La forme qui pense PDF Download

Author: Lóránd Hegyi
Publisher:
ISBN:
Category :
Languages : fr
Pages : 268

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Book Description
"Ce catalogue présente une sélection d'installations et d'images réalisées à partir de 1996 par l'artiste originaire de Bilbao, Txomin Badiola. Il comporte également des analyses de son oeuvre et un recueil de ses textes.

Author:
Publisher: Odile Jacob
ISBN: 2738196071
Category :
Languages : en
Pages : 337

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Author: Michael Temple
Publisher: Amsterdam University Press
ISBN: 9789053564561
Category : Performing Arts
Languages : en
Pages : 274

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Book Description
This volume of essays constitutes a comprehensive and interdisciplinary engagement with Jean-Luc Godard's current film and video work. Its key focus is the eight-part magnum opus Histoire(s) du cinma (1988-1998), an extraordinary experiment in film history that attempts to tell 'all the stories of cinema' whilst remaining true to the specificity of what 'the cinema alone' contributed to twentieth-century culture. The Cinema Alone features contributors from France, Britain and America who discuss Godard's recent work both in the context of his earlier corpus and in relation to subjects such as literature, art history, philosophy, silent cinema, European culture, film theory, video and digital technology. The collection will make an important contribution to critical debates on the past, present and future of Film and Media Studies as cinema enters its second century.

Author: Filip Karfík
Publisher: Walter de Gruyter
ISBN: 3110324660
Category : Philosophy
Languages : en
Pages : 440

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Book Description
Die einzelnen Beiträge dieses Bandes sind unterschiedlichen Formen der Wiederbelebung des Platonismus innerhalb der antiken Philosophie gewidmet. Besondere Aufmerksamkeit ist den Themen der Einheit und der Schönheit, des Geistes und der Erkenntnis, der Seele und des Leibes, der Tugend und des Glücks sowie der politischen und der religiösen Dimension des platonischen Denkens gewidmet. Ausgehend von Platon und Aristoteles werden die Verwandlungsformen von Platonismus, insbesondere bei den Neuplatonikern Plotin, Porphyrios, Jamblich, Themistios, Proklos und Marinos sowie bei den christlichen Autoren Augustin, Boethius und Dionysios Areopagites untersucht. Die Autoren des Bandes knüpfen dabei in vielfältiger Weise an die Arbeiten von Dominic J. O’Meara an. Die Weiterführung seiner Ansätze rückt insbesondere die spätplatonische Ethik in ein neues Licht. Die jeweiligen Studien tragen darüber hinaus zur Erforschung der vielfältigen Bezüge der Platoniker aufeinander sowie auf andere Denker bei. Das Buch macht in seiner ganzen Breite das Erneuerungs- und Verwandlungspotenzial des antiken Platonismus deutlich.

Author: Antoine Compagnon
Publisher: Presses Paris Sorbonne
ISBN: 9782840502630
Category :
Languages : en
Pages : 214

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Author: Dominik Perler
Publisher: BRILL
ISBN: 9004173676
Category : History
Languages : en
Pages : 247

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Book Description
Focusing on the period between Albertus Magnus and Descartes, the ten contributions examine various Aristotelian theories of the soul. They pay particular attention to the question of how the metaphysical status of the soul and its cognitive functions (sense perception, imagination, intellectual thinking) were explained.

Author: James S. Williams
Publisher: State University of New York Press
ISBN: 1438460643
Category : Performing Arts
Languages : en
Pages : 340

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Book Description
Encounters with Godard takes the reader on a personal voyage into the sensory pleasures and polyphonic rhythms of Jean-Luc Godard's multimedia work since the late 1970s, from his feature films and video essays to his published writings, art books, and media performances. Godard, suggests James S. Williams, lays ethical claim to the cinematic, defined in the broadest terms as relationality and artistic resistance. An introductory chapter on the extended history of La Chinoise (1967), a film explicitly of montage, is followed by seven different types of critical encounters with Godard, encompassing the fields of art and photography, music and literature, and foregrounding themes of gender and sexuality, race and violence, mystery and emotion. The Godard who emerges here is a restless and radical experimenter who establishes new cinematic thresholds through new technology and expands the creative potential and free exchange of the archives. Williams examines works including Nouvelle vague (1990), Film socialisme (2010), Hélas pour moi (1993), and the magnum opus Histoire(s) du cinéma (1988–98). Wide-ranging and accessible, Encounters with Godard marks a major intervention in the study of film aesthetics and ethics while forging a vital dialogue with literature, history and politics, art and art history, music and musicology, philosophy, and aesthetics.

Author: Daniel Morgan
Publisher: Univ of California Press
ISBN: 0520344251
Category : Performing Arts
Languages : en
Pages : 305

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Book Description
The Lure of the Image shows how a close study of camera movement challenges key assumptions underlying a wide range of debates within cinema and media studies. Highlighting the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera—and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick and in contemporary digital technologies, The Lure of the Image exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways that filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, one that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style.

Author: Sylvain Roudaut
Publisher: BRILL
ISBN: 9004501894
Category : Philosophy
Languages : en
Pages : 443

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Book Description
The aim of this book is to analyze the problem of the intensity of forms in the late Middle Ages and to show how this debate eventually gave rise to a new metaphysical project in the 14th century: the project of quantifying the different types of perfections existing in the universe – that is the project of “measuring being”. Cet ouvrage se propose d’analyser l’histoire du débat relatif à l’intensité des formes au Moyen Âge, et de retracer la manière dont il conduisit au XIVe siècle à l’émergence d’un projet métaphysique nouveau : celui de quantifier les perfections contenues dans l’univers et, ainsi, de “mesurer l’être”.

Author: Riccardo M. Villa
Publisher: Birkhäuser
ISBN: 303562769X
Category : Architecture
Languages : en
Pages : 256

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Book Description
In his 1979 essay The Postmodern Condition: A Report on Knowledge philosopher Jean-François Lyotard noted that the advent of the computer opened up a stage of progress in which knowledge has become a commodity. Modernity and postmodernity appear as two stages of a process resulting from the conflict of science and narrative. As science attempts to distance itself from narrative, it must create its own legitimacy. This paper takes up this challenge with a focus on the question of imagery. The image is precisely what modern science seeks to free itself from in its quest for absolute transparency. This transparency is examined from the perspective of architecture, drawing on arguments from philosophy, quantum mechanics, theology and information theory. Natural science in the context of postmodernism Quantum mechanics and information theory New volume in the Applied Virtuality Book Series