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Author: Michael F. Marra Publisher: University of Hawaii Press ISBN: 9780824827557 Category : Poetry Languages : en Pages : 380
Book Description
Kuki Shûzô (1888–1941), one of Japan’s most original thinkers of the twentieth century, is best known for his interpretations of Western Continental philosophy. His works on and of poetry are less well known but equally illuminating. During his eight years studying in Europe in the 1920s, Kuki spent time in Paris, where he wrote several collections of poetry and many short poems in the tanka style. Included in this volume are these Paris poems as well as other verses that Kuki appended to a long essay on poetry, "Rhymes in Japanese Poetry," written in 1931. Included as well are translations of two of Kuki’s major critical essays on poetry, "The Genealogy of Feelings: A Guide to Poetry" (1938) and "The Metaphysics of Literature" (1940). Michael Marra, one of the West’s foremost authorities on modern Japanese aesthetics, prefaces his translations with an important essay that gives an account of the current state of Kuki studies in English and presents an intriguing and original interpretation of Kuki’s writings. Marra argues that there is an unresolved tension in Kuki’s thought between a desire to overcome the rigid schemes of metaphysics, garnered from his knowledge of French and German philosophy, on the one hand, and a constant hesitation to let those schemes go, which is expressed in his verse.
Author: Hiroshi Nara Publisher: University of Hawaii Press ISBN: 9780824827359 Category : Literary Criticism Languages : en Pages : 204
Book Description
The philosopher's controversial link with Heidegger is explored by Jon Mark Mikkelsen in the final essay, which concludes that, although Heidegger's view of art is consistent, both historically and conceptually, with his political involvement with fascism, the same cannot be said of Kuki."
Author: Michael F. Marra Publisher: University of Hawaii Press ISBN: 9780824827557 Category : Poetry Languages : en Pages : 380
Book Description
Kuki Shûzô (1888–1941), one of Japan’s most original thinkers of the twentieth century, is best known for his interpretations of Western Continental philosophy. His works on and of poetry are less well known but equally illuminating. During his eight years studying in Europe in the 1920s, Kuki spent time in Paris, where he wrote several collections of poetry and many short poems in the tanka style. Included in this volume are these Paris poems as well as other verses that Kuki appended to a long essay on poetry, "Rhymes in Japanese Poetry," written in 1931. Included as well are translations of two of Kuki’s major critical essays on poetry, "The Genealogy of Feelings: A Guide to Poetry" (1938) and "The Metaphysics of Literature" (1940). Michael Marra, one of the West’s foremost authorities on modern Japanese aesthetics, prefaces his translations with an important essay that gives an account of the current state of Kuki studies in English and presents an intriguing and original interpretation of Kuki’s writings. Marra argues that there is an unresolved tension in Kuki’s thought between a desire to overcome the rigid schemes of metaphysics, garnered from his knowledge of French and German philosophy, on the one hand, and a constant hesitation to let those schemes go, which is expressed in his verse.
Author: 九鬼周造 Publisher: University of Washington Press ISBN: Category : Art Languages : en Pages : 172
Book Description
This is the first English translation of a text outlining a distinctively plebian Japanese aesthetic based on a unique category of taste, "iki"
Author: Leslie Pincus Publisher: Univ of California Press ISBN: 0520916484 Category : History Languages : en Pages : 582
Book Description
During the interwar years in Japan, discourse on culture turned sharply inward after generations of openness to Western ideas. The characterizations that arose—that Japanese culture is unique, essential, and enduring—came to be accepted both inside and outside Japan. Leslie Pincus focuses on the work of Kuki Shuzo, a philosopher and the author of the classic "Iki" no Kozo, to explore culture and theory in Japan during the interwar years. She shows how Japanese intellectual culture ultimately became complicit, even instrumental, in an increasingly repressive and militaristic regime that ultimately brought the world to war. Pincus provides an extensive critical study of Kuki's intellectual lineage and shows how it intersects with a number of central figures in both European and Japanese philosophy. The discussion moves between Germany, France, and Japan, providing a guide to the development of culture in a number of national settings from the turn of the century to the 1930s. Inspired by the work of Foucault, the Marxist culturalists, and the Frankfurt School, Pincus reads against the grain of traditional interpretation. Her theoretically informed approach situates culture in a historical perspective and charts the ideological dimensions of cultural aesthetics in Japan. Authenticating Culture in Imperial Japan makes an important contribution to our understanding of modernity, nationalism, and fascism in the early twentieth century.
