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Author: Raymond Durgnat Publisher: Univ of California Press ISBN: 9780520057982 Category : Performing Arts Languages : en Pages : 396
Book Description
Hollywood director King Vidor (1894-1982) was acknowledged as a master by movie showmen and cinema critics alike, but the range of his films made him impossible to pigeonhole. With The Big Parade (1925), he created the first modern war film and MGM's first major hit. The Crowd (1928) looked at "ordinary people" in city jungles. Hallelujah (1929) was the first all-black major-studio feature. To the Great Depression, Vidor responded with Our Daily Bread (1934), the politically intricate saga of a rural cooperative. Other Vidor films spoke directly to the moviegoing public: that three-handkerchief male weepie, The Champ (1931); and that key women's drama, Stella Dallas (1937). His high-passion postwar melodramas, spurned by contemporary reviewers, have gained champions each year: the epic western Duel in the Sun (1946); Ayn Rand's ultra-right-wing The Fountainhead (1949); and the violent and morbid Beyond the Forest (1949) and Ruby Gentry (1952). This book is the first in-depth story of Vidor's half-century-long career, from his first attempts to rival Hollywood in his home state of Texas through the complex interplay of his independent spirit with "classic" Hollywood's rules about public taste. The title King Vidor, American, celebrates Vidor as a representative man, full of the conflicting generosity and ferocity in the national ethos: with his violent mixture of pioneering optimism and noir torments, of transcendentalism and puritanism, of spiritual verve and physical practicality, of liberal conscience and Social Darwinist savagery, of male dominance and female conciliation. Like Whitman, he contains multitudes. Never narrowly auteurist, this book is a wide ranging integration of film history, political thought, and popular culture.--Adapted from dust jacket.
Author: Raymond Durgnat Publisher: Univ of California Press ISBN: 9780520057982 Category : Performing Arts Languages : en Pages : 396
Book Description
Hollywood director King Vidor (1894-1982) was acknowledged as a master by movie showmen and cinema critics alike, but the range of his films made him impossible to pigeonhole. With The Big Parade (1925), he created the first modern war film and MGM's first major hit. The Crowd (1928) looked at "ordinary people" in city jungles. Hallelujah (1929) was the first all-black major-studio feature. To the Great Depression, Vidor responded with Our Daily Bread (1934), the politically intricate saga of a rural cooperative. Other Vidor films spoke directly to the moviegoing public: that three-handkerchief male weepie, The Champ (1931); and that key women's drama, Stella Dallas (1937). His high-passion postwar melodramas, spurned by contemporary reviewers, have gained champions each year: the epic western Duel in the Sun (1946); Ayn Rand's ultra-right-wing The Fountainhead (1949); and the violent and morbid Beyond the Forest (1949) and Ruby Gentry (1952). This book is the first in-depth story of Vidor's half-century-long career, from his first attempts to rival Hollywood in his home state of Texas through the complex interplay of his independent spirit with "classic" Hollywood's rules about public taste. The title King Vidor, American, celebrates Vidor as a representative man, full of the conflicting generosity and ferocity in the national ethos: with his violent mixture of pioneering optimism and noir torments, of transcendentalism and puritanism, of spiritual verve and physical practicality, of liberal conscience and Social Darwinist savagery, of male dominance and female conciliation. Like Whitman, he contains multitudes. Never narrowly auteurist, this book is a wide ranging integration of film history, political thought, and popular culture.--Adapted from dust jacket.
Author: Kevin L. Stoehr Publisher: McFarland ISBN: 1476670099 Category : Performing Arts Languages : en Pages : 339
Book Description
King Vidor (1894-1982) had the longest career of any Hollywood director, and his works include some of the most dramatic, sublime moments in the history of American cinema. Regarded by many film historians as one of the greatest of silent era filmmakers--especially for masterworks The Big Parade, The Crowd, and Show People--Vidor is nonetheless one of the most underrated of Hollywood's "old masters" in terms of his overall career. His sound era films include Hallelujah, Street Scene, The Champ, The Stranger's Return, Our Daily Bread, Stella Dallas, The Citadel, Northwest Passage, Duel in the Sun, Beyond the Forest, The Fountainhead, Ruby Gentry and War and Peace. He also helped to establish the Screen Directors Guild and served as its first president. This book charts the ways in which Vidor's vast, complex body of work ranges over diverse genres and styles while also expressing his recurring personal interests in spirituality (especially Christian Science), aesthetics, metaphysics, social realism, and the myth of America. The first book since 1988 to give a comprehensive view of Vidor's career, it discusses his artistic evolution in a way that appeals to the general reader as well as to the film scholar.
Author: Farran Smith Nehme Publisher: Abrams ISBN: 146831078X Category : Fiction Languages : en Pages : 320
Book Description
New York in the late 1980s. Ceinwen Reilly has just moved from Yazoo City, Mississippi, and she’s never going back, minimum wage job (vintage store salesgirl) and shabby apartment (Avenue C walkup) be damned. Who cares about earthly matters when Ceinwen can spend her days and her nights at fading movie houses—and most of the time that’s left trying to look like Jean Harlow? One day, Ceinwen discovers that her downstairs neighbor may have—just possibly—starred in a forgotten silent film that hasn’t been seen for ages. So naturally, it’s time for a quest. She will track down the film, she will impress her neighbor, and she will become a part of movie history: the archivist as ingénue. As she embarks on her grand mission, Ceinwen meets a somewhat bumbling, very charming, 100% English math professor named Matthew, who is as rational as she is dreamy. Together, they will or will not discover the missing reels, will or will not fall in love, and will or will not encounter the obsessives that make up the New York silent film nut underworld. A novel as winning and energetic as the grand Hollywood films that inspired it, Missing Reels is an irresistible, alchemical mix of Nora Ephron and David Nicholls that will charm and delight.
Author: Antonia Vidor Publisher: ISBN: 9780615567020 Category : Languages : en Pages : 326
Book Description
A Spiritual autobiography from the daughter of Hollywood director King Vidor. The intriguing story of her early life lived amongst the 'royalty' of Old Hollywood, and her later life and path in the extraordinary company of the American-born spiritual master, Adi Da Samraj.
Author: George Stevens, Jr. Publisher: Vintage ISBN: 0307518124 Category : Performing Arts Languages : en Pages : 734
Book Description
ONE OF THE HOLLYWOOD REPORTER'S 100 GREATEST FILM BOOKS OF ALL TIME • The first book to bring together interviews of master moviemakers from the American Film Institute’s renowned seminars, Conversations with the Great Moviemakers, offers an unmatched history of American cinema in the words of its greatest practitioners. Here are the incomparable directors Frank Capra, Elia Kazan, King Vidor, David Lean, Fritz Lang (“I learned only from bad films”), William Wyler, and George Stevens; renowned producers and cinematographers; celebrated screenwriters Ray Bradbury and Ernest Lehman; as well as the immortal Ingmar Bergman and Federico Fellini (“Making a movie is a mathematical operation. It’s absolutely impossible to improvise”). Taken together, these conversations offer uniquely intimate access to the thinking, the wisdom, and the genius of cinema’s most talented pioneers.
Author: M. Marubbio Publisher: University Press of Kentucky ISBN: 081312414X Category : Political Science Languages : en Pages : 314
Book Description
Killing the Indian Maiden examines the fascinating and often disturbing portrayal of Native American women in film. M. Elise Marubbio examines the sacrificial role in which a young Native woman allies herself with a white male hero and dies as a result of that choice. In studying thirty-four Hollywood films from the silent period to the present, she draws upon theories of colonization, gender, race, and film studies to ground her analysis in broader historical and sociopolitical context and to help answer the question, “What does it mean to be an American?” The book reveals a cultural iconography embedded in the American psyche. As such, the Native American woman is a racialized and sexualized other. A conquerable body, she represents both the seductions and the dangers of the American frontier and the Manifest Destiny of the American nation to master it.
Author: Raymond Durgnat
Author: Raymond Durgnat
Author: Raymond E. Durgnat
Author: King Vidor
Author: 
Author: Kevin L. Stoehr
Author: Farran Smith Nehme
Author: Antonia Vidor
Author: King Vidor
Author: George Stevens, Jr.
Author: M. Marubbio