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Author: Allen Scott Publisher: Indiana University Press ISBN: 0253014565 Category : Music Languages : en Pages : 518
Book Description
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Author: Allen Scott Publisher: Indiana University Press ISBN: 0253014565 Category : Music Languages : en Pages : 518
Book Description
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Author: Paul Wranitzky Publisher: BoD – Books on Demand ISBN: 3754365290 Category : Music Languages : en Pages : 110
Book Description
Wranitzky has left us a large body of works which remain to be discovered in the present day. A contemporary associate of Haydn, Mozart and Beethoven, Wranitzky deserves reappraisal as a major composer who made a big impact on the music of Vienna in the formative stages of the Classical style. Famed during his lifetime as a symphonist, and popular composer of operas and ballets this delightfully original set of six flute duos should bein every flautist's collection. --- Wranitzky hat uns ein umfangreiches Korpus an Werken hinterlassen, das bislang noch auf seine Entdeckung wartet. Als Zeitgenosse Haydns, Mozarts und Beethovens verdient er eine Neubewertung als bedeutender Komponist, der einen großen Einfluss auf die Wiener Klassik in ihren Anfangsjahren ausübte. Zu seinen Lebzeiten bekannt als Symphoniker und Komponist von Opern und Balletten sollte sich dieser herrlich ursprüngliche Satz von sechs Flötenduos in jeder Notensammlung eines Flötisten befinden.
Author: Amy Lynn Wlodarski Publisher: Eastman Studies in Music ISBN: 1580469477 Category : History Languages : en Pages : 256
Book Description
Based on private diaries, correspondence, and unpublished writings, George Rochberg, American Composer, reveals the impact of personal trauma on the creative and intellectual work of a leading postmodern composer.
Author: Alexander Stefaniak Publisher: Indiana University Press ISBN: 0253022096 Category : Music Languages : en Pages : 311
Book Description
“A valuable resource for musicologists, theorists, pianists, and aestheticians interested in reading about Schumann’s views on virtuosity.” —Notes Considered one of the greatest composers—and music critics—of the Romantic era, Robert Schumann (1810–1856) played an important role in shaping nineteenth-century German ideas about virtuosity. Forging his career in the decades that saw abundant public fascination with the feats and creations of virtuosos (Liszt, Paganini, and Chopin among others), Schumann engaged with instrumental virtuosity through not only his compositions and performances but also his music reviews and writings about his contemporaries. Ultimately, the discourse of virtuosity influenced the culture of Western “art music” well beyond the nineteenth century and into the present day. By examining previously unexplored archival sources, Alexander Stefaniak looks at the diverse approaches to virtuosity Schumann developed over the course of his career, revealing several distinct currents in nineteenth-century German virtuosity and the enduring flexibility of virtuosity discourse.
Author: Allen Scott
Author: Allen Scott
Author: Johann Gottlieb Graun
Author: Library of Congress. Copyright Office
Author: Paul Wranitzky
Author: 
Author: Amy Lynn Wlodarski
Author: Alexander Stefaniak
Author: Johann Friedrich Fasch
Author: 
Author: Murray Grodner