Author: Lisardo Casado Morillo
Publisher:
ISBN: 9788426511058
Category :
Languages : es
Pages : 48
Book Description
Conquista del lenguaje 3
Author: Lisardo Casado Morillo
Publisher:
ISBN: 9788426511058
Category :
Languages : es
Pages : 48
Book Description
Publisher:
ISBN: 9788426511058
Category :
Languages : es
Pages : 48
Book Description
Conquista del lenguaje
Author: Lisardo Casado Morillo
Publisher:
ISBN:
Category :
Languages : es
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : es
Pages : 0
Book Description
Conquista del lenguaje
Author: Felipe Santiago García
Publisher:
ISBN: 9788426511393
Category :
Languages : es
Pages : 158
Book Description
Publisher:
ISBN: 9788426511393
Category :
Languages : es
Pages : 158
Book Description
Conquista del lenguaje
Conquista del lenguaje
Author: Felipe Santiago García
Publisher:
ISBN: 9788426511669
Category :
Languages : es
Pages : 252
Book Description
Publisher:
ISBN: 9788426511669
Category :
Languages : es
Pages : 252
Book Description
Conquista del lenguaje
Author: Felipe Santiago García
Publisher:
ISBN: 9788426510723
Category :
Languages : es
Pages : 131
Book Description
Publisher:
ISBN: 9788426510723
Category :
Languages : es
Pages : 131
Book Description
Aspectos lingüísticos del descubrimiento y de la conquista
Author: Emma Martinell Gifre
Publisher: Editorial CSIC - CSIC Press
ISBN: 9788400068592
Category : America
Languages : es
Pages : 234
Book Description
Publisher: Editorial CSIC - CSIC Press
ISBN: 9788400068592
Category : America
Languages : es
Pages : 234
Book Description
Conquista del lenguaje 5
Author: José Antonio Palacios Garrido
Publisher:
ISBN: 9788426511072
Category :
Languages : es
Pages : 64
Book Description
Publisher:
ISBN: 9788426511072
Category :
Languages : es
Pages : 64
Book Description
The Spectacular City, Mexico, and Colonial Hispanic Literary Culture
Author: Stephanie Merrim
Publisher: University of Texas Press
ISBN: 0292749880
Category : Literary Criticism
Languages : en
Pages : 379
Book Description
Winner, Katherine Singer Kovacs Prize, Modern Language Association, 2010 The Spectacular City, Mexico, and Colonial Hispanic Literary Culture tracks the three spectacular forces of New World literary culture—cities, festivals, and wonder—from the sixteenth to the seventeenth century, from the Old World to the New, and from Mexico to Colombia, Peru, and Bolivia. It treats a multitude of imperialist and anti-imperialist texts in depth, including poetry, drama, protofiction, historiography, and journalism. While several of the landmark authors studied, including Hernán Cortés and Sor Juana Inés de la Cruz, are familiar, others have received remarkably little critical attention. Similarly, in spotlighting creole writers, Merrim reveals an intertextual tradition in Mexico that spans two centuries. Because the spectacular city reaches its peak in the seventeenth century, Merrim's book also theorizes and details the spirited work of the New World Baroque. The result is the rich examination of a trajectory that leads from the Renaissance ordered city to the energetic revolts of the spectacular city and the New World Baroque.
Publisher: University of Texas Press
ISBN: 0292749880
Category : Literary Criticism
Languages : en
Pages : 379
Book Description
Winner, Katherine Singer Kovacs Prize, Modern Language Association, 2010 The Spectacular City, Mexico, and Colonial Hispanic Literary Culture tracks the three spectacular forces of New World literary culture—cities, festivals, and wonder—from the sixteenth to the seventeenth century, from the Old World to the New, and from Mexico to Colombia, Peru, and Bolivia. It treats a multitude of imperialist and anti-imperialist texts in depth, including poetry, drama, protofiction, historiography, and journalism. While several of the landmark authors studied, including Hernán Cortés and Sor Juana Inés de la Cruz, are familiar, others have received remarkably little critical attention. Similarly, in spotlighting creole writers, Merrim reveals an intertextual tradition in Mexico that spans two centuries. Because the spectacular city reaches its peak in the seventeenth century, Merrim's book also theorizes and details the spirited work of the New World Baroque. The result is the rich examination of a trajectory that leads from the Renaissance ordered city to the energetic revolts of the spectacular city and the New World Baroque.
The Melancholy Void
Author: Felipe Valencia (1983- author)
Publisher: U of Nebraska Press
ISBN: 1496227697
Category : Literary Criticism
Languages : en
Pages : 354
Book Description
At the turn of the seventeenth century, Spanish lyric underwent a notable development. Several Spanish poets reinvented lyric as a melancholy and masculinist discourse that sang of and perpetrated symbolic violence against the female beloved. This shift emerged in response to the rising prestige and commercial success of the epic and was enabled by the rich discourse on the link between melancholy and creativity in men. In The Melancholy Void Felipe Valencia examines this reconstruction of the lyric in key texts of Spanish poetry from 1580 to 1620. Through a study of canonical and influential texts, such as the major poems by Luis de Góngora and the epic of Alonso de Ercilla, but also lesser-known texts, such as the lyrics by Miguel de Cervantes, The Melancholy Void addresses four understudied problems in the scholarship of early modern Spanish poetry: the use of gender violence in love poetry as a way to construct the masculinity of the poetic speaker; the exploration in Spanish poetry of the link between melancholy and male creativity; the impact of epic on Spanish lyric; and the Spanish contribution to the fledgling theory of the lyric. The Melancholy Void brings poetry and lyric theory to the conversation in full force and develops a distinct argument about the integral role of gender violence in a prominent strand of early modern Spanish lyric that ran from Garcilaso to Góngora and beyond.
Publisher: U of Nebraska Press
ISBN: 1496227697
Category : Literary Criticism
Languages : en
Pages : 354
Book Description
At the turn of the seventeenth century, Spanish lyric underwent a notable development. Several Spanish poets reinvented lyric as a melancholy and masculinist discourse that sang of and perpetrated symbolic violence against the female beloved. This shift emerged in response to the rising prestige and commercial success of the epic and was enabled by the rich discourse on the link between melancholy and creativity in men. In The Melancholy Void Felipe Valencia examines this reconstruction of the lyric in key texts of Spanish poetry from 1580 to 1620. Through a study of canonical and influential texts, such as the major poems by Luis de Góngora and the epic of Alonso de Ercilla, but also lesser-known texts, such as the lyrics by Miguel de Cervantes, The Melancholy Void addresses four understudied problems in the scholarship of early modern Spanish poetry: the use of gender violence in love poetry as a way to construct the masculinity of the poetic speaker; the exploration in Spanish poetry of the link between melancholy and male creativity; the impact of epic on Spanish lyric; and the Spanish contribution to the fledgling theory of the lyric. The Melancholy Void brings poetry and lyric theory to the conversation in full force and develops a distinct argument about the integral role of gender violence in a prominent strand of early modern Spanish lyric that ran from Garcilaso to Góngora and beyond.