Author: Fernando de RojasPublisher:
ISBN:
Category :
Languages : en
Pages : 332
Book Description
Celestina
The Celestina
Author: Fernando de RojasPublisher: Univ of California Press
ISBN: 0520351223
Category : Fiction
Languages : en
Pages : 163
Book Description
The Celestina is considered by scholars to be the first European novel. Written in fifteenth-century Spain, this masterpiece is remarkable for its originality, depth, handling of dialogue, and drawing of character. The novel's focus is the character of Celestina, who dominates the scene. An old bawd brimming with salty wisdom derived from a vigorous and sinful life, she is one of the great creations in all of literature and holds a secure place beside her two compatriots, Don Quixote and Sancho Panza. This Spanish classic, a forebear of Cervantes, was originally published anonymously in 1499; later editions bear the name of Fernando de Rojas as author.
A Companion to Celestina
Author: Publisher: BRILL
ISBN: 9004349324
Category : Literary Criticism
Languages : en
Pages : 444
Book Description
In A Companion to Celestina, Enrique Fernandez brings together twenty-three hitherto unpublished contributions on the Tragicomedia de Calisto y Melibea, popularly known as Celestina (c. 1499) written by leading experts who summarize, evaluate and expand on previous studies. The resulting chapters offer the non-specialist an overview of Celestina studies. Those who already know the field will find state of the art studies filled with new insights that elaborate on or depart from the well-established currents of criticism. Celestina's creation and sources, the parody of religious and erudite traditions, the treatment of magic, prostitution, the celestinesca and picaresque genre, the translations into other languages as well as the adaptations into the visual arts (engravings, paintings, films) are some of the topics included in this companion. Contributors are: Beatriz de Alba-Koch, Raúl Álvarez Moreno, Consolación Baranda, Ted L. Bergman, Patrizia Botta, José Luis Canet, Fernando Cantalapiedra, Ricardo Castells, Ivy Corfis, Manuel da Costa Fontes, Enrique Fernandez, José Luis Gastañaga Ponce de León, Ryan D. Giles, Yolanda Iglesias, Gustavo Illades Aguiar, Kathleen V. Kish, Bienvenido Morros Mestres, Devid Paolini, Antonio Pérez Romero, Amaranta Saguar García, Connie Scarborough, Joseph T. Snow, and Enriqueta Zafra.
Spain of Fernando de Rojas
Author: Stephen GilmanPublisher: Princeton University Press
ISBN: 1400872553
Category : History
Languages : en
Pages : 576
Book Description
As a major piece of historical detective work. Stephen Gilman's "La Celestina" and the Spain of Fernando de Rojas adds a new dimension to critical studies of the fifteenth-century masterpiece. Using the text of La Celestina as well as public and private archives in Spain, Mr. Oilman builds up a vivid sense of the man behind the dialogue and establishes Fernando de Rojas indisputably as its author—a figure whom critics, while ranking his novel second only to Don Quixote, have treated as semi-anonymous or non-existent. We cannot really know what the Celestina is, says Mr. Oilman, without speculating as rigorously and as learnedly as possible both on how it came to be and on how it could come to be. Thus he reconstructs the world of Rojas, country lawyer and converso, the social, religious, and intellectual milieu of Salamanca, of Spain during the Inquisition, of the converted Jew. He makes it possible for us to see the author—the law student writing feverishly during a fortnight's vacation from classes—in the context of his own times and thus to understand Rojas' achievement: his unconventionality; his sardonic judgment of the Spain in which he lived; the explosive originality, in fact, of La Celestina. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
La Celestina
Author: Diane HartunianPublisher:
ISBN:
Category : Pleasure in literature
Languages : en
Pages : 136
Book Description
Mediating Fictions
Author: Jean DanglerPublisher: Bucknell University Press
ISBN: 9780838754528
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
"Mediating Fictions examines the variety of strategies that these authors use to deprecate women healers, and in the process, to create early modern "others" to whom the ideal, male physician could be contrasted. Spill, La Celestina, and La Lozana andaluza all attempt to dissuade their readers from seeking the healing service of ordinary women."--BOOK JACKET.
Celestina's Brood
Author: Roberto González EchevarríaPublisher: Duke University Press
ISBN: 9780822313717
Category : Drama
Languages : en
Pages : 300
Book Description
Published in 1499 and centered on the figure of a bawd and witch, Fernando de Rojas' dark and disturbing Celestina was destined to become the most suppressed classic in Spanish literary history. Routinely ignored in Spanish letters, the book nonetheless echoes through contemporary Spanish and Latin American literature. This is the phenomenon that Celestina's Brood explores. Roberto González Echevarría, one of the most eminent and influential critics of Hispanic literature writing today, uses Rojas' text as his starting point to offer an exploration of modernity in the Hispanic literary tradition, and of the Baroque as an expression of the modern. His analysis of Celestina reveals the relentless probing of the limits of language and morality that mark the work as the beginning of literary modernity in Spanish, and the start of a tradition distinguished by a penchant for the excesses of the Baroque. González Echevarría pursues this tradition and its meaning through the works of major figures such as Cervantes, Lope de Vega, Calderón de la Barca, Alejo Carpentier, Carlos Fuentes, Gabriel García Márquez, Nicolás Guillén, and Severo Sarduy, as well as through the works of lesser-known authors. By revealing continuities of the Baroque, Celestina's Brood cuts across conventional distinctions between Spanish and Latin American literary traditions to show their profound and previously unimagined affinity.
The Subversive Tradition in Spanish Renaissance Writing
Author: Antonio Pérez-RomeroPublisher: Bucknell University Press
ISBN: 9780838755891
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
"The seven texts in this cross-section of fiction and nonfiction reveal a nation at the brink of modernity, embracing revolutionary ideas and reeling in their explosive impact. The opening chapters establish the theoretical framework for Perez-Romero's analysis, describing the intellectual and social environments of medieval Spain and tracing the developments in Spanish historical and literary scholarship that point to the existence of a new path of investigation."--Jacket.
Celestina
Author: Charlotte SmithPublisher:
ISBN:
Category : English fiction
Languages : en
Pages : 298
Book Description
The Image of Celestina
Author: Enrique FernándezPublisher: University of Toronto Press
ISBN: 1487549806
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
La Celestina, a Spanish literary masterpiece second only in importance to Don Quixote in Spanish literature, has been shaped by the inclusion of images from its very first edition in 1499. The subsequent five centuries were punctuated by many illustrated editions; imaginary portraits of the eponymous procuress Celestina by painters such as Murillo, Goya, and Picasso; and, more recently, screen and stage adaptations. Celestina became the prototype from which later representations of procuresses and bawds derived. The Image of Celestina sheds light on the visual culture that developed around La Celestina, including paintings, illustrations, and advertisements. Enrique Fernández examines La Celestina as a mixed-media text, incorporating methods from disciplines such as art history and women’s and cinema studies, and considers a variety of images including promotional posters, lobby pictures, and playbills of theatrical and cinematic adaptations of the book. Using a visual studies approach, The Image of Celestina ultimately illuminates the culture of Celestina, a mythical figure, who surpasses the literary text in which she originated.