Author: Graham Mayeda Publisher: Rowman & Littlefield ISBN: 149857209X Category : Philosophy Languages : en Pages : 299
Book Description
In every part of the world and in every era, philosophers have reflected on the meaning of culture and its philosophical significance. Japanese Philosophers on Society and Culture:Nishida Kitarō, Watsuji Tetsurō, and Kuki Shūzō explores how three of Japan's preeminent philosophers of the twentieth century—Nishida Kitarō, Watsuji Tetsurō and Kuki Shūzō—defined culture and analyzed what it tells us about social relations. Graham Mayeda also explores little-known aspects of the work of each philosopher, including a philosophical analysis of Watsuji's travel diary, Pilgrimages to the Ancient Temples in Nara, the place of intuition in Kuki's ethics of otherness, and the role of culture in realizing Nishida's concept of reality as the historical world. Each of these three philosophers adapted philosophical methodologies such as phenomenology, hermeneutics, and dialectical logic to studying the traditional sources of Japanese culture: Confucianism, Buddhism, Bushidō and Shintō. This book focuses on the way that Nishida, Watsuji and Kuki critiqued the methodologies that they adopted from European philosophy and modified them to reflect the values that form the basis of their own cultural tradition. Finally, Mayeda engages with the problem of cultural essentialism by identifying the progressive and conservative elements of each philosopher's characterization of Japanese culture.
Author: Steve Odin Publisher: University of Hawaii Press ISBN: 9780824823740 Category : Philosophy Languages : en Pages : 310
Book Description
Artistic Detachment in Japan and the West takes up the notion of artistic detachment, or psychic distance, as an intercultural motif for East-West comparative aesthetics. The work begins with an overview of aesthetic theory in the West from the eighteenth-century empiricists to contemporary aesthetics and concludes with a survey of various critiques of psychic distance. Throughout, the author takes a highly innovative approach by juxtaposing Western aesthetic theory against Eastern (primarily Japanese) aesthetic theory. Weaving between cultures and time periods, the author focuses on a remarkably wide range of theories: in the West, the Kantian notion of disinterested contemplation, Heidegger's Gelassenheit, semiotics, and pragmatism; in Japan, Zeami's notion of riken no ken, the Kyoto School's intepretation of nothingness, D. T. Suzuki's analysis of the function of no-mind, and the writings of Kuki Shuzo on Buddhist detachment. "Portrait of the artist" fiction by such writers as Henry James, James Joyce, Mori Ogai, and Natsume Soseki demonstrates how the main theme of detachment is expressed in literary traditions. The role of sympathy or pragmatism in relation to disinterest is examined, suggesting conflicts within or challenges to the notion of detachment. Researchers and students in Eastern and Western areas of study, including philosophers and religionists, as well as literary and cultural critics, will deem this work an invaluable contribution to cross-cultural philosophy and literary studies.
Author: Graham Mayeda Publisher: Routledge ISBN: 1135506159 Category : Philosophy Languages : en Pages : 275
Book Description
In this book, Graham Mayeda demonstrates how Watsuji Tetsuro and Kuki Shuzo, two twentieth-century Japanese philosophers, criticize and interpret Heideggerian philosophy, articulating traditional Japanese ethics in a modern idiom.
Author: Stephen Light Publisher: ISBN: Category : Philosophy Languages : en Pages : 178
Book Description
For two and a half months in 1928, the Japanese philosopher Shûzô Kuki had weekly talks with a young French student of philosophy—Jean-Paul Sartre. In 1928, Kuki had just come to Paris after having studied with Heidegger and Husserl. Freshly acquainted with the new phenomenology, Kuki introduced Sartre to this emerging movement in philosophy. In a well-researched introductory essay, Stephen Light details the eight years Kuki spent in Europe in the 1920s, a period during which Kuki came to know Henri Bergson, Heinrich Rickert, and Emile Brehier, as well as Husserl and Heidegger. Light includes translations of two of Kuki’s essays on time and often of his short essays on matters Japanese, culminating in the insightful “General Characteristics of French Philosophy.” None of the Kuki essays were previously available in English. The final section of the book is a facsimile of the never before published notebook Kuki used during his discussions with Sartre.
Author: Masao Miyoshi Publisher: Duke University Press ISBN: 9780822313687 Category : History Languages : en Pages : 380
Book Description
Since the end of World War II, Japan has determinately remained outside the current of world events and uninvolved in the processes determining global history and politics. In Japan and the World, distinguished scholars, novelists, and intellectuals articulate how Japan—despite unprecedented economic prowess in securing dominance in the world's market—is caught in a complex dependency with the United States. Drawing on critical and postmodernist theory, this timely volume situates this dependency in a broader historical context and assesses Japan's current dealings in international politics, society, and culture. Among the many topics covered are: racism in U.S.-Japanese relations; productivity and workplace discourse; Western cultural hegemony; the constructing of a Japanese cultural history; and the place of the novelist in today's world. Originally published as a special issue of boundary 2 (Fall 1991), this edition includes four new essays on Japanese industrial revolution; the place of English studies in Japan; how American cultural, historical, and political discourse represented Japan and in turn how America's version of Japan became Japan's version of itself; and an "archaeology" of hegemonic relationships between Japan and America and Britain in the first half of the twentieth century. Contributors. Eqbal Ahmad, Perry Anderson, Bruce Cumings, Arif Dirlik, H.D. Harootunian, Kazuo Ishuro, Fredric Jameson, Kojin Karatani, Oe Kenzaburo, Masao Miyoshi, Tetsuo Najita, Leslie Pincus, Naoki Sakai, Miriam Silverberg, Christena Turner, Rob Wilson, Mitsuhiro Yoshimoto
Author: Susan L Burns Publisher: Duke University Press ISBN: 0822384906 Category : Political Science Languages : en Pages : 295
Book Description
Exploring the emergence and evolution of theories of nationhood that continue to be evoked in present-day Japan, Susan L. Burns provides a close examination of the late-eighteenth-century intellectual movement kokugaku, which means "the study of our country.” Departing from earlier studies of kokugaku that focused on intellectuals whose work has been valorized by modern scholars, Burns seeks to recover the multiple ways "Japan" as social and cultural identity began to be imagined before modernity. Central to Burns's analysis is Motoori Norinaga’s Kojikiden, arguably the most important intellectual work of Japan's early modern period. Burns situates the Kojikiden as one in a series of attempts to analyze and interpret the mythohistories dating from the early eighth century, the Kojiki and Nihon shoki. Norinaga saw these texts as keys to an original, authentic, and idyllic Japan that existed before being tainted by "flawed" foreign influences, notably Confucianism and Buddhism. Hailed in the nineteenth century as the begetter of a new national consciousness, Norinaga's Kojikiden was later condemned by some as a source of Japan's twentieth-century descent into militarism, war, and defeat. Burns looks in depth at three kokugaku writers—Ueda Akinari, Fujitani Mitsue, and Tachibana Moribe—who contested Norinaga's interpretations and produced competing readings of the mythohistories that offered new theories of community as the basis for Japanese social and cultural identity. Though relegated to the footnotes by a later generation of scholars, these writers were quite influential in their day, and by recovering their arguments, Burns reveals kokugaku as a complex debate—involving history, language, and subjectivity—with repercussions extending well into the modern era.
Author: Michael F. Marra
Author: Hiroshi Nara
Author: Michael F. Marra
Author: 九鬼周造
Author: Leslie Pincus
Author: Graham Mayeda
Author: Steve Odin
Author: Graham Mayeda
Author: Stephen Light
Author: Masao Miyoshi
Author: Susan L Burns