface to this volume Michel Zink, one of the most respected medievalists of his generation, notes that the qualities of the Vie des Pèrs ‘devraient valoir à son auteur une place au voisinage de celle qu’occupent pour nous celui de la Chanson de Roland ou Chrétien de Troyes.’ The tales are remarkably well written and offer fascinating glimpses of thirteenth-century life and spirituality. They were also extremely popular in Medieval France. Sharing close links with a number of traditions – fabliaux, Saints’ Lives, Miracles of the Virgin, Romance, Sermons – the Vie des Pères has value for those interested in many branches of vernacular literature, codicology, lexicography, art history, theology and philology. Tales of Vice and Virtue – the first sustained analysis of the entire first Vie des Pères to be published – is a groundbreaking book providing readers new to the text with detailed commentaries, offering abundant intertextual information for romance philologists, and suggesting many new areas for further research.

Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1642

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Book Description

Author:
Publisher: Bloomsbury Publishing
ISBN: 1350015334
Category : Literary Criticism
Languages : en
Pages : 281

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Book Description
Animal characters abound in graphic narratives ranging from Krazy Kat and Maus to WE3 and Terra Formars. Exploring these and other multispecies storyworlds presented in words and images, Animal Comics draws together work in comics studies, narrative theory, and cross-disciplinary research on animal environments and human-animal relationships to shed new light on comics and graphic novels in which animal agents play a significant role. At the same time, the volume's international team of contributors show how the distinctive structures and affordances of graphic narratives foreground key questions about trans-species entanglements in a more-than-human world. The writers/artists covered in the book include: Nick Abadzis, Adolpho Avril, Jeffrey Brown, Sue Coe, Matt Dembicki, Olivier Deprez, J. J. Grandville, George Herriman, Adam Hines, William Hogarth, Grant Morrison, Osamu Tezuka, Frank Quitely, Yu Sasuga, Charles M. Schultz, Art Spiegelman, Fiona Staples, Ken'ichi Tachibana, Brian K. Vaughan, and others.

Author: Jacques Derrida
Publisher: Fordham Univ Press
ISBN: 0823227901
Category : Nature
Languages : en
Pages : 192

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Book Description
The Animal That Therefore I Am is the long-awaited translation of the complete text of Jacques Derrida's ten-hour address to the 1997 Cérisy conference entitled "The Autobiographical Animal," the third of four such colloquia on his work. The book was assembled posthumously on the basis of two published sections, one written and recorded session, and one informal recorded session. The book is at once an affectionate look back over the multiple roles played by animals in Derrida's work and a profound philosophical investigation and critique of the relegation of animal life that takes place as a result of the distinction--dating from Descartes--between man as thinking animal and every other living species. That starts with the very fact of the line of separation drawn between the human and the millions of other species that are reduced to a single "the animal." Derrida finds that distinction, or versions of it, surfacing in thinkers as far apart as Descartes, Kant, Heidegger, Lacan, and Levinas, and he dedicates extended analyses to the question in the work of each of them. The book's autobiographical theme intersects with its philosophical analysis through the figures of looking and nakedness, staged in terms of Derrida's experience when his cat follows him into the bathroom in the morning. In a classic deconstructive reversal, Derrida asks what this animal sees and thinks when it sees this naked man. Yet the experiences of nakedness and shame also lead all the way back into the mythologies of "man's dominion over the beasts" and trace a history of how man has systematically displaced onto the animal his own failings or bêtises. The Animal That Therefore I Am is at times a militant plea and indictment regarding, especially, the modern industrialized treatment of animals. However, Derrida cannot subscribe to a simplistic version of animal rights that fails to follow through, in all its implications, the questions and definitions of "life" to which he returned in much of his later work